Color Matters at Galerie Richard

Color is a function of reflected light and it is intrinsic to everything we see. Color is also freighted with emotion for humans – certain colors can excite or depress us even without our awareness – teases, shouts, whispers, sings. Color can be fugitive or it may sound an alarm. As a painter and former paint-maker, color has been a lifelong obsession for me. It’s also the focus of a new, stunning group show at Galerie Richard on the Lower East Side.

Work by Carl Fudge facing work by Jamie Martinez
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Elisa Jensen: Gazing Inward

Elisa Jensen‘s imagery draws upon pre-historic narratives – ancient  rock art scattered in pristine Irish landscapes, a Danish bog person  sacrificed during the Iron age, or stone age burial mounds spotted in a Danish island.  Her paintings and sculptures bring to mind mysterious rites and myths salvaged from a forgotten ancient past or perhaps from the depth of our collective unconscious memory.  In her interview for Art Spiel Jensen shares some thoughts on her process, imagery, and context.

Elisa Jensen , Gold Boat detail, 2018, self drying clay, acrylic paint, gold leaf 2 x 7 inches, photo by Apiwich

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Wild World closing at Cross Contemporary Art

Wild World: Ashley GARRETT, Catherine HOWE and Lily PRINCE, the current painting exhibition at at Cross Contemporary Art  opened on Sat. September 8th. On Sunday, September 30th Richard Klin will be reading from his novel, Petroleum Transfer Engineer, at the Cross Contemporary Gallery in Saugerties, NY  at 4:00 PM. Klin is also the author of two nonfiction books.  Klin’s work–fiction and nonfiction–has been featured on Public Radio International’s Studio 360 and has appeared in the Brooklyn Rail, the Atlantic, the ForwardFlyover Country ReviewAdelaide, NPR’s All Things Considered and others.

Ashley Garrett, Sossusvlei,  2017,  oil on canvas

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Size Matters

Chris Ketchie, “WEST”1000 Paintings of Then, 2015-2017 Ink and Acrylic on Wood, 130” x 275” x 2.5”, photo courtesy of the artist

In Size Matters artist and curator William Norton brings together seventeen visual artists and four performance artists from Japan, China, the USA, and the UAE, for whom the notion of scale is central.  The curator questions in what ways does scale impact form? How does it affect meaning? And more specifically, how is our perception of scale affected by cultural differences between Asian and Western cultures? Continue reading “Size Matters”

Susan Carr – Getting Used to Being Uncomfortable

Susan Carr creates playful and bold paintings, sculptures, and everything in between – all characterized by her thick, chunky, and layered painting application. Carr’s work comes from a deep and highly intuitive place, always guided by her vibrant curiosity. The artist shares with Art Spiel what brought her to art,  some of her thought process,  and  exploratory approach to material and form.

Susan Carr, Piece of Pi, 2018, hand cut wood with silk over the wood and yarn painted in oil with pieces of wood painted in oil 7×10 inch, photo courtesy of the artist

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Alienation and Elation at Art During the Occupation

FIRST LOOK  at Sharilyn Neidhardt’s solo exhibition

Opening later this week

Sharilyn Neidhardt , If I Can’t Find You There, I Don’t Care, 2017
oil on unframed canvas, approx 54 x 70 in, photo courtesy of the artist

Sharilyn Neidhardt’s vivid paintings in SUPERMASSIVE BLACK HOLE, at Art During the Occupation Gallery resonate with the zeitgeist of late-stage capitalism, when human connections are strained by a barrage of information and convenience. The fractured urban landscapes she portrays bring to mind reflective surfaces and fragmentation, altogether projecting a simultaneous sense of alienation and elation that are associated with any big city life. Continue reading “Alienation and Elation at Art During the Occupation”

Mie Yim – Her Gut Eye

For Mie Yim painting is like falling backward without a net. Her approach to painting is highly intuitive and her process seems to grow organically out of her life experience. In the interview with Art Spiel she shares some background on her art, process, and current show at Ground Floor Gallery.

Mie Yim, Pearly whites, 2018 ,,Oil on canvas, 16”x20”, photo credit Christian Nguyen

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Mary DeVincentis – Conscious Rituals

Mary DeVincentis paintings conjure worlds that are simultaneously inner and cosmic, personal and universal, unexpected yet strangely familiar. Some of the core concepts of Buddhism, such as impermanence, emptiness, interdependence and the origins of suffering, aversion and ignorance, often surface in her work in allegorical forms. Her imagery, conveyed with a remarkable fluidity of color and form, takes the viewer deep into their own inner worlds.  The artist shared with Art Spiel some of the experiences that led her to art, some of the ideas behind her work, and her overall process.

Mary DeVincentis, Heaven Can’t Wait, 23” x 35”, acrylic on yupo on panel, 2017, photo courtesy of the artist

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Kelsey Shwetz – Other than Linear Reality

 

Kelsey Shwetz, Rec Room, Oil and Acrylic on Canvas, 62”x32”, 2018, photo credit Lloyd Mulvey

Kelsey Shwetz’s paintings  bring to mind fantastic landscapes and ornamented interior spaces at the same time. Her imagery depicts artificial environments saturated with unexpected color combinations, altogether conjuring intense psychological urgency- unsettling yet playful. In this interview with Art Spiel Shwetz shared some of her thoughts, specifically about color, narrative and style. Continue reading “Kelsey Shwetz – Other than Linear Reality”

Peter Gynd – Studio on the Road

Peter Gynd, Blanketed 15-003, 2017, archival inkjet print on Hahnemulhe  photo rag 308gsm, 15.875 x 23.75 inches framed, Edition of 5 +1AP , photo courtesy of the artist

Peter Gynd is a prolific artist, curator, and gallery director. As a Canadian artist who has been well immersed in the New York City art world, Gynd has a vista on both worlds from a unique perspective. We have been in dialogue for several years and this is a compilation of the issues we have touched upon in our conversations. Continue reading “Peter Gynd – Studio on the Road”