oil painting – Page 14

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January 16, 2023December 27, 2022, by Art Spiel

Gail Winbury: The Girl who Drew Memories at the Wilson Museum

Featured Artist

The Girl Who Drew Memories, Hunter Gallery

Gail Winbury’s multidisciplinary art exhibition The Girl Who Drew Memories at the Elizabeth de C. Wilson Museum on the campus of the Southern Vermont Art Center in Manchester, Vermont, addresses the intersection of art and psychology, specifically “vulnerability and creativity”. Winbury proposed to include poetry as a component of the exhibition and curator Alison Crites brought together Winbury’s paintings and collages, with poetry by living poets. The exhibition altogether raises the question “how do we tell the stories of our early childhood when at times there may be no words, or we dare not utter the words aloud?”

December 17, 2022December 9, 2022, by Art Spiel

Field Notes at Metaphor Projects

Art Spiel Photo Story

Map

Description automatically generated — Scherezade Garcia, Paradise According to the Tropics/Sunburnt Jesus, Acrylic, Charcoal on Linen, 72 x 48 inches

Metaphor Projects is an artists-run space for contemporary art and culture founded in 2001 by two working artists. Directors/ Curators: Julian Jackson and Rene Lynch have mounted more than 100 solo and group exhibitions presenting the work of hundreds of artists and spent two decades developing what they call “the social sculpture that is Metaphor.”

November 27, 2022November 26, 2022, by Sara Farrell Okamura

Magic Mirror: Susan Carr at LABspace

Installation view of Susan Carr’s *Girls* paintings on top, and self-portraits below, in *Magic Mirror*

Tired of phrases such as best kept secret, finally receiving her due, and delayed recognition it is time to recognize artists, particularly women artists who are in their prime, evolving both in facility and content. Susan Carr is a quintessential example, an accomplished artist who, over decades, has fearlessly mined the history of her own existence. Her latest exhibit, Magic Mirror at LABspace in Hillsdale New York is a tribute to her dedication, talent and courage.

November 23, 2022December 30, 2022, by Christine Sullivan and Marianne Gagnier

Birds, Maps, Migrations

A Conversation Between Christine Sullivan and Marianne Gagnier

Christine Sullivan, The Place Between, 44 x 32” oil/linen

This conversational exchange between artists Christine Sullivan and Marianne Gagnier was catalyzed by artist and writer Paul D’Agostino. He encouraged them to engage in dialogue with one another upon noting that they had both produced new bodies of work, right around the same time, featuring bird imagery. Taking this as impetus for a fertile discussion, Marianne and Christine decided to interview one another regarding themes of journeys and migration, and they discovered a number of surprising points of connection in their lives.

November 16, 2022November 15, 2022, by Alicia Puig

Love Letters to Paris: Ekaterina Popova at Cohle Gallery

Ekaterina Popova in her studio, Photo credit: Helena Raju

For the past several years, Philadelphia-based painter Ekaterina Popova has been exploring the theme of interiors in her work. The interest in this subject began as a way for her to reflect on her upbringing in Russia, but eventually evolved into a deeper investigation of the overall idea of “home” and what it means to her now. Her paintings highlight the warmth and beauty of lived-in domestic spaces, including items and objects that refer to a human presence without including the figure.

November 7, 2022December 30, 2022, by Saul Ostrow

Emily Mae Smith: Heretic Lace at Petzel

Emily Mae Smith, Heretic Lace, 2019, Oil on linen, 48×37 inches

Walt Disney has taught us that cartoons can be used to distract us while conveying the most serious of subjects. Understanding this Emily Mae Smith in 2014, introduced into her developing iconography an anthropomorphized, androgynist broom consisting of a featureless phallic shaft attached to a twig brush. This broom, a descendant of the demonic mops portrayed in sorcerer’s apprentice section of Disney’s Fantasia (1940), has become a signature image in her work. Joined with icons associated with desire and fear, Smith has used this figure as both a male and female trope, as well as an alter-ego. To greater and lesser degrees Smith uses her glossary of icons in some cases to engage in heady meditations on such topics as death, vanity, desire, history, etc. and at other times to enigmatically introduce such subjects with little or no commentary.

October 21, 2022November 2, 2022, by Anne Sherwood Pundyk

Rainer Gross: Double Take, Solo Exhibition at East End Arts, Riverhead, NY

Gallery view, East End Arts, Riverhead, NY. Courtesy East End Arts and the artist.

In Double Take, Rainer Gross’ solo show at East End Arts through November 5, 2022 in Riverhead, NY, the artist invites the viewer to take a step closer to his abstract, intensely colorful paintings. Gross offers the viewer the satisfying experience of engaging intellectually with the underlying organizing principle of his compositions while savoring a sumptuously layered array of the results. His paintings are comprised of two (sometimes four) identically sized, stretched rectangular canvases shown side-by-side. He applies pools, bands, bars and patches of saturated hues of oil paint on one canvas and water-based pigment on the other. While the colors are still wet, the paired canvases are then placed together, face to face. When pulled apart, the forms on one canvas imprint on the other creating a shared Rorschach-like result. The artist refers to his paintings as “twins.” The side-by-side canvases are nearly identical, yet their differences become an intriguing puzzle to recognize, trace and sort. This easy-to-grasp concept offers a frisson of delight for the viewer as they experience the variety of its execution.

October 10, 2022October 10, 2022, by Etty Yaniv

Alice Zinnes: Inner landscapes of Light

Alice Zinnes in her studio, with charcoal drawings behind

Alice Zinne‘s paintings draw from literature and mythology to create dramatic landscapes in which light and dark interplay as main protagonists. Her oil paintings, watercolors, and drawings often depict floods of light intertwined with fragmented darker patches, evoking dense and fluid inner spaces.

September 24, 2022December 1, 2022, by Etty Yaniv

Luscious Wasteland: Cathy Diamond and Laurie Fader at Radiator Arts

In conversation with Patrick Neal, Cathy Diamond, and Laurie Fader

A hallway with art on the wall

Description automatically generated with low confidence — Installation of *Luscious Wasteland: Cathy Diamond and Laurie Fader* at Radiator Arts (All images courtesy Radiator Arts).

The two-person exhibition Luscious Wasteland at Radiator Arts features landscape paintings by Cathy Diamond and Laurie Fader. Both artists embed in their imagery elements from personal experience, nature, visual art, music, literature or science, to create intricate and imaginative landscapes. The exhibition opens Fri, September 16 and runs through October 23, 2022. Art Spiel invited the curator of the show, Patrick Neal, and the two artists, Cathy Diamond and Laurie Fader to reflect on the featured paintings as separate bodies of work and in relation to each other.

September 16, 2022November 2, 2022, by Art Spiel

Ultralight Beam at Pelham Art Center

Featured Project with curator Rebecca Mills

Ultralight Beam, curated by Rebecca Mills at the Pelham Art Center, brings together paintings, sculptures, and installations by artists who focus on visionary methods and spirituality of all kinds. Featured artists: Sunny Allis, Angelica Bergamini, Claire Buckley, Susan Carr, Joan Di Lieto & Thunderfox, Ala Ebtekar, Gabriel Mills, Sarah Renzi-Sanders, Christina Saj, and Chris Watts. The show runs from September 15 to October 30, 2022.