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Nina Mdivani – NY Meets Tbilisi: Defining Otherness Part I & II

In Dialogue with Nina Mdivani on her curatorial project at Kunstraum LLC (Brooklyn) and The Assembly Room (LES)

Rusudan Khizanishvili, Producing The New Body 2019, Acrylic on canvas, 31.49 x 27.55 inches

Nina Mdivani is an independent curator, art writer, and current Curator-in-Residence at Kunstraum located in the Brooklyn Navy Yard neighborhood. Her rigorous curatorial process and research have recently culminated in a two-part exhibition, New York Meets Tbilisi: Defining Otherness. This dynamic group show pairs the works of Georgian and American artists to create multilayered dialogues across cultural identities. Nina Mdivani shares with Art Spiel some of her background, and elaborates on the premise for the upcoming group show she has curated.

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Cartoon in a Cartoon Graveyard at Super Dutchess

In Dialogue with Andrew Woolbright

Installation view of Cartoon in a Cartoon Graveyard. Alex Kovacs, Fernando Pintado, Craig Taylor

Andrew Woolbright, a NY based artist, curator and founder of Super Dutchess, shares with Art Spiel the genesis of this lower east side art space, sheds some light on its key organizers, and describes the philosophy behind it. He elaborates on Cartoon in a Cartoon Graveyard, the 3-person current show that he has curated at the venue, with an upcoming reception on January 10th.

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Supporting Immigrant Artists

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The Immigrant Artist Biennial (TIAB), video still, 2019, Ariel Diaz

An Interview with Katya Grokhovsky, Founding Director of The Immigrant Artist Biennial By Anna Mikaela Ekstrand

Launching across New York City in March 2020, The Immigrant Artist Biennial (TIAB): HERE, TOGETHER! will present multi-disciplinary exhibitions, panel discussions, and events highlighting the multiplicities of immigrant experiences and providing a platform for U.S.-based immigrant artists from around the world, across race and social class, to showcase their work.

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Natsuki Takauji: Sensuous Abstractions

Natsuki Takauji, String, stainless steel, aluminum, hydraulic oil, pigment, steel base, H72″ W40″ D40″, at WHA, Williamsburg, photo by Etty Yaniv

Natsuki Takauji sculptures create a stimulating tension between the monumental and the minute, the calm and the stirring. They are grounded yet flow, at times literally with fluids, and range from intimate indoors sculptures to large scale outdoors interactive structures. The Japanese born artist who draws upon Japanese culture and Buddhist philosophy share with Art Spiel some of the origins to her imaginative work, her process, and her projects.

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Jada Fabrizio: Ardent Fables

Jada Fabrizio, The commuter Photograph, 13×19, photo courtesy of Jada Fabrizio

Mixed media artist Jada Fabrizio is an insatiable story teller. Her appetite for narratives covers wide grounds and results in dioramas and photographs ranging from a domestic scene of a hen with a fried egg at hand, to a melancholy rabbit sprawling on an armchair. Fervently surreal and underscored with dark humor, these sculptural sets and photographs offer open-ended stories that tease us and draws us in. Jada Fabirzio shares with Art Spiel a bit about herself, her approach to art making, and what triggers her narratives.

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Patricia Spergel – On the Verge of Recognition

Patricia Spergel, Sita Ram, 2018, oil on canvas, 18” x 24”, photo courtesy of Tim Grajek

Patricia Spergel‘s vibrant oil paintings interrelate gesture, color, and form, to create imaginative spaces that are on the verge of being recognized – both playful and incisive, lightweight and massive. Patricia Spergel shares with Art Spiel her approach to color, how printmaking informs her painting, and her painting process.

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Ground Histories at PS122

Installation view of the East room: (right) david Goodman, (mid) Will Crowin, (left) Heidi Lau, photo credit Tommy Mintz

The grouping of mostly floor-bound sculptures in “Ground Histories”, the current group show curated by Will Corwin at PS122 Gallery, not only pulls our attention to the ground, but also makes us aware of what is underneath its surface – archaeological artifacts, graves, excavated memories. In the east room a triangular layout consisting of Will Corwin’s altar-like sculpture, Heidi Lau’s arched-shape ceramic sculpture sprawling, and David Goodman’s forte-like structure, create a sense of both tension and connectivity. Made of plaster and sand, painted with terra cotta and white tempera hues, and tied with rough ropes, Corwin’s “Jaw” is a rectangular free-standing sculpture that draws literally upon teeth and invokes the idea of the archaic – an architectural ruin from an unidentified culture, or an archaeological artifact with an enigmatic ritual significance. The tooth, a pivotal element in both forensics and bioarcheology, can be read in Corwin’s sculptures as a loaded metaphor for what it means to be human.

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Julie Peppito: Making Meaning out of Anything

Toxic Frock (This Changes Everything by Naomi Klein), 2016, canvas, trim, oil paint, gouache, thread, acrylic paint, found objects, fabric paint, fabric, grommets, variable dimensions (84″ x 156″ x 10″), photo courtesy Dan Gottesman

Julie Peppito‘s visceral and imaginative installations refer to our ecological, cultural, and political environments through explosive colors, textured surfaces, and interconnected loopy forms. Julie Peppito recalls how growing up in Oklahoma and later moving to NYC impacted her development as an artist. She shares some of her thought process, her work as an activist, and some of her projects.

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Yasmin Gur – Upcycling Waste

Yasmin Gur, My Old Room 2014, Urban Passages ,reclaimed wood

The Brooklyn based sculptor Yasmin Gur is fascinated with the process of upcycling materials such as reclaimed wood and transforming them into dimensional artforms which often respond to the site’s architecture. Gur is the producer for The Upcycle Junction Market, which gives her and ten other local artists a chance to take an active part in the urgent conversation about waste.

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