mixed media – Page 53

April 22, 2021July 22, 2021, by Etty Yaniv

Leslie Kerby: Happy Place Project

Art Spiel Photo Story

In early February, the bleakness of winter got to the New York City based artist Leslie Kerby. She decided to reach out to friends near and far, as she had done during lockdown, this time asking them to send photos of the places around their house where they were able to find some solitude. She contacted everyone individually which opened up possibilities for longed for exchange. To her delight she received many beautiful photos. It took her a couple of days to figure out how she would paint from them. Ultimately, she decided on watercolor, acrylic, and mixed media collage on vellum, which enabled painting on both sides, while letting the light in. “It was a gift to visit with everyone in their home. A testament to the value of human connection,” she says.

NEW LINK to whole project

April 19, 2021April 19, 2021, by Etty Yaniv

Brandon Graving: Honing Viscosity and Air Currents

Brandon Graving, Mother: Earth 2 detail, 2021, embossed monoprint, 41”x 108”, photo by artist

Brandon Graving aims to transfer and translate a sense of wonder in her artworks. She describes her process of making as exploring the connectedness of all things with ongoing “delight, immediacy and a sense of virginal untamed discovery with a nod towards Humbolt.” Some of her sculptural works are kinetic and turn, revealing elaborate intricacy and shadow play, while other works, including monoprints with handmade inks and semiprecious stones, alter dramatically in different light. She does not intend to depict nature but rather hone ideas and objects into simplified essential forms, some with elaborate treatment. Through her extensive attention to detail, she reflects on how the micro and macro within the work suggest a system that is both diverse and similar, how these dualities interrelate or even duplicate in nature.

April 17, 2021April 16, 2021, by Etty Yaniv

Kat Chamberlin: TRANSACTIONS

In Dialogue with Kat Chamberlin

BEVERLY’S: Under Construction Sessions Peephole

Kat Chamberlin: TRANSACTIONS for BEVERLY’S: Under Construction Sessions includes works in drawing, glass and aluminum created in response to a year in quarantine and loss of work. In exchange for the year’s shifted labor conditions and loss of independence, the artist uses her 5-year-old daughter’s ideas as payback. The show runs through April 20^th, 2021.

April 16, 2021November 2, 2022, by Anna Mikaela Ekstrand

Katya Grokhovsky: FANTASYLAND at Smack Mellon

In Dialogue with Katya Grokhovsky

A picture containing clothes, cluttered

Description automatically generated — Katya Grokhovsky, Fantasyland, 2021. Images courtesy of Smack Mellon. Photos: Etienne Frossard

Katya Grokhovsky ‘s site-specific installation FANTASYLAND at Smack Mellon explores the rise and fall of a fantastical empire and its uncertain future. Giant plush toys, inflatable beach balls, deconstructed and re-assembled mannequins, an unfinished carousel structure, recycled parachute canopies, wallpaper, a glowing neon sign, and performance videos, altogether underscore American society’s surplus of objects, and unbridled desire for material possessions, ironically, the capitalist symbol of freedom. The artist scrutinizes the American Dream through an immigrant lens, exposing a desirable yet unattainable mirage. Katya Grokhovsky’s work is currently on view in the solo exhibition FANTASYLAND at Smack Mellon, through May 2^nd, 2021.

April 13, 2021November 2, 2022, by Annabel Keenan

Farideh Sakhaeifar: You Are in the War Zone

Macintosh HD:Users:annamikaela:Downloads:You are in the war zone - 05.jpeg — Farideh Sakhaeifar, You are in the war zone., 2016-17. Gelatine Silver Print, 8 x 10 inches

In her latest solo exhibition at New York’s Trotter&Sholer gallery, Iranian artist Farideh Sakhaeifar invites the viewer to reflect on the human experiences that connect us all. You are in the war zone confronts conflict, war, and social injustice head-on. Presented in partnership with the non-profit arts organization KODA, and curated by Klaudia Ofwona-Draber, the exhibition covers Sakhaeifar’s rich artistic practice, from her performance pieces to her sculptures to her hand and digitally manipulated photographs made over a seven year period. The works in the show underscore the artist’s strong critique of US foreign policy and Western portrayal of war in the Middle East and North Africa, as well as her impactful representations of shared experiences, the subjectivity of the media, and the inevitable distortion of memories and information over time.

April 12, 2021July 22, 2021, by Etty Yaniv

Sue McNally: Learning how to Find

A picture containing text, linedrawing

Description automatically generated — Jockey for Postition

Sue McNally lives and works in Rhode Island and when life permits, as she puts it, in rural southeast Utah. Her landscape paintings and her self portraits encompass everything in between — the views of nature she has encountered, and her shifting states of being. Sue McNally reflects on her art making and shares ideas on her new body of work.

April 7, 2021April 12, 2021, by Etty Yaniv

Jessica Lagunas: With Every Fiber at Pelham Art Center

The artist and “Por siempre joven” (Forever Young) Series. Installation at the Bronx Museum’s The Block Gallery, 2019. Photo courtesy Argenis Apolinario/The Bronx Museum of the Arts

Jessica Lagunas is Interested in working with unconventional materials—makeup, hair, perfume, organic materials—through video-performance, installation, drawing, prints, artist books, embroidery, and recently, weaving. She is a New York City-based Latinx artist, whose group exhibitions include El Museo del Barrio’s The (S) Files Biennial, The Bronx Museum of the Arts’ Artist in the Marketplace, Pacific Standard Time: LA/LA at Museum of Contemporary Art Santa Barbara and Laxart, among others.

April 5, 2021March 3, 2021, by Etty Yaniv

Brian Zegeer: Porous Identities

*O for the days to be yowling down the valley at a full galoop! On Pfizer! On Moderna! On*
*AstraZeneca!* clip from 22 second cg animation, 2021

In his stop-motion animation and mixed media installations the Brooklyn based artist Brian Zegeer creates fantastic landscapes which draw on his domestic family life, dissecting what is the meaning of identity – body as an organism, cultural heritage of childhood in Appalachia with Lebanese roots –altogether fuse into a mysterious and complex system where the viewer is prompted to get immersed.

March 31, 2021March 22, 2021, by Etty Yaniv

Performance Anxiety at Allegheny College Art Galleries

In Dialogue with Paula Burleigh

Installation view, *Performance Anxiety,* on view at the Allegheny Art Galleries, 2021. Featuring works by Eric D. Charlton, Taha Heydari, Wednesday Kim. Image courtesy of the Allegheny Art Galleries.

The three person show Performance Anxiety at the Allegheny Art Galleries in PA features videos, paintings, and sculptures by Eric D. Charlton, Taha Heydari, and Wednesday Kim, who all respond in their work to the intense digital terrains most of us inhabit, exploring how the intrapersonal and interpersonal elements interplay— how self-image is being manifested and how does it affect communication with others in an ever-shifting social media landscape? Paula Burleigh, the curator of the show and the gallery director, elaborates on the premise of the exhibition, the artists’ artwork, and her curatorial process.

March 29, 2021April 12, 2021, by Etty Yaniv

Holly Wong: Phoenix at SLATE Contemporary

In Dialogue with Holly Wong

A picture containing person, laying

Description automatically generated — Holly Wong working on “Phoenix.” Graphite on drafting film with sewing. 132 x 132 in. Photo courtesy of Al Wong

Phoenix, Holly Wong’s first solo show in the San Francisco Bay area is scheduled from April 1, 2021 through May 31, 2021 at SLATE in Oakland, features work she has created during the shelter in place order over the past year. These body of work reflects her spiritual and visual responses to the pandemic, and her sense of need for personal and social transformation through a wide variety of expressions, which include Phoenix, the large-scale drawing-based installation, other larger scale paintings on paper, a series of more intimate works on paper, and assemblages. Holly Wong says that as a response to her deep sense of loss and grief at the state of world affairs, she created a large mythical bird as a metaphor for her own body—”In Phoenix I see my desire for purification, cleansing and rebirth,” she says. When the artist thinks of the central theme of the show, she remembers excerpts from the Buddha’s Fire Sermon:

“The mind is burning, ideas are burning, mind-consciousness is burning, mind-contact is burning…” “Burning with what? Burning with the fire of lust, with the fire of hate, with the fire of delusion.”