Eric Wolf: When There is a Solid Fog on the Lake

Background pattern

Description automatically generated

Eric Wolf, Mooselookmeguntic Lake, 2016, ink on paper 22” x 30”. Courtesy of Pamela Salisbury Gallery

Eric Wolf’s landscape paintings are made with ink on paper and reference nature—water, sky, trees. In their sharp light and dark shapes they resemble woodcut, linoleum prints or even highly contrasted black and white photographs, but the more you look at them, the immediacy of the painted ink comes through—from the artist’s direct observation of nature, through his mind, to his hand—in a magical transformation ink flowing on paper fibers becomes river and white floating shapes become clouds.

Continue reading “Eric Wolf: When There is a Solid Fog on the Lake”

David Konigsberg at Carrie Haddad Gallery

A picture containing wall, indoor, decorated, painted

Description automatically generated
Carrie Haddad Gallery, Hudson, NY – My Own Backyard, a group show featuring work by David Konigsberg on view through July 31st (image courtesy of Carrie Haddad Gallery)

Traditional, yet innovative; reflective, yet distant, David Konigsberg’s landscapes and still lifes are rife with double-backs and unexpected turns. A self-proclaimed “solitary wanderer,” Konigsberg gathers imagery and visions from long walks through the Catskills, through surrounding terrain, and through his own backyard. He views all as equally minute and equally monumental, from a peaked horizon to a burst of petals collected from his garden. This confluence of near and distant perspectives creates an almost literary quality; the intimacy of first-person voice jockeying with the scope of an omniscient narrator. David’s paintings resist a certain aboutness, allowing simultaneous narratives to proliferate across the bodies of his canvases, culminating in an emotional sucker punch.

Continue reading “David Konigsberg at Carrie Haddad Gallery”

Healing- Mihee Nahm at Artspace 111 in Ft. Worth


Night Walk # 3, 2022, 60X40″, oil on canvas)

The foliate paintings of Texas artist Mihee Nahm evoke late 18th century pursuits of the sublime. They are at once botanical and reverential renderings. Nahm immerses the viewer in beyond-the-frame expansive space, a nod to an early hero, Pollock. But the broader macro implications are toward infinity. The mass of Nahm’s surface is composed of exquisitely detailed in-your-face foliage, like walking unexpectedly into low-hanging tree limbs, one’s head suddenly enveloped by unkempt nature.

Continue reading “Healing- Mihee Nahm at Artspace 111 in Ft. Worth”

Hovey Brock: Crazy River

In Dialogue with Hovey Brock

A person painting a picture

Description automatically generated with medium confidence

Hovey Brock at work on Crazy River, 2019, acrylic on panel, 30” x 40,” a work from his Crazy River series.

Hovey Brock’s current paintings are part of Crazy River, a larger project he has been developing since 2017. The paintings are based on his life-long relationship to the West Branch of the Neversink, which runs between Ulster and Sullivan counties in New York state. The project also includes text and videos, drawing on the artist’s experience and stories about the West Branch and the western Catskill mountains handed down through his family.

Continue reading “Hovey Brock: Crazy River”

Not knowing is most intimate at Amos Eno


Nishiki Sugawara-Beda, Installation view of Somewhere Around There, 2022. Photo courtesy of Maggie Pavao

It is perhaps in this state of “not knowing” that we first encounter the works in artist Nishiki Sugawara-Beda’s current solo exhibition Somewhere Around There, on view at the Amos Eno gallery. The exhibition, which presents works from the artist’s KuroKuroShiro series (‘black-black-white’ in Japanese), features dynamic shapes in shaded monochrome that seem to alternately emerge and recede from view. Faced with this shifting visual field, the viewer gradually develops a kind of intimacy with these unknown forms, opening up new possibilities for interpretation and engagement.

Continue reading “Not knowing is most intimate at Amos Eno”

Ellen Kozak – Vigil

Featured Artist


Gallery View. Photo courtesy of David Richard Gallery

Vigil, Ellen Kozak’s first solo painting exhibition with David Richard Gallery, featured two fully realized series of abstract oil paintings on panel. The painter, with studios in New York City and beside the Hudson River in Greene County, explores the relationship between the fluidity of paint and river surfaces affected by the intersection of natural and manmade phenomena. Altogether the paintings activated the gallery space into a cohesive site-responsive installation.

Continue reading “Ellen Kozak – Vigil”

On Bearing Witness and Embracing Beauty

A picture containing text

Description automatically generated

Unprecedented, 8 ft. x 15 ft., mixed media on canvas, 2021. Photo by Joseph Hu

For over fifty years, Philadelphia-based painter, photographer, and activist Diane Burko has translated her love for large open spaces and monumental geological sites into powerful and alluring landscapes. Her exhibition at the American University in Washington, D.C. (August 28 – December 12, 2021), titled Diane Burko: Seeing Climate Change 2002 – 2021, contained 103 paintings, photographs, and time-based media depicting mountains, oceans, snow and ice, glaciers, volcanos, and fires that address the growing impact of the climate crisis.

Continue reading “On Bearing Witness and Embracing Beauty”

Claire McConaughy: Nearby at 490 Atlantic Gallery

Featured Artist

A picture containing plant, colorful

Description automatically generated

Delicate Rainbow, 2021, 24”x30”, oil on canvas, photo courtesy of the artist

In her solo show at 490 Atlantic Gallery, New York based painter Claire McConaughy features landscapes depicted in vivid colors and expressive linear marks. In Delicate Rainbow for instance, the painting plays on tension between horizontal, vertical, and diagonal orientations – an unexpected pale pink flow becomes a backdrop horizon to green vegetation spreading its limb-like branches diagonally upwards; on the top, blue-purple brush strokes depicting sky or water, lead the eye sideways, and then right above, a surprising orange linear brush stroke with the other rainbow colors hinted, stretch across the middle top.

Continue reading “Claire McConaughy: Nearby at 490 Atlantic Gallery”

Jim Condron and Ilse Sørensen Murdock – Toss at Platform Project Space

Art Spiel Photo Story

A picture containing text, indoor, room, scene

Description automatically generated

Installation view, Jim Condron (front), Ilse Sorensen Murdock (back)

At first glance, Jim Condron’s whimsical sculptures and Sørensen Murdock’s landscape paintings are an unexpected match for a two-person exhibition. Yet, in Toss, the current show at Platform Project Space, artist and curator Elizabeth Hazan made it into an engaging duet. The show runs the gamut from landscape paintings on canvas to paintings and sculptures made of scavenged materials, but regardless of the used media, both artists prioritize color, texture, and composition.

Continue reading “Jim Condron and Ilse Sørensen Murdock – Toss at Platform Project Space”

Fred Gutzeit Retrospective at Catherine Fosnot Art Gallery

Previewing – with gallery founder and curator Catherine Fosnot

A picture containing text

Description automatically generated

Fred Gutzeit (2021) Future Life Puzzle, Acrylic on paper on canvas, 72” x 72”

The Opening Fall Season at the Fosnot Art Gallery will showcase Fred Gutzeit’s body of works from 1966-2021. Although he began as a painter of found objects and landscapes, Fred Gutzeit has never been satisfied with capturing the realism we “see“ in nature. He has continually sought a realism through abstraction that would capture the hidden complexity of nature juxtaposed with a human search for structure. Musings about complexity and chaos theories, string theory, mathematics modeling, and current scientific speculation about “multiverses” are employed as he explores consciousness, interaction, identity, and searches for structure. His bold use of color and dimensionality are wonderous and aesthetically pleasing allowing us to travel into the cosmos of his world.

Continue reading “Fred Gutzeit Retrospective at Catherine Fosnot Art Gallery”