Urethane Flower on Steel Stem Clad with Foam (2013-2019), H91 x 110 x 67 inches (H233 x 284 x 177 cm), steel, polyurethane resin, epoxy clay, burnt and varnished Styrofoam, photo by Mark Waldhauser
The Japanese born Brooklyn based sculptor Yasue Maetake largely draws on laws of nature like gravity, as well as on her Japanese cultural heritage like Butoh dance/theater. The artist describes for Art Spiel her artistic impetus, layered ideas, and elaborate process.
In every dream home a heartache, installation view. Photo courtesy of the Elisa Gutiérrez Eriksen
A former medical office located in the heart of Bayridge Brooklyn, hosts Magdalena Dukiewicz solo exhibition “In Every Dream Home a Heartache“, a visual, physical and poetical exercise in which the artist revisits particular objects and memories from her childhood in Poland to explore an idea of “home” that has been inoculated in her mind from an early age. For Dukiewicz, the thought of a home brings a cumulus of anxieties related to social expectations, which calls into question the preconceived ideas of how things are supposed to be in life: motherhood, marriage, work, living in a place other than your birthplace, fulfilling certain obligations.
Taher Jaoui: Controlled Entropy installation view, photograph by Hannah Rozelle, photo courtesy of the artist
One might find Taher Jaoui introverted the moment meeting him. It might be less about an aloof temperament commonly found in an artist than a reserved and prudent character often associated with a science person. The way in which Jaoui’s artworks act out follows a similar interpersonal pattern. Those scratchy mathematics signs and formulas are the most prominent elements of the new series of monochrome paintings featured in Taher’s current solo exhibition Controlled Entropy at 81 Leonard Gallery, co-hosted by Uncommon Beauty Gallery. The juxtaposition of the handwritings of mathematical formulas and the gestural brushwork in an abstract expressionist manner not only prompts questions about Jaoui’s background, but also problematizes the hostile split between art and mathematics. Reminding viewers of a lecturer running a mathematical calculation across the blackboard with chalk, this series of paintings highlights the performative elements in mathematics, as well as the craft aspects of labor invested in this intellectual activity.
Eva Mayhabal Davis in dialogue with Art Spiel – Beyond the Pale
Installation view of Beyond the Pale by Zac Hacmon. Image courtesy of the artist. Photo by Etienne Frossard
Zac Hacmon‘s sound sculptures at the intimate Border project space are overpowering in size, as if cutting the air with their sharp diagonal tiled lines to create a sense of suffocating sterility. Their oddity is intriguing and repelling simultaneously, and their placement in the room forces the visitor to navigate around with considerate effort. The sound consists of a series of stories recorded at the Arizona-Mexico border, and adds another layer of urgency, creating altogether an inspired fusion of sound/form. Eva Mayhabal Davis, the curator of Beyond the Pale , elaborates on the premise behind the show.
Kristen Clevenson in conversation with Noa Ginzburg, February 2020
Catchat, a screenshot of a skype conversation, 2019. Photo by Hannah Bruckmueller
“This is an interview recorded at the Museum of Modern Art, Department of Eagles, 12 Burgplatz Düsseldorf,” announces the interviewer. “MIAOW! MIAOW!” replies the interviewee.” In 1970, the Belgian artist Marcel Broodthaers (1924-1976) conducted and recorded an Interview With a Cat. In Catchat, a trans-Atlantic collaboration between Hannah Bruckmüller, Michal Ron, and Noa Ginzburg which was recently published on PROTOCOLS, the three listen carefully to the protagonist cat and transcribe French and Cat tongues into Hebrew and Latin letters. Kristen Clevenson and Noa Ginzburg share with Art Spiel their conversation about cats, collaborating while in different time zones, transcribing illegible languages, and using deep listening to assert agency.
(The American Legend, Image courtesy of Michael Alan)
It’s time to question the nature of a city when everything you loved or heard about it has changed so much. NYC now has changed into a huge playground with high end food prices, fancy cell phones and luxury condos. I came here full of dreams just like everyone else, hoping to fit in and to see what Warhol left behind.
Artist in Residence Susan Luss highlights her installation in House 4 MAC Gallery and windows.
Partial installation view, today, I am…Photo credit: Susan Luss
In 2019 Artist Susan Luss was invited by the New Rochelle High School to be their first visiting artist working on site responsive installations. The school has its own museum and cultural center on its campus, called The Museum of Arts & Culture, which is the only Regents-chartered museum inside of a school in the state of New York. This collaborative project became a formative experience for the artist. Susan Luss describes the ways she formed her ideas, her collaborative work with students and faculty, as well as her takeaway from this multi layered project overall. The exhibition runs through Feb 13th.
In dialogue with Jason Urban & Leslie Mutchler on their collaborative project at Nars Foundation
Jason Urban & Leslie Mutchler, Intermediate Geochromatic Studies at NARS Foundation, installation view, 2020. Photo courtesy of the artists.
Artists Jason Urban and Leslie Muchler who have been collaborating on art projects since 2012, share with Art Spiel their ideas, process, and ways of collaborating on their current exhibition, Geochromatic Studies, at NARS.
Art Spiel in dialogue with Rachel Owens on her sculpture exhibition at The Housatonic Museum of Art in Bridgeport CT
Rachel Owens, installation view
Rachel Owens seamlessly incorporates rigorous research of history and place in her visceral sculptural environments, offering us not only a feast for the eyes – in form, textures, and color – but also engaging us in a mysterious space where detritus like broken bottles, abandoned coal, and even the dust left from marble excavation transform into new forms. Altogether her sculptures prompt complex ideas about multi layered and urgent social issues of race, gender, history and capitalism among others. Rachel Owens elaborates for Art Spiel on her thought process behind this exhibition.
Art Spiel in Dialogue with Cecilia Zhang Jalboukh, founder of Yi Gallery in Bushwick
Installation view of Annesta Le solo exhibition “Inner Space” at Yi Gallery Project Room in Bushwick, Brooklyn, 2020. Photo by Yi Gallery.
The Bushwick based Yi Gallery evolved out of Cecilia Zhang Jalboukh’s experience and vision. At its current form it shares space with The Border at 56 Bogart. Yi Gallery’s founder elaborates on Annesta Le’s current solo exhibition, shares with Art Spiel the genesis of Yi Gallery, as well as her vision for the space.