John Knuth: The Hot Garden: Renewal and Regeneration from Catastrophe

Sculptural Garden, Installation Shot, photo courtesy of Hollis Taggart

Seeing John Knuth’s exhibition, The Hot Garden, at Hollis Taggart’s new downtown outpost was wonderful, surreal, energetic, and unexpected. This is Knuth’s first major body of work following the devastating Eaton Fire in January 2025, which destroyed the artist’s home and archive. This exhibition gives us an opportunity to see fragments of the past and the birth or rebirth of something entirely new out of the ashes, embodying the quote in the press release from Octavia Butler’s Parable of the Sower, writer and once Altadena resident, “All that you touch, you change. All that you change, changes you.”

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­­Zahra Nazari: Interiors

In Dialogue
Image
Inside Out Oculus, 2022, acrylic on mylar, 36×45.5 in.

In her Interiors painting series, American Iranian-born painter Zahra Nazari draws on prominent features in classical Persian and Islamic architecture—decorative botanical motifs, arch, and particularly, iwan, the large, vaulted hall semi-enclosed and usually walled on three sides, with one end entirely open. Many scholars believe its origin can be traced back to the Parthian era. While looking at Nazari’s luminous surfaces, it may be interesting to keep in mind the dual role of the Persian arch—it serves both decorative and functional purposes—this richly decorated key aesthetic element in Persian architecture functions not only as an ornament but also as a structural support that provides stability. It is also designed to moderate the amount of sunlight that enters space, especially in iwans or other open spaces. Nazari’s frequent use of Mylar as a surface stirs a play on the notion of external and internal light, and simultaneously, her saturated color palette invokes a hot and arid climate with bright, sunlit days and crisp nights. Repetitive and rhythmical, these motifs coalesce into energetic, translucent, and luminous surfaces, evoking an interior space in flux. Zahra Nazari elaborates on her ideas and process in this interview with Art Spiel.

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