#gallery – Page 2

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November 17, 2023November 12, 2023, by Gilad Melzer

Another Victim of Hamas: A Kibbutz’s Art Gallery

In Hamas’ destruction of Kibbutz Be’eri, the terrorists also came for curator Sofie Berzon MacKie and her family. They survived, but the kibbutz’s gallery was burned to the ground

Osnat Ben Dov's exhibition "Shadow of a Passing Bird" at Kibbutz Be'eri, before the attack. — Osnat Ben Dov’s exhibition “Shadow of a Passing Bird” at Kibbutz Be’eri, before the attack.Credit: Michal Revivo

This article by Gilad Melzer for the Israeli newspaper Haaretz was published in Haaretz English version on November 2, 2023.

On Friday October 6, Sofie Berzon MacKie, the curator of Kibbutz Be’eri’s gallery, was busy preparing herself for a long day at work the following morning. She knew that Saturday was the last day of a week-long Sukkot holiday, and hoped that visitors would throng to the current exhibition shown at the gallery, “Shadow of a Passing Bird,” by photographer Osnat Ben Dov.

April 21, 2023April 20, 2023, by Art Spiel

The Center for Cuban Studies and Art in DUMBO Open Studios

Featured Project

A group of people posing for a photo

Description automatically generated — Courtesy of the Center for Cuban Studies / Cuban Art Space

Each spring over 100 artists and art organizations in DUMBO And Vinegar Hill open their studio doors to the public for a weekend. This year the event takes place on April 22 and 23 from 1 to 6 PM. Art Spiel created a Mixed Media Guide for this event in addition to other curated guides on the Art In Dumbo website here. In conjunction with the event Art Spiel conducted a few interviews with individual participating artists. This one is with Sandra Levinson, the executive Director of the Center for Cuban Studies / Cuban Art Space.

August 6, 2021August 10, 2021, by Etty Yaniv

Instituting The Re Institute in Millerton

In Dialogue with Henry Klimowicz, founder and director

The Re Institute empty, 2021, photo courtesy of Henry Klimowicz

The Re Institute is an extension of Henry Klimowicz’s studio, a very large 1960s dairy barn outside of Millerton, New York. About 11 years ago sculptor Henry Klimowicz started the gallery as a response to living in the “center of nowhere”, as he puts it. The artist says that the gallery allows him to have extended working relationships with other artists and their work. “I try not to know what a show will be about before it opens and I get to spend the length of the exhibition becoming aware of all of each show’s nuances,” he says about his curatorial process. A normal season at Re Institute includes 4 to 5 shows, which mostly feature 2 to 3 artists showing in the large space upstairs and another person downstairs. “I try to get each artist to have a specific reason for showing in the gallery outside of the possibility of selling work,” he says. This fits his vision of Re Institute as a non-profit institution. It’s important for him that the featured artists will find reasons to use the space uniquely. “There has to be something in the process of showing an artist that brings depth to the artist’s understanding of their own work or the process of exhibiting their work,” he says. These different ways of interacting with each artist have become the most important aspect of the space for him.

August 4, 2021November 2, 2022, by Astrid Dick

Let the silence take over: On words, inner compass, and patience

Looking at Art

ilfautseméfierdesmots.jpg — *Il faut se méfier des mots* (Beware of words), Ben, 1993. Belleville, Paris, France. Photo: Astrid Dick

To make a painting is not easy. To look at a painting is not an easy matter either, as it requires the viewer’s disposition and willingness to engage with it beyond words and labeling. Our brains like to pin things down, using minimum resources to move on to the next task as quickly as possible. They latch on to words. Yet the moment words enter our minds, we’re not really looking anymore.

June 5, 2021June 3, 2021, by Etty Yaniv

Painting the Narrative at the National Arts Club

In Dialogue with Dee Shapiro

A picture containing indoor, floor, wall, ceiling

Description automatically generated — Installation view

In the group exhibition Painting the Narrative at the National Arts Club in New York City the artist Dee Shapiro brings together six contemporary artists who explore content and form of narrative painting ranging from interiors to landscapes, personal to imagined, realistic to fantastic. Featured artists: Jennifer Coates, Laura Karetzky, Judith Linhares, Ernesto Renda, Kyle Staver, and George Towne. The show runs through June 28^th.

January 2, 2021January 4, 2021, by Etty Yaniv

More Time Less at Cathouse Proper

In Dialogue with David Dixon

MORE TIME LESS, Cathouse Proper: Zac Hacmon, ‘Capsule #5’ (2020); Nari Ward, ‘Anchoring Escapement (Baule)’ (2017); Elana Herzog ‘Cross Pollination #1’ (2020); photo: Dario Lasagni

For Cathouse Proper’s second ensemble exhibition, More Time Less, curator and gallery director David Dixon brought together five artists — Zac Hacmon, Elana Herzog, Aga Ousseinov, Tim Simonds, and Nari Ward — whose installations, wall-based work, and sculptures reflect our changing perception of ‘normative time.’ David Dixon describes his curatorial process, gives us a closer tour of this ensemble exhibition, and shares some background on his diverse art practices.

November 12, 2020November 12, 2020, by Etty Yaniv

Art for Your Collection at the Catherine Fosnot Art Gallery and Center

In Dialogue with Catherine Fosnot

A room with a large mirror Description automatically generated — Inside Atrium 106 showing the work of Karlis Rekevics, Richard Kalina, and Lisa Corinne Davis (left to right), Image courtesy of The Catherine Fosnot Art Gallery and Center, New London CT. Atrium 106 is just one of three atriums being used for the exhibition

Art for Your Collection, the upcoming group show at Catherine Fosnot Art Gallery and Center in New London, CT., features paintings and sculptures by 26 artists who were recommended by New York City art critics and curators. Catherine Fosnot, the founder of the gallery who is an artist herself, says that her own experience as an isolated artist during the pandemic has been an impetus for opening this art gallery as a hub for art discourse and art collection outside large metropolitan centers. The exhibition opens November 12^th and runs through December 30^th, 2020. Catherine Fosnot shares the genesis of her new gallery, her vision, and how this show evolved.

May 15, 2020November 2, 2022, by Catherine Kirkpatrick

Artists on Coping: Ellen Hackl Fagan

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

:headshot_seeking the sound of cobalt blue_portrait.jpg — Ellen Hackl Fagan, Seeking the Sound of Cobalt Blue, Installation during Bushwick Open Studios, 2018. Photo: Charles Geiger

Ellen Hackl Fagan is an artist and the creator of ODETTA, a contemporary fine art gallery in Harlem, NYC. Fagan builds connections between color and sound using color-saturated paintings, sculpture, installations and collaborative projects that explore our potential for synaesthesia, often resulting in ad hoc performances with viewers. Balanced between randomness and intention, like jazz music, Fagan’s art reveals limitless possibilities for improvisation. Fagan also invented The Reverse Color Organ (RCO), a web app that enables viewers to playfully interact aurally with color. Fagan exhibits her work extensively, curates, writes, and creates opportunities for collaborations with artists, curators, musicians, and coders to further her projects.

April 3, 2020April 3, 2020, by Etty Yaniv

Artists on Coping: Julie Torres/LABspace

During the coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

gouache, acrylic, dried paint, collage on envelope, 2020

Julie Torres is a Hudson NY-based artist and co-director of LABspace gallery, a vibrant cultural hub in Hillsdale NY. She runs it with her partner, artist Ellen Letcher.

December 9, 2019November 15, 2020, by Riad Miah

Spotlight: “On Collecting Works of Art- An interview with Yelena Ambartsumian and Miroslav Grajewski”

Yelena Ambartsumian and Miroslav Grajewski at their home with work by Andre Butzer. Image courtesy of collectors and author.

Yelena Ambartsumian and Miroslav Grajewski are two young collectors who are passionate about contemporary art. They both have a sharpened sensibility of the art market. With a keen understanding of the auction prices, one of the things that separates them from other collectors is they firmly believe in going after the work they feel is most important to them. If there is such a thing as destiny their story would define it. Fittingly, they first met at the Museum of Modern Art in 2016. Six months into their relationship they purchased their first work of art together. They got married and continue to actively appreciate art and collect as a couple. I conducted an interview with them this past summer. I narrowed the field of questions to the nature of collecting; what interests them, and; the advice they would provide to other young collectors. The following is a transcribed interview.