Art Spiel Picks: Philadelphia Exhibitions in October 2025

HIGHLIGHTS
Clay as Care Installation view. Photo by The Clay Studio

Just as a solitary action can cause a ripple effect, the sharing of unique ideas can inspire and transform existing systems to include and support different communities. The exhibitions this month demonstrate genuine curiosity and meaningful activation, leading to a trend of revisionist histories in art, institutional displays, or familial archives. Curators Jennifer Zwilling and Nicole Pollard reinvent how gallery exhibitions should be interacted with and ask the question of how clay can assist in caring for mental health at The Clay Studio. Artists Mahsa Attaran, Monica Hamilton, Hanieh Kashani, and Anna Schwartz create a language to describe the power of memory as they mine through personal photographs and materials at Automat Collective. Calero Rodríguez establishes her own History of Art, incorporating Latino, Afro, and Carribean imagery in masterly assembled collages at Taller Puertoriqueño.

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Delusions of Grandeur -Grayson Perry at the Wallace Collection

Totally Unique Thing. AI generated image, glazed ceramic. Installed on bespoke wallpaper, designed by Perry and produced by Liberty of London

The Wallace Collection, a storied historic mansion in London that houses an extraordinary, far-ranging collection of art and objects, invited the artist Grayson Perry to embed and create an exhibition that responds to their collections. Collected during the18th and 19th Centuries, the museum is dripping in Rococo, houses breathtaking Old Master paintings, amour, ceramics, medieval relics and sculpture. It would be, for a lesser artist, a daunting assignment.

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reMastered at Mana Contemporary

In Conversation
Nirvana (Nevermind)


reMastered: Jac Lahav’s Record Paintings is a solo exhibition at Mana Contemporary featuring a selection of over two hundred intimate 12 x 12 inch paintings of iconic album covers celebrating the slow, tactile process of gouache on canvas. The project asks what painting can add to images that already live in our collective memory. This iteration of Lahav’s work opens a new line of inquiry into what artists listen to, drawing from record collections of artist icons Jackson Pollock, Georgia O’Keeffe, Francis Bacon, and Dan Flavin. Artist Jac Lahav and curator Michele Jaslow sat down to discuss the exhibition for Art Spiel.  

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Ashley Garrett: Psyche at September

Welling, 2025, oil on canvas, 65” x 115”

Psyche, Ashley Garrett’s exhibition of paintings at September Gallery in Kinderhook, has a mix of large and small oil paintings, and pastels. The small works have a restless energy emphasized by Garrett’s staccato mark-making. The large canvases give Garrett’s brush plenty of room to deliver longer, more fluid gestures. This freedom allows her paint strokes to slide over and under each other in a flow that can give her compositions a quiet intensity, like tall grass seething in a high wind. Garrett has lightened up her palette to include more pinks and a range of whites and pale grays.

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Jonathan Syme Coaxes Spirit from Matter at Royale Projects

Jonathan Syme, Receding, Shy Daylight, 2024, oil on canvas in artist frame, 43” x 37”. Courtesy of Royale Projects

Jonathan Syme paints like someone coaxing spirit from matter—a phrase that sounds mystical until you’re standing in front of the work, where it becomes simply descriptive. As restless as they seem, his canvases don’t argue or perform; they resonate, like a vibration passed through the soles of your feet. Thick skeins of paint are unearthed, revealing strata in a geologic dig of intuition. There’s a kind of archaeology to the gesture: gouges, stains, and eruptions of impasto build a type of sedimentary record, chronicling attention. The eye slows down, and with it, thought.

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Art Spiel Picks: Philly Exhibitions in July 2025

HIGHLIGHTS
Artwork by Raúl Romero. Photo by Studio 105

Since the beginning of time, artists have drawn inspiration from and found it within the natural world. This month, Philly boasts a variety of work where artists are going deeper to discover what can be imitated and learned from the evolutionary beings around us. Some artists take direct motifs like coqui sounds or daffodil patterns, while others venture into new utopias or dreamworlds to live in as the real world diminishes underneath their feet. Studio 105 at RAY presents a bold reimagining of electrical current and vibrations that echoes the power of communication and sound. Philadelphia Magic Gardens reframes the purpose of the mushroom not just as a decomposer but as a symbol of rebirth and perseverance. The Arts Leagues suggests a world where the organic is depleted and society must build again. Arch Enemy Arts throws logic out the window as they find mercy in the mystical realm.

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Matthew Wong – Vincent van Gogh: Painting as a Last Resort at Albertina

Matthew Wong: The Space Between Trees, 2019
Matthew Wong: The Space Between Trees, 2019, 60 × 50 cm, Oil on canvas (Collection of Judith and Danny Tobey © 2025 Matthew Wong Foundation / Bildrecht Vienna, 2025)ץ Photo: Matthew Wong Foundation

Matthew Wong and Vincent van Gogh shared more than a self-taught path into painting. Both began relatively late, worked in compressed time spans, and turned to painting as a lifeline. The superb exhibition Painting as a Last Resort, now on view at the Albertina Museum in Vienna, brings their work into intimate and revealing dialogue. The exhibition presents approximately 44 paintings and 12 works on paper by Wong alongside a smaller selection by van Gogh. Organized in collaboration with the Van Gogh Museum in Amsterdam, Kunsthaus Zürich, and the Matthew Wong Foundation, the exhibition gives Wong space to be seen on his own terms. His paintings feel jittery, open, and emotionally charged.

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Salman Toor and Intimate Histories at Luhring Augustine

Salman Toor - Wish Maker - Exhibitions - Luhring Augustine
Salman Toor at Luhring Augustine

This exhibition of Salman Toor’s paintings acts like snapshots in a story or a movie, each depicting a separate experience. Every piece draws you in and carries a true push and pull within the composition. The push and pull that drew me in was the idea of public versus private that emanates from within the work, the dream and reality, and just how much intimacy Toor decides to share with us. The feelings of intimacy and vulnerability come from witnessing the lives of the figures Toor presents, leaving us to wonder if we are allowed to bear witness to these moments, or if we’ve just “walked into” something meant to be entirely private.

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Into the woods – Immi C. Storrs at The Century Association

Immi Storrs, Trees with Man and Birds

Immi C. Storrs is obsessed with depth: she manipulates it, refusing to render it as-is. Instead, her adventures in depth-perception range from steeply sloping forests—her favorite subject— to thickly layered glass light-box dioramas, and to truncated and oddly meshed animal forms in bronze. While the animals merge together into multi-legged seemingly mythological beasts, or emerge pseudo-two dimensionally from a bronze cube, it’s less about the creatures themselves—horses, sheep, and oxen, but more of a slow-down lugubrious space in which forms melt together and time becomes unpredictable.

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Io Sono LEONOR FINI – Decoding the Sphinx of Surrealism

Installation view, Io Sono LEONOR FINI (I Am LEONOR FINI)

The grand halls of Milan’s Palazzo Reale currently host a seminal tribute to artistic defiance and fierce individuality. On view from February 26 through June 22, 2025, Io Sono LEONOR FINI (I Am LEONOR FINI) presents one of the most comprehensive retrospectives dedicated to an artist whose untamed, rebellious gaze still challenges and mesmerizes viewers from across the temporal divide.

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