Ron Milewicz – Axis Mundi at Elizabeth Harris

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Pink Moon, 2019 oil on linen, 18 x 13.5 inches, courtesy Elizabeth Harris Gallery

In Axis Mundi, his current painting exhibition at Elizabeth Harris, Ron Milewicz shows a body of work that reveals his continuous fascination with the mystery of trees. While focusing his gaze on a specific woodland landscape ,the Hudson Valley woodlands, Ron Milewicz is opening a portal not only to the universal meaning of trees, but also to the overall vulnerability and wonder of life on this planet. Ron Milewicz shares with Art Spiel some reflections on his approach to painting and on what draws him to his consistent thematic exploration.

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Rachel Owens – The Hypogean Tip at the Housatonic

Art Spiel in dialogue with Rachel Owens on her sculpture exhibition at The Housatonic Museum of Art in Bridgeport CT

Rachel Owens, installation view

Rachel Owens seamlessly incorporates rigorous research of history and place in her visceral sculptural environments, offering us not only a feast for the eyes – in form, textures, and color – but also engaging us in a mysterious space where detritus like broken bottles, abandoned coal, and even the dust left from marble excavation transform into new forms. Altogether her sculptures prompt complex ideas about multi layered and urgent social issues of race, gender, history and capitalism among others. Rachel Owens elaborates for Art Spiel on her thought process behind this exhibition.

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Lily Prince: Honing Plein Air

Lily Prince, Arles,1, Acrylic on canvas paper, 16”x16”, 2019, photo courtesy of the artist

Lily Prince makes lush plein air paintings depicting the essence of specific places around the world. By utilizing linear and color vocabularies, she creates pictorial fields which resemble disorienting topographical maps where time is fluid and frozen simultaneously. Lily prince shares with Art Spiel her background, ideas. process, and projects.

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Juliette Dumas – Whale Flukes Paintings at The Neue House New York

In Dialogue with gallerist Silas Von Morisse on the Whale Flukes Paintings and beyond

Installation view, Juliette Dumas, Whale Fluke (Night) at The Neue House New York

Silas von Morisse founded a reputable gallery in Bushwick in 2014. Then, in 2018, due to notable shifts in the art world for small venues like hers, she decided to drastically change her model: from exhibiting in a physical venue, to featuring art as a mostly online presence paired with events which enable viewing in person. Silas von Morisse shares with Art Spiel her changed mode of operation, while highlighting the current show featuring Whale Flukes paintings by the French artist Juliette Dumas.

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Olive Ayhens: Unique Improbabilities

Olive Ayhens, Camelid In the City, oil on linen, 51″x39″ 2019

Olive Ayhens paints unexpected landscapes in which roaming animals, lush fauna and zooming cars frequently co-inhabit familiar urban environments. In her world you may encounter by a vivid East river shore a Prehistoric animal, utterly oblivious to a dazzling Gotham vista on the horizon. Olive Ayhens talks with Art Spiel about her process, ideas, and “Urbanities and Ur-Beasts” , her upcoming show at Bookstein Projects opening October 30th .

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Julie Peppito: Making Meaning out of Anything

Toxic Frock (This Changes Everything by Naomi Klein), 2016, canvas, trim, oil paint, gouache, thread, acrylic paint, found objects, fabric paint, fabric, grommets, variable dimensions (84″ x 156″ x 10″), photo courtesy Dan Gottesman

Julie Peppito‘s visceral and imaginative installations refer to our ecological, cultural, and political environments through explosive colors, textured surfaces, and interconnected loopy forms. Julie Peppito recalls how growing up in Oklahoma and later moving to NYC impacted her development as an artist. She shares some of her thought process, her work as an activist, and some of her projects.

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Yasmin Gur – Upcycling Waste

Yasmin Gur, My Old Room 2014, Urban Passages ,reclaimed wood

The Brooklyn based sculptor Yasmin Gur is fascinated with the process of upcycling materials such as reclaimed wood and transforming them into dimensional artforms which often respond to the site’s architecture. Gur is the producer for The Upcycle Junction Market, which gives her and ten other local artists a chance to take an active part in the urgent conversation about waste.

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Manju Shandler – Moxy for Un-branding

Manju Shandler, Wonder Whale 1, 2018, Mixed Media, 23 x 19 inches

Manju Shandler has moxy for un-branding. Incisive and diverse, her mixed media paintings, drawings, and sculptures are all layered with imaginative narratives which depart from her personal experience as a woman artist into contemporary socio-political terrains. Shandler shares with Art Spiel what brought her from theater and performance to painting and sculptural installations, her process of art making, and some of her current studio work.

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Jessica Segall: Queer Ecologies

Jessica Segall, (un)common intimacy, 2018, video still

Throughout her highly imaginative multidisciplinary projects, Jessica Segall has been engaging with a wide range of fragile ecological sites, frequently with animals as her collaborators – for instance, swimming with tigers and sculpting with live bees. Jessica Segall shares with Art Spiel some of her work and thought process, as well as her upcoming projects. You can meet her and hear more about her work during the 2019 Dumbo Open Studios weekend.

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HyperAccumulators at Pelham Art Center

All photos courtesy of Alexandra Brock

Jeanne Tremel

Artist Talk: “HyperAccumulators”

Sat March 2nd from 2-4PM at Pelham Art Center

Hyperaccumulators are plants capable of growing in soils with very high concentrations of metals and are known for extracting contaminants; thus, helping the ecosystem. This duality of destruction and restoration underscores “HyperAccumulators” – the current vibrant group show at Pelham Art Center. In their upcoming artist talk, curators Alexandra Brock and Elizabeth Saperstein will lead the panel on how contemporary artists interpret connectivity between nature, toxicity, and possible regeneration. And not merely in nature. As curator Alexandra Brock says, “we have become ‘HyperAccumulators’ dealing with the everyday environmental and political climate we are living in. The artists are taking in all this- and helping us return to a better state.”

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