#ecofeminism – Art Spiel

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April 24, 2024April 24, 2024, by Etty Yaniv

This Bitter Earth: Deborah Wasserman at Kuma Lisa

Photo Story

Deborah Wasserman, Rubble, 2021, ink and acrylic on paper, 28″ x35.5″

Rubble, mutated crop fields, floods, scorched earth, and occasional female figures floating or submerged unfold throughout the sixteen landscape paintings in Deborah Wasserman’s current solo show, The Bitter Earth at Kuma Lisa. Though the paintings differ in scale and media—from small acrylic and oil on panels to larger acrylic, oil, and stained clothes on canvas to medium-sized works on paper—they all share the sense of a world where multiple perspectives from different vantage points co-exist. Wasserman’s energetic strokes and searching lines create a rhythmic movement upward, downward, and sideways—reminiscent of the fluidity in Chinese and Japanese calligraphic scroll paintings and the clear, directional lines of a hand-drawn map. These linear dynamos intertwine with a palette of earthy tones, greens, yellows, oranges, blues, reds, and pure blacks, creating multiple vignettes within a layered landscape.

March 14, 2024March 14, 2024, by Art Spiel

Transgressing Lands at the Boiler

Hot AIR

*Transgressing Lands: Eleven Contemporary Artists Reimagine a Horizon* Installation View. Photo: Martin Seck

The current group exhibition at The Boiler | ELM Foundation, Transgressing Lands, curated by A.E. Chapman, features work by Jeannine Bardo, Nancy Cohen, Cristina de Gennaro, Deborah Jack, Natalie Moore, Itty S. Neuhaus, Nazanin Noroozi, Lina Puerta, Corinne Teed, Elizabeth Velazquez, and Letha Wilson, who interpret the horizon’s role as a foundational element for understanding our place in the world. The artists confront pressing issues—preserving landscapes under threat, the ramifications of climate change, the realities of displacement and conflict, the significance of mindfulness, challenging colonial legacies, and the ever-present cycles of destruction and rejuvenation. Chapman’s direction for the exhibition invites viewers to engage with how landscapes can anchor us in the present moment and our collective history.

May 9, 2022May 9, 2022, by Joan Sullivan

Just Say When

*Still from Jessica Segall’s film* Say When, produced by Little Sun (2021)

Speaking on behalf of all the amazing artists I’ve interviewed over the past four years for this monthly Renewable Energy series, I think that one of the greatest compliments any of us could ever hope to receive would be to be described as a “superhero” by Olafur Eliasson.

November 5, 2020October 28, 2020, by Etty Yaniv

All the Way to Hell

In Dialogue with Eliza Evans

Last year, after artist Eliza Evans learned she had inherited the equivalent of three acres of mineral rights in Oklahoma, she started receiving offers from agents for fossil fuel companies to buy or lease these rights. After researching the law, Eliza Evans learned that she could not refuse and that the property could be fracked without her consent if the neighboring property owners agreed. Eliza Evans says that since like most artist she does not like being told what to do, she took a deep dive on mineral rights and property law to see if she could create some options. This resulted in the conceptual art activism of All the Way to Hell.

All the Way to Hell is giving away fractions of this property to as many people as possible. Nearly 300 people are participating so far, and signups will remain open until mid-December. This aggressive fragmentation of the property drives up the driller’s acquisition costs and will impede their interest. All the Way to Hell is a platform for a new form of protest, the foundation for a 100-year sit-in. Although each fractional mineral property is minuscule from a practical and legal perspective, the space it occupies is vast. All the Way to Hell may be the largest land art project ever.

July 9, 2020August 31, 2020, by Nina Mdivani

Confronting History through Herstory

ecofeminism(s) at Thomas Erben Gallery

Installation view of ecofeminism(s) curated by Monika Fabijanska, left to right: Eliza Evans, Sonya Kelliher-Combs, Hanae Utamura, Betsy Damon, Aviva Rahmani, and Jessica Segall. Thomas Erben Gallery, New York, June/July 2020 (photos: Andreas Vesterlund).

The exhibition ecofeminism(s), on view at Thomas Erben Gallery from June 19th to July 24th, will reopen Tuesday, September 8th through Saturday, September 26th, 2020. Curator Monika Fabijanska brings together works of sixteen artists in graceful, yet dense and thoughtful way as a museum show would. Albeit in the gallery consistently staging pivotal and sophisticated exhibitions,including among many others shows of Senga Nengudi, Dona Nelson, Painting Forward and Looped and Layered – Contemporary Art from Tehran.

June 15, 2020June 15, 2020, by Etty Yaniv

Artists on Coping: Jessica Segall

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Reverse alchemy in Conga (Màxima), 2019, Photograph. Photo courtesy of the artist.

Jessica Segall is an artist based in Brooklyn, NY. Her work is exhibited internationally including recent/ current shows at The Fries Museum and The National Museum of Jewish American History and upcoming at Thomas Erben Gallery, The Coreana Museum of Art and The Center for Art Research. Jessica received grants from The Pollock Krasner Foundation, The Rema Hort Mann Foundation, New York Foundation for the Arts, New York State Council on the Arts, The Harpo Foundation and Art Matters and attended residencies at The Van Eyck Academie, The MacDowell Colony and Skowhegan. Her work has been included in Cabinet Magazine, The New York Times, Sculpture Magazine, Mousse Magazine and Art in America. Jessica will have a work in a show on ecofeminism in June 19th at Thomas Erben Gallery and she will also participate in the Virtual 2020 Dumbo Open Studio that was postponed (TBA) due to solidarity with the movement of Black Lives Matter.

May 27, 2020November 2, 2022, by Catherine Kirkpatrick

Artists on Coping: Deborah Wasserman

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

:Art Spiel 1.jpg — *Deborah Wasserman in her studio, The Pool, CalArts 2018, photograph by Rafael Hernan*

Inspired by her rich South American and Middle-Eastern background, Deborah Wasserman makes personal and visceral art stirred by Ecofeminist themes. A graduate of the California Institute of the Arts and the Whitney Independent Study Program, she has exhibited nationally and internationally, and is a grant recipient of the Experimental Television Center, Aljira Center for the Arts, the America-Israel Cultural Foundation, and is a Skowhegan fellow. She received an IAP Social Practice fellowship from NYFA in 2017, a grant from the Puffin Foundation in 2018, a grant from Citizens committee for New York in 2019, a Queens Council On The Arts New Work grant in 2020, and a Su-Casa award from the New York State Department Of Cultural Affairs every year since 2015.