Notice: Function WP_Object_Cache::add was called incorrectly. Cache key must not be an empty string. Please see Debugging in WordPress for more information. (This message was added in version 6.1.0.) in /www/artspiel_344/public/wp-includes/functions.php on line 6131

DUMBO Open Studios 2025 with Audrey Stone

In the studio with Way Down, 2024, 50×50.25” photo credit Andrew Schwartz @artphotobiz

On April 26th and 27th, from 1 to 6 pm, artists in DUMBO will open their doors to the public as part of DUMBO Open Studios, offering a rare look inside the art studios along the Brooklyn waterfront. Since the 1970s, DUMBO has been shaped by its vibrant art community. This interview series highlights a handful of participating artists in 2025. Each response offers a glimpse of what’s waiting behind the studio door. Audrey has been in DUMBO since March, 2024. Her studio is at 45 Main Street, #1052.

Continue reading “DUMBO Open Studios 2025 with Audrey Stone”

Sarah Martin- Nuss: Future Currents- At Rachel Uffner Gallery

Installation view

In following Martin-Nuss’ work for a few years now, I was always mesmerized by the way they could establish and build a living landscape using both physical spaces and water reflections. A living landscape by means of movement, layers, and currents. This exhibition shows works that each establish their own space and carry with them their own evolutions into an entirely new space the longer you look at them.

Continue reading “Sarah Martin- Nuss: Future Currents- At Rachel Uffner Gallery”

Diane Burko’s Greatest Emergency

Diane Burko, Amazon 7, Diptych A, 2022, mixed media on canvas, 20×20 inches,  In the collection of Joseph and Pamela Yohlin

This is part of a series of articles for the upcoming exhibition, The Greatest Emergency at the Circulo de Bellas Artes of Madrid. The exhibition is based on Santiago Zabala’s book, Why Only Art Can Save Us: Aesthetics and the Absence of Emergency. In this exhibition, ten contemporary artists rescue us into our greatest emergencies, that is, those we do not confront as we should. Each article in the series will contextualize these artists’ practices and explore how they are linked to Zabala’s aesthetic theory and the exhibition’s themes. The third article in this series highlights the work of American artist Diane Burko.


Continue reading “Diane Burko’s Greatest Emergency”

Gestural Painting in Spotlight at Independent Art Fair

A painting of people in a room

Description automatically generated
Matthias Franz (German, born 1984), infantile gestures, 2024, Oil on canvas, 170 x 160 cm. (66.9 x 63 in.) courtesy of GRIMM Gallery

From dark and moody to blithe and bright, gestural painting is having a resurgent moment at the Independent Art Fair this year. Representational, abstract, and everything in between, artists showcase a wide range of motions and gesticulations of the artists’ hand tell the stories.

Continue reading “Gestural Painting in Spotlight at Independent Art Fair”

Pauline Decarmo: Exit – the Path to New Beginnings at LABspace


Installation view of Pauline Decarmo: Exit at LABspace, 2022, photo courtesy LABspace

Some artists paint stunning abstractions, some artists deftly execute exquisite realistic images, while others ingeniously develop astute conceptual work, but the truly magical art is work that can intelligently create the aura of time, space, and experience. Fortunately Pauline Decarmo, by using any means necessary, does exactly that in her exhibition, Exit, on view at LABspace in Hillsdale NY through May 29.

Continue reading “Pauline Decarmo: Exit – the Path to New Beginnings at LABspace”

Samira Abbassy: Hybrid Iconography

A person sitting in a chair

Description automatically generated with medium confidence
Studio Portrait, 2016 at EFA Studios

Samira Abbassy’s paintings and drawings portray mysterious iconic figures, primarily female, who inhabit an ambiguous space. While her pictorial world resonates with archetypal imagery from eastern and western cultures, it equally pulsates with an urgent psychological core, creating an invigorating tension which prompts the viewer to search and discover rich layers for meaning.

Continue reading “Samira Abbassy: Hybrid Iconography”

Artists on Coping: Jane Swavely

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping. This interview includes questions by both Art Spiel and Cultbytes as part of an Art Spiel x Cultbytes content collaboration.

Macintosh HD:Users:annamikaela:Desktop:Jane Swavely, Artists on Coping:_Jane Swavely photographed by Peter Leece.jpg

Jane Swavely. Photographed by Peter Leece. All images courtesy of the artist if not otherwise stated.

Jane Swavely is a painter based in New York City. She studied at Boston University and the School of Visual Arts and was the recipient of a Ford Foundation Fellowship. Previously represented by CDS Gallery, she is currently a member of A.I.R gallery.

Continue reading “Artists on Coping: Jane Swavely”

‘Openings’ at Studio 10

Art Spiel in Dialogue with Larry Greenberg and Kate Teale

A picture containing wall, indoor, bathroom, room

Description automatically generated
Installation view

Kate Teale and Larry Greenberg have been exchanging art ideas for many years. Recently, their conversations have transformed into a fascinating collaboration, resulting in a two person painting show at Studio 10 in Bushwick. Larry Greenberg, the founder of Studio 10, and Kate Teale, a painter who has showed her work there regularly, share with Art Spiel how ‘Openings’ came about.

Continue reading “‘Openings’ at Studio 10”

BOS Studio Spotlight: Yolande Heijnen

Yolande_Studio_145.jpg
Heijnen’s “The bed we lay in”, 60″x72″

Yolande Heijnen was born and raised in Luxembourg, and has lived in New York since 1998. She has an MFA in painting from the New York Studio School, has won the Edward G. McDowell Travel Grant of the Art Students League, and is a three-time recipient of the Elizabeth Greenshields Foundation Grant.

All photos byCatherine Kirkpatrick

Continue reading “BOS Studio Spotlight: Yolande Heijnen”

Nina Meledandri: Somewhere in Between

Nina Meledandri, starting w/(a) line: 7.27.18 – 8.3.18, 2018, 2018, watercolor and ink on paper, 5 x 7″ each, photo: Nina Meledandri

Nina Meledandri ‘s images mostly come in multiples. With sensibility that is both poetic and analytical, she creates series of photographs, paintings, and frequently a combination of both. Altogether her body of work forms a vibrant and imaginative internal dialogue. She shares with Art Spiel some of her thought process, what prompts her imagination, and what has brought her to art.

Continue reading “Nina Meledandri: Somewhere in Between”