conceptual art – Page 5

October 21, 2024December 6, 2024, by Etty Yaniv

kith and kin – the Australian Pavillion at La Biennale di Venezia

Photo Story

**Photo by Matteo de Mayda. Courtesy: La Biennale di Venezia**

Archie Moore’s monumental installation, kith and kin, for the Australian pavilion at this year’s Venice Art Biennale, has been awarded the Golden Lion for Best National Participation. It is a recognition well-earned. This multi-layered, profound installation more than fulfills the 60th Venice Art Biennale theme of “Foreigners Everywhere.” It does so with a poignancy, depth, and nuance that are increasingly rare in contemporary mega installations engaging with heavily charged subject matter, such as the history of Australian First Nations. kith and Kin confronts colonial legacies head-on while embracing humanity’s shared lineage. It serves as both a memorial to pain and loss and an understated reminder of our common ancestry.

October 13, 2024October 13, 2024, by Jac Lahav

The Art of Being Watched: Julia Weist and Surveillance Culture

All persons to whom license certificates have been issued shall not lend or allow any other person to have, hold or display such certificate; and any person so parting with a license certificate or displaying the same without authority shall be guilty of a misdemeanor *Image courtesy the Artist and* *Moskowitz Bayse*

Julia Weist’s new exhibition Private Eye, currently on view at Moskowitz Bayse in LA, blends artistic practice with journalistic research to investigate how big data operates in America. In 2021, companies in the United States spent over $110 billion on big data. Weist’s work taps directly into this massive industry, which buys and sells our personal information without consent.

October 3, 2024September 29, 2024, by Etty Yaniv

Divisions: To Be Human Is To Act Humanely

Featured Project

at Griffiss International Sculpture Park , Rome, NY

Linda Cunningham – Divisions

… hunger and fear can vanquish all human resistance, and all

freedom … Freedom consists in knowing freedom is in danger.

But to know … is to have time to avoid & prevent the moment of

inhumanity … the infinitesimal difference between the human

being and the non-human being …

————–Emmanuel Levinas, Totality and Infinity

September 27, 2024October 6, 2024, by Yasmeen Abdallah and Anna Shukeylo

The Art of Unpacking an Art Fair—Spring/Break NYC

Art Spiel Stew

3RD SPACE installation image. Image by Yasmeen Abdallah

We visited SPRING/BREAK Art Show in its new location in lower Manhattan on Varick St. We went independently, and then got together afterward to discuss our impressions of the fair, and the highlights we came away with. We have ruminated on possible trends and strong impressions that stayed with us long after the fair. Even though it has been almost a month past Spring Break Art Fair, the highlights resonated with us.

September 22, 2024October 6, 2024, by Sara Farrell Okamura

Until the Sun Goes Dark: Taylor Davis Decontructs Power

Installation view, photo courtesy of SEPTEMBER

In Until the Sun Goes Dark, Taylor Davis’s second solo show with SEPTEMBER gallery at Kinderhook, NY, the Boston-based artist takes on the question of why we exist in a violent, volatile universe. She offers no answers, but through sculpture, painting, and works on paper, elicits inquiries into the nature of brutality by researching texts ranging from 2000-year-old biblical scriptures (Job 27:13- 23, Ecclesiastics 12: 5-8 and Psalm 57: 4-5) to modern writings by Ethnographer, Edward Linnaeus Keithahn and literature by William Gass, In The Heart of the Heart of the Country. Davis does not merely execute a plan to create work but relies on systems of chance and logic. She does not force her materials to bend to her intent but defers to the inherent nature of the materials she is using. Working in a similar manner to a call-and-response practice, her final pieces sometimes challenge the viewers’ initial comprehension of what they are actually seeing.

September 18, 2024October 6, 2024, by Melissa Stern

Martin Wilner -The Case Histories: When We Cease to Understand the World (Extraterrestrials on The Couch)

A collage of drawings of people

Description automatically generated — June 2015- Seth Shostak. Pen and ink on Bristol board 161/2 x 171/8

Martin Wilner’s compelling new show at BravinLee Projects is both conceptually and visually complex, the work of an intellect working on several intersecting planes. Wilner is a practicing Freudian psychoanalyst, a scholar, and mentor to analysts in training. He is a self-taught artist whose work reflects his involvement with the human psyche, popular culture, and comic strip art. His artistic practice is intertwined deeply with his psychoanalytic work and comes with an interesting twist; Wilner the therapist invites the public to engage deeply with the world of Wilner the artist via social media.

September 12, 2024October 6, 2024, by Art Spiel

The Elusive Art of Kumi Yamashita at Flinn

Previewing

Kumi Yasmashita, “Strings”, 2016. Wood panel, brads, seven colored threads, 16x12x1 in. Photo by Paul Takeuchi

The Flinn Gallery’s 2024-25 season kicks off on September 19 with the solo exhibition The Elusive Art of Kumi Yamashita, curated by Leslee Asch. Situated on the second floor of the Greenwich Library, the Flinn Gallery is known for its commitment to high-quality contemporary art, offering a space for both emerging and established artists. The Flinn Gallery’s 2024-25 season opens on September 19 with the solo show The Elusive Art of Kumi Yamashita, curated by Leslee Asch.

September 11, 2024October 6, 2024, by Yasmeen Abdallah

Art Spiel Picks: Governors Island in September 2024

HIGHLIGHTS

A room with a large chess board

Description automatically generated — Dario Mohr’s Don’t Forget to Check. Image by Yasmeen Abdallah

Themes of searching and connection to ancestors through practice, ritual, and persistence are intertwined through work that depicts aspects of migration, objecthood, and the complexities of humanity itself. The winds moving across the island dictate the mood as we bow and sway through graceful installations in deeply resonant forms at LMCC Art Center and Artcrawl Harlem.

September 9, 2024October 6, 2024, by Janila Castañeda

Reshaping space through photography: Anna Berenice Garner & Janila Castañeda

IN CONVERSATION

*Anna Berenice Garner, installation view of exhibition titled, Topografías y otras ficciones, image courtesy of Lateral gallery*

For a few months now, Anna and I have been discussing her practice in preparation for her most recent solo show in Mexico City titled Topografías y otras ficciones. As we have been navigating concepts around the notions of landscape and the role of the image in the construction of truth, our exchanges included topics such as the body and its relationship with space, methods of reshaping space through photography, as well as the potential of merging sculpture and photography to rethink the environments that construct the unquestionable truths under which we guide our existence. This interview compiles key points from our face-to-face and written exchanges while capturing insights into the artist’s current approach to her work.

August 1, 2024August 2, 2024, by A.E. Chapman

UNCOMMITTED at Stand4 Gallery

In Conversation

A. E Chapman with Magdalena Dukiewicz, Bang Geul Han, and Georgia Lale

Install image: (left to right) Bang Geul Han’s, Warp and Weft #02 – Toilet, Warp and Weft #02 – Reading, and Warp and Weft #03 – Sleeping, all from 2022, Georgia Lale’s 404,770 on Inauguration Day, 2021, Stand4 Gallery

UNCOMMITTED at Stand4 focuses on civic literacy, engagement, and social matters which affect and reflect the daily lives of folks within Bay Ridge. This local lens also overlaps with national issues surrounding the 2024 presidential election. In particular, these artists examine concerns related to health care, migration, conflict, tensions between state and federal voting rights, the role of technology, surveillance, and advocacy. Art Spiel invited the curator of the show, A.E. Chapman, to elaborate on these concerns and their relevance within each of their works in the exhibition.