Art Spiel Picks: Lower East Side in July 2024

HIGHLIGHT
Installation view, Shadowland, at Marc Straus, photo courtesy of the gallery

Summer 2024 shows in Lower East Side galleries offer many super solo and group exhibitions. We will highlight three that range from an inaugural show at a new NYC flagship gallery, a solo show of a veteran NYC artist, and a group show of Eastern European artists. That Dog in Me at Jupiter Gallery is a solo exhibition featuring seven new paintings by Travis Fish, who continues their exploration of fandom. Susan Eley Fine Art features the work of the late artist James Moore (1938 – 2013) in the second posthumous exhibition, Something Beautiful Happened. The group show at Marc Straus features Eastern European artists of the post-communist era and their responses to the rapid acceleration of technological development.

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Intimate Space, Entangling Threads – Sharon Liu and Hanna Hirakawa with Naomi Okubo

In Conversation
Naomi Okubo, Little Mama – Closely Glazed Space, 2024, acrylic on canvas, ©Naomi Okubo, courtesy of Fou Gallery

Naomi Okubo has been creating works that explore the themes of identity and relationships with others. Her paintings, sculptures, and installations often feature multiple portraits of herself in imaginary, fantasized settings full of decorative patterns and vibrant colors that blur the boundary between the self and the surrounding environment. This ambiguity regarding identity stems from her experiences of struggling to establish selfhood in relation to others during her adolescence. One of her turning points was when she developed her interest in Wardian cases or what she calls “closely glazed spaces.”

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Art Spiel Picks: Boston Exhibitions in July 2024

Highlights
“Untitled (United States Marine Hospital)” by Firelei Báez at The Institute of Contemporary Art / Boston

There are many excellent art exhibitions to visit in and around Boston this summer. Museums and galleries have created an abundance of programming that’s playful and profound. Dance parties, concerts, salons, and festivals supplement what’s on view, making summertime feel even more celebratory for the arts community. A visit to the Cape and Islands is a must for a reprieve from the heat, but also a great place to see brilliantly curated shows and satellite exhibitions. Within the city you’ll find most galleries foregoing their beach time to maintain regular hours and offering a rich selection of dynamic shows. Here are some highlights.

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Judith Braun’s, I’m Bad at Kiddie Pool is So Good

Featured Exhibition
A poster on the wall

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Judith Braun, I’m Bad, installation view, photo courtesy of Kiddie Pool and the artist

Veteran, age-defying, feminist artist Judith Braun’s exhibit, I’m Bad, opened on June 28 in a pristine, Victorian-era brownstone that doubles as Kiddie Pool, a residential project space in downtown Albany, NY. As contemporary contronym phrases go, I’m Bad conjures a sense that exemplifies Braun as a person and her body of work. Through decades whether it was as a generation-defining member of the lower east side collaborative Group Material, where she created Pussy Works, as part of the seminal 1988 show, Democracy: Cultural Participation to exquisitely painted angels to her current exhibit that includes new monumental collages at Kiddie Pool, Braun consistently challenges and baits the status quo with unbridled glee.

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Conversation with Sandra Eula Lee

In Dialogue

Seeds in a wild garden, 2009, Rubble collected from construction sites in Seoul, South Korea, house paints in colors of local gardens

Sandra Lee is an artist who produces sculpture and 2-D works, which addresses her interest in labor, materials, and traditions that have been passed in through time and culture and defining those elements through a contemporary lens. Lee had a recent exhibition titled “The Walking Mountain” at Drexel University. I had the pleasure of speaking to Lee about her work, her influences, and what it means to be an American-Korean artist and daughter of immigrant parents. The Walking Mountain exhibition consists of works that signify some of these themes through their materiality and their making. Here is the discussion that transpired.

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Travelers, Liars, Thieves at Garrison

Photo Story
A group of white bears statues

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David Packer, Bears that Dance, ceramic with glaze, each 12” high approx, 2024

The three-person show Travelers, Liars, Thieves at Garrison presents the work of artists Margaret Lanzetta, David Packer, and Niki Lederer, who also curated the exhibition. Margaret Lanzetta’s paintings, crafted with acrylic on satin, cotton bedsheets, and sari fabric, explore the fusion of decorative traditions from various cultures, reflecting interconnectedness between cultural and political narratives. Niki Lederer’s artwork, made from repurposed discarded materials such as umbrella canopies and nylon threads, highlights environmental concerns. David Packer’s bear sculptures serve as a metaphor for personal, economic, and political upheavals. Collectively, the three artists re-imagine the world with united boundaries, new environmentalism, and migrating identities.

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Over-Compression in Ridgewood Open Studios, curated by Eunice Chen

featured exhibition
Image Courtesy by Rocio Segura

Over-Compression, a group show featured in Ridgewood Open Studios, is the culmination of Eunice Chen Yuyue’s curator-in-residence program at Level Gallery, supported by Rockella Space. From February to April 2024, Eunice visited over 20 artists in their studios at One Eyed Studios and Brown Bear Studios. The exhibition highlights the work of Brooklyn and Queens artists, including Christine Abraham, Luis Aguilera, Britt Harrison, Ben Blaustein, Alexander Brewington, Sir, King David, Karryl Eugene, Yunierki Felix, Joe Gray, Kristen Heritage, Jason Karolak, Teddy Lane, Sheila Lanham, Sfera Louis, Spencer Patrick, Jean Rim, Alejandra Rojas, Chimera Singer, Md Tokon, and Amanda Valle. Over-Compression is displayed across five galleries at One Eyed Studios, running from May 3rd to May 19th, 2024.

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Jeanne Ciravolo – the resistance in making do

In Dialogue
A person standing in front of a wall with paintings

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Residency at the Anderson Center, 2019, Red Wing, MN

In her mixed-media work, Jeanne Ciravolo integrates collage, print, and stitching, materializing the stories of her female relatives—their stories of loss and hope. The female figures often reference representation of women in art history, such as medieval carvings or paintings from the Renaissance. The figure imagery is based on Ciravolo’s sketches, figure drawings, photos from newspapers and magazines, or photos she took.

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The Golden Thread – BravinLee Offsite at The Seaport

Photo Story
A colorful piece of art on a brick wall

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Christopher Myers Ghezo’s Throne, 2021 Appliqué textile, 72 x 48 inches

BravinLee Projects has just launched an audacious, big, and bold exhibition of 60 contemporary artists working in textile or textile-related mediums. It’s a massive show in an unlikely pop-up space. A five-story historic brick warehouse building in the Seaport that is anything but the cool, clean white box gallery that we are used to. The walk-up gallery space has vintage wide planked flooring, old fireplaces, and deeply aged brick walls. Though it must have been a challenge to curate in the space and even more of a challenge to install, the result is a fascinating presentation of artists working in a wide range of materials and styles.

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