
Judith Schachter at work
Art without craft is blind, craft without art is empty Judith Schaechter paraphrasing Kant
Continue reading “Judith Schaechter – Native to her Imaginary World”Contemporary Art and Culture

Art without craft is blind, craft without art is empty Judith Schaechter paraphrasing Kant
Continue reading “Judith Schaechter – Native to her Imaginary World”
For over fifty years, Philadelphia-based painter, photographer, and activist Diane Burko has translated her love for large open spaces and monumental geological sites into powerful and alluring landscapes. Her exhibition at the American University in Washington, D.C. (August 28 – December 12, 2021), titled Diane Burko: Seeing Climate Change 2002 – 2021, contained 103 paintings, photographs, and time-based media depicting mountains, oceans, snow and ice, glaciers, volcanos, and fires that address the growing impact of the climate crisis.
Continue reading “On Bearing Witness and Embracing Beauty”
New York-based artist and educator Jaanika Peerna grew up in Estonia during the Soviet era. Her drawings, installations, and performances all embody a sense of constant movement and change, either chaotic or orderly, that personifies the elements of water, ice, wind, air, and light. Peerna attributes many of the choices she has made about the materials she uses as well as her working methods to her childhood in her native land of ice and greyscale colors along the Baltic Sea. It was there where her body learned to embrace the movements specific to gliding on ice, where she observed the varied lines that skates made on the surface of ice, and where she mastered the use of the limited art materials available in the local Soviet-style school system – especially drawing with pencils on paper. To this day, she sees all of her work as drawing, “whether it is video or light installations, placing works in a room, drawing in space, leaving lines on paper, traces of movement and now performance.”
Continue reading “Elegizing Ice: Jaanika Peerna”
Plumas, featuring Deborah Kruger’s recent work, is PRPG.mx’s premiere show in their newly expanded exhibition and residency space in Mexico City. In this sculptural installation, curated by Micheal Swank, Kruger focuses on the extinction of Mexican bird species, the death of Mexican indigenous languages, and the impacts of climate change on migration.
Continue reading “Deborah Kruger – Plumas at PRPG in Mexico City”
On May 13, 2020, in the middle of the global pandemic, the NYU Abu Dhabi Arts Center in the United Arab Emirates hosted a streaming event consisting of a four-and-a-half-hour filmed version of HOLOSCENES, a durational performance installation that was originally presented there live in November of 2016. The event also included a conversation with Lars Jan, artist, writer and project director, as well as members of his team. HOLOSCENES is comprised of performers going about common, every-day tasks while the aquarium in which they are confined fills and empties with water. Although conceived as a commentary on “states of drowning” – rising seas, melting glaciers, intensifying storms, floods, and their impact on daily life – the project takes on additional meaning as we struggle with our own physical and psychological confinements during the great global quarantine.
Continue reading “Revisiting HOLOSCENES During the Global Pandemic”
Mexican visual artist Gilberto Esparza works with technology, including electronics, robotics, and biotechnology, to develop innovative solutions to the detrimental impact that humans have had on the natural world, particularly on water. His overall goal is to rethink and redo the current relationship between human society and the environment by establishing collaborations between the two.
Continue reading “The Art of Transforming Polluted Water into Clean Water, Energy, and Sound”
I recently read the article “As the Climate Crisis Grows, a Movement Gathers to Make ‘Ecocide’ an International Crime Against Humanity” from Inside Climate News. The authors state that “international lawyers, environmentalists, and a growing number of world leaders say that ‘ecocide’ – widespread destruction of the environment – would serve as a ‘moral red line’ for the planet.” French President Emmanuel Macron and Pope Francis add that ecocide is an offense that poses a similar threat to humanity as genocide. And Pope Francis describes ecocide as “the massive contamination of air, land and water” or “any action capable of producing an ecological disaster.” The Pope has proposed making ecocide a sin for Catholics, endorsing a campaign by environmental activists and legal scholars to make it the fifth crime before the International Criminal Court in the Hague.
Continue reading “What Is Your ‘Tipping Point’ for Collective Action?”
In this issue I have for you my second interview with artist Katie Holten. We first spoke back in 2019, when she created the NYC Tree Alphabet to draw greater attention to the threats that New York-area trees face. Now she’s created an alphabet for the trees of Ireland, her home country. In our interview below we discuss what inspired her latest alphabet, how she’s developed an accompanying tool for use in schools, and what to expect from Learning to be Better Lovers, her forthcoming exhibition about learning to love all creatures on the planet.
Continue reading “An(other) Interview with Artist Katie Holten”
Each of Marya Kazoun’s sculptures, performances, and installations evolves into its own open-ended narrative, deriving from the artist’s personal journey—childhood memories and cultural background. Throughout her versatile body of work, Marya Kazoun plays with the concepts of time and space by blurring their boundaries, excavating a wide array of imagery from the realms of the collective and the subconscious to form rich and poetic installations evoking parallel universes. The eclectic materials she is using in her work—fabric, bamboo, Murano glass, plastic, paper, and whatever inspires her—assume new life and new meaning within her idiosyncratic, imaginative, and elaborate visual vocabulary.
Continue reading “Marya Kazoun: Trans-mutational Materiality#”
Krisanne Baker defines herself as a multi-disciplinary eco-artist, water activist, citizen scientist, and educator. In all of these disciplines, she has devoted herself to researching and revealing the condition and beauty of our rivers, streams, and oceans, and to advocating for their protection.
Continue reading “Seeing Water”