reMastered at Mana Contemporary

In Conversation
Nirvana (Nevermind)


reMastered: Jac Lahav’s Record Paintings is a solo exhibition at Mana Contemporary featuring a selection of over two hundred intimate 12 x 12 inch paintings of iconic album covers celebrating the slow, tactile process of gouache on canvas. The project asks what painting can add to images that already live in our collective memory. This iteration of Lahav’s work opens a new line of inquiry into what artists listen to, drawing from record collections of artist icons Jackson Pollock, Georgia O’Keeffe, Francis Bacon, and Dan Flavin. Artist Jac Lahav and curator Michele Jaslow sat down to discuss the exhibition for Art Spiel.  

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The Art of Being Watched: Julia Weist and Surveillance Culture

All persons to whom license certificates have been issued shall not lend or allow any other person to have, hold or display such certificate; and any person so parting with a license certificate or displaying the same without authority shall be guilty of a misdemeanor Image courtesy the Artist and Moskowitz Bayse

Julia Weist’s new exhibition Private Eye, currently on view at Moskowitz Bayse in LA, blends artistic practice with journalistic research to investigate how big data operates in America. In 2021, companies in the United States spent over $110 billion on big data. Weist’s work taps directly into this massive industry, which buys and sells our personal information without consent.

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Eunice Golden: Metamorphosis at SAPAR Contemporary

In Dialogue with curator Aliza Edelman


Eunice Golden painting Metamorphosis #20 in her East Hampton studio. Photo: © 2007 Walter Weissman

The excellent current exhibition Eunice Golden: Metamorphosis at SAPAR Contemporary, rigorously curated by scholar and curator Aliza Edelman, Ph.D., features paintings and photographs by the 93 years old prolific artist from 1979 to 2009. Based in the West Village and in East Hampton, New York, Eunice Golden has made throughout five decades an outstanding and bold body of work with consistent commitment to her artistic vision and to feminism, while keeping her work admirably fresh and urgent all the way. In her later paintings the body is fragmented and anthropomorphized into a landscape, described by the artist as a philosophical and spiritual outgrowth of her earlier radical oeuvre of sexual body landscapes. Golden says on these recent works, “I am concerned with tactility and the sensation of touch, but also of thought on a primal level, where there are no boundaries and where natural phenomenon are blurred by processes of metamorphosis.” In this interview Aliza Edelman elaborates on the genesis of this show and the ideas behind Eunice Golden’s work.

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