brooklyn – Page 5

December 17, 2024December 16, 2024, by Anna Shukeylo

Art Spiel Picks: Just for Laughs Exhibitions in December 2024

Nancy Elsamanoudi, Donut Dog at Dog House Gallery, courtesy of the the artist

HIGHLIGHTS

From Manhattan to Brooklyn, there is funny business happening in the galleries this holiday season, quite literally. Portraits of humorous creatures in a solo exhibition titled Donut Dog by Nancy Elsamanoudi at Doghouse Gallery are an opening act to the performances at the Brooklyn Comedy Collective. Slightly absurd paintings of “Lost” posters by Jeffrey Morabito crack a joke in a two-person exhibition titled Flat Theater at Space 776 (CLOSING DECEMBER 18th), while a humorous undertone sets the mood in the Paintings and Chairs group exhibition at Zepster Gallery.

November 27, 2024December 10, 2024, by Amalia Rizos

Suzanne Wright: The Alchemy of Equals at Tappeto Volante

Suzanne Wright, Supreme (with arsenic), 2023, Vinyl Flashe paint, Fleur paint and Acrylic, Linen mounted wood panel, 36 × 36, photo courtesy of Tappeto Volante

Alchemy is an age-old mode of science that seeks to transform matter, turning it into something else, something new. It remains a relevant practice, prevailing as the medieval genesis of chemistry, which only went on to titillatingly promise a universal elixir to the denizens of the Renaissance. For centuries, alchemists lacked the scientific language to describe what they were observing in their experiments, as a result they projected their own subjectivity and personal processes onto external chemical operations – in this vein, the exhibition’s work at hand achieves its success. Through alchemy, lead is turned into gold, and as an 18th-century practitioner wrote with alchemists in mind: “Wherever thou art, all is brought to perfection; may the realm of thy Knowledge become subject unto thee. May our will in all our work be only thee, self-moving Power of Light! And as in the whole of Nature thou accomplishest all things, so accomplish all things in our work.”^[1] Here, a connection to the material world reigns supreme.

November 21, 2024December 7, 2024, by MICHELE JASLOW

Art Spiel Picks : Art and Technology NYC Exhibitions November 2024

HIGHLIGHTS

CHANNEL by Scope Collective at Biobat Art Space. Photo courtesy of gallery.

The three exhibitions Digital Being: Radio Row, Water Stories, and GUI/GOOEY explore memory, technology, and sustainability across time. In Digital Being: Radio Row, Taezoo Park breathes new life into obsolete machines, reimagining New York’s Radio Row as a digital hub of the past and future. Water Stories at BioBAT Art Space celebrates water’s ecological and cultural roles through multisensory art, urging conservation for future generations. GUI/GOOEY at Plexus Projects blurs boundaries between digital and organic realms, examining how interfaces reshape our perception of the body and nature through digital media.

November 18, 2024December 7, 2024, by Will Kaplan

Aggregate at Studio 9D

Installation view of Bradley Milligan’s *Scrimmage*, 2023, tinted joint compound, scrap wood, used drop cloth, oil on panel, cotton thread, hardware. 79 x 49 x 51 inches; *Down the River*, tinted joint compound, scrap wood, automotive polish, hardware. 85 x 71 x 5 inches

In the three person show Aggregate at Studio 9D, artists Sammy Bennett, Bradley Milligan, and James Bertucci channel New York streetscapes and detritus to relay an earnest and affecting impression of the city. Bertucci’s trompe l’oeil paintings, Bennett’s fabric installation, and Milligan’s rugged sculptures overlap in a reverence for craftsmanship. Labor and construction are this show’s subject and, in many ways, its medium. In its use of material and representation Aggregate is boldly literal in its translation of the city’s chaos and beauty.

November 5, 2024November 5, 2024, by Art Spiel

Devon Gordon: OBSESSED at Zepster

featured project

Installation shot: Paul-Sebastian Japaz, Inés Maestre, Lanyi Gao. Photo courtesy of Tyler Ward.

OBSESSED, the group exhibition Shelby Nelson Ward curated at Zepster in Bushwick, Brooklyn, is inspired by Mariah Carey’s hit song Obsessed and the developmental impact of social media on the millennial generation. This exhibition explores how contemporary culture influences our understanding of self-worth and authenticity. Devon Gordon, the gallery founder gives us an insight into the venue and the current show, which runs through November 17th, 2024.

October 30, 2024November 19, 2024, by Eva Zanardi

All you need is JUST LOVE: Michela Martello at Pen + Brush

*JUST LOVE*, (Mimi), 2024, Acrylic, pigments, ink, pastel on interfacing, Installation view

In the heart of Manhattan’s Flatiron district, Pen + Brush, a 130-year-old nonprofit dedicated to championing women in the arts, proudly presents JUST LOVE, an immersive, large-scale installation and exhibition by Italian-born Brooklynite Michela Martello. Drawing inspiration from the renowned Japanese writer Haruki Murakami, Martello’s 360-degree visual experience invites viewers to embark on an introspective and exhilarating journey, exploring the blurred boundaries between reality and the imagined. The narrative woven throughout the exhibition transports viewers into mythical domains, where the sacred and the fantastical coalesce seamlessly.

October 16, 2024October 16, 2024, by Etty Yaniv

Bascha Mon’s Life and Journey of Dreaming at Tappeto Volante

In Dialogue

A Celebratory Retrospective of an Artist’s Life and Journey of Dreaming, Perseverance, Activism, & Unconscious Expression.”

The retrospective of Bascha Mon’s paintings at Tappeto Volante offers a focused look at an artist whose career has been shaped by both creative achievements and personal struggles. Mon first gained recognition in the 1970s and 80s, with numerous exhibitions and critical acclaim. However, her trajectory was interrupted by health challenges that led to a long period of seclusion. During this time, she continued to work from her basement studio in New Jersey, expanding her creative vocabulary across various mediums while remaining largely out of the public eye. In recent years, Mon turned to digital platforms like Facebook and Instagram. Paola Gallio, the exhibition curator and gallery co-founder, describes this phase as “dissolving the physical isolation that had once defined her situation.” These platforms allowed Mon to reconnect with the art community and sustain an active, visible presence. Gallio emphasizes that “Mon’s modest basement studio became a metaphor for boundless creative space,” where the constraints of physical isolation were replaced by the limitless possibilities of virtual engagement. For deeper insights into the retrospective, Gallio’s interview with Art Spiel offers further reflections on Mon’s artistic journey and the significance of this exhibition.

October 1, 2024September 24, 2024, by Jac Lahav

CJ Hendry And The Rise of Photo-op Art

Opinion

CJ Hendry, Flower Market, 2024: CJ Hendry Studio

CJ Hendry’s recent Flower Market installation, initially planned for September 13-15 on Roosevelt Island, was shut down by police due to overcrowding and quickly relocated to Brooklyn. The event was both a celebration and a symptom of our evolving art world. Hendry, known for her hyperrealistic drawings of everyday objects and her massive Instagram following of over 800k, collaborated with beauty brand Clé de Peau Beauté to pair their perfume scents with plush flower sculptures. Visitors could take one flower for free and buy additional ones for $5 each, creating Instagrammable bouquets to share with friends.

August 1, 2024August 2, 2024, by A.E. Chapman

UNCOMMITTED at Stand4 Gallery

In Conversation

A. E Chapman with Magdalena Dukiewicz, Bang Geul Han, and Georgia Lale

Install image: (left to right) Bang Geul Han’s, Warp and Weft #02 – Toilet, Warp and Weft #02 – Reading, and Warp and Weft #03 – Sleeping, all from 2022, Georgia Lale’s 404,770 on Inauguration Day, 2021, Stand4 Gallery

UNCOMMITTED at Stand4 focuses on civic literacy, engagement, and social matters which affect and reflect the daily lives of folks within Bay Ridge. This local lens also overlaps with national issues surrounding the 2024 presidential election. In particular, these artists examine concerns related to health care, migration, conflict, tensions between state and federal voting rights, the role of technology, surveillance, and advocacy. Art Spiel invited the curator of the show, A.E. Chapman, to elaborate on these concerns and their relevance within each of their works in the exhibition.

July 25, 2024July 24, 2024, by Art Spiel

Intimate Space, Entangling Threads – Sharon Liu and Hanna Hirakawa with Naomi Okubo

In Conversation

Naomi Okubo, *Little Mama – Closely Glazed Space*, 2024, acrylic on canvas, ©Naomi Okubo, courtesy of Fou Gallery

Naomi Okubo has been creating works that explore the themes of identity and relationships with others. Her paintings, sculptures, and installations often feature multiple portraits of herself in imaginary, fantasized settings full of decorative patterns and vibrant colors that blur the boundary between the self and the surrounding environment. This ambiguity regarding identity stems from her experiences of struggling to establish selfhood in relation to others during her adolescence. One of her turning points was when she developed her interest in Wardian cases or what she calls “closely glazed spaces.”