Bay Ridge Through an Ecological Lens: Peter Edlund

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Peter Edlund. Photo courtesy of the artist

Bay Ridge through an Ecological Lens is a multi-faceted public art exhibition hosted by Stand4 Gallery and presented in collaboration with ecoartspace

This interactive, public, community arts exhibition is curated by Jennifer McGregor, featuring artists  Rebecca Allan, Aaron Asis, Chris Costan, Kate Dodd,  Peter Edlund, Kristin Reiber-Harris, Ellen Coleman-Izzo, Sergey Jivetin,  Nathan Kensinger, Rita Leduc, Christopher Lin, Nikki Lindt, E.J. McAdams/ Jimbo Blachly,  Nancy Nowacek in collaboration with Carla Kihlstedt and Carlos Alomar,  Benjamin Swett and filmmakers:  Aaron Assis, Nate Dorr, Sean Hanley, Nathan Kensinger, Nikki Lindt, Emily Packer and Lesley Steele, and Kristin Reiber-Harris

It consists of nature walks and community interventions in the gallery and various locations throughout the Bay Ridge community from April 15 through June 17, 2023. Art Spiel will feature a series of interviews related to this project throughout its duration, here with artist Peter Edlund.

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Bay Ridge Through an Ecological Lens: Jennifer McGregor

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Kate Dodd, E. J. McAdams & Jennifer McGregor enjoy haiku installed in the ceiling lamps by E.J. and Jimbo Blachly as part of Kate’s Bay Ridge Tree Collection at the Bay Ridge Branch of the Brooklyn Public Library. Photo courtesy of E. J. McAdams.

Bay Ridge through an Ecological Lens is a multi-faceted public art exhibition hosted by Stand4 Gallery and presented in collaboration with ecoartspace

This interactive, public, community arts exhibition is curated by Jennifer McGregor, featuring artists  Rebecca Allan, Aaron Asis, Chris Costan, Kate Dodd,  Peter Edlund, Kristin Reiber-Harris, Ellen Coleman-Izzo, Sergey Jivetin,  Nathan Kensinger, Rita Leduc, Christopher Lin, Nikki Lindt, E.J. McAdams/ Jimbo Blachly,  Nancy Nowacek in collaboration with Carla Kihlstedt and Carlos Alomar,  Benjamin Swett and filmmakers:  Aaron Assis, Nate Dorr, Sean Hanley, Nathan Kensinger, Nikki Lindt, Emily Packer and Lesley Steele, and Kristin Reiber-Harris

It consists of nature walks and community interventions in the gallery and various locations throughout the Bay Ridge community from April 15 through June 17, 2023. Art Spiel will feature a series of interviews related to this project throughout its duration, here with curator Jennifer McGregor.

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Denise Sfraga: Strange Brew at The Garage Art Center

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Denise Sfraga, installation detail

The work included in Strange Brew, Denise Sfraga’s solo show at the Garage Art Center, explores the life cycle of plants. This fascination with plants has always been at the root of the artist’s creative inspiration. Sfraga, who is based in New York City, says that working in her own garden and experiencing its constant state of flux, gives her the opportunity to witness first hand actual seed germination, leaf and flower growth, the dispersion of the next generation of seeds and the final stages of decay, “an ever evolving landscape of life forms that change color, shape and appearance daily.”

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Elisabeth Condon Describes a Painting – Tree of My Life

Joseph Stella, Tree of My Life,1919, Oil on canvas

Painter Elisabeth Condon’s reflections on a painting by Joseph Stella were initially presented in the second episode of Elisabeth Condon Describes a Painting, a new series artist Amy Talluto has recently launched in her podcast Pep Talks for Artists. In each episode in this series Elisabeth Condon shares her way of looking at one painting, here, at the oil painting (1919) Tree of My Life, by Italian – American artist Joseph Stella (1877-1946)

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Healing- Mihee Nahm at Artspace 111 in Ft. Worth


Night Walk # 3, 2022, 60X40″, oil on canvas)

The foliate paintings of Texas artist Mihee Nahm evoke late 18th century pursuits of the sublime. They are at once botanical and reverential renderings. Nahm immerses the viewer in beyond-the-frame expansive space, a nod to an early hero, Pollock. But the broader macro implications are toward infinity. The mass of Nahm’s surface is composed of exquisitely detailed in-your-face foliage, like walking unexpectedly into low-hanging tree limbs, one’s head suddenly enveloped by unkempt nature.

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Landscape Deconstructed at the Hammond: Linda Stillman

Part 1: Linda Stillman – Interview with Jennifer McGregor

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Linda Stillman, Daily Skies: 2020, February 15, 2020 focus, 2021, archival pigment print on paper, 19 x 13 inches

Landscape Deconstructed: Mimi Czajka Graminski and Linda Stillman is a virtual exhibition on view at the Hammond Museum and Japanese Stroll Garden website until June 2022. It is curated by Bibiana Huang Matheis. The opening on September 11, 2021, included a virtual conversation with Mimi Czajka Graminski and Linda Stillman moderated by Jennifer McGregor which has been distilled and reformatted for individual interviews with each artist.

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Maggie Nowinski -Drawing (un)limited

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Maggie Nowinski, Be Spilled, My Heart, 2021 detail installation view with artist for scale, wHoles are acrylic and India ink on canvas, double sided, installation approximately 20’x30’x10’

About a decade ago, Maggie Nowinski shifted her focus from site specific project-based installation to her studio as the primary site of her work. She made this shift after realizing that her connection to the work had become too fragmented. She needed her studio work to become more accessible and her creativity more meditative. Since drawing has always been at the core of her work, focusing on drawing with limited materials and themes, enabled her to process a lot of the ideas she had been working through in her large-scale installations. “I was craving a way to immediately access creativity, to be in a place where if I had an hour I could walk into my studio and pick up where I’d left off on a drawing,” she says.

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Joyce Yamada: Contemplating the Human Species


Joyce Yamada, Portrait, 2019, photo courtesy of Nila Onda

Painter Joyce Yamada grew up on the west coast. She spent her childhood vacations in the beautiful national parks of the US and Canada where pristine forests and the Pacific coast were imprinted in her visual memory. She recalls that although as a teenager she realized that art is her task in life, struggling to survive by minimum wage work led her to medical school which she completed and then subsequently became a diagnostic radiologist. This science background has fed her mind and artwork ever since. Yamada says she is a painter because she conceptualizes in images rather than in words — “when puzzled, my mind juxtaposes or fuses unexpected images, often leading to new work,” she says. For instance, an early series, Body, Earth, came to her in art school — while looking at the hills across the bay from San Francisco she saw the low rounded hills as the reclining body of a woman. The juxtaposed imagery meant to her that we are intimately and indivisibly part of earth and of nature, that what we do to the earth we do to ourselves. She has subsequently seen this idea expressed in indigenous cultures, and it became central in her work.

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Artists on Coping: Kay Sirikul Pattachote

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Kay Sirikul Pattachote in her studio. Photograph by Pratya Junkong

Kay Sirikul Pattachote‘s paintings utilize the abstracted forms of flowering plants as a vessel for channeling her daily meditations. These plant forms provide parameters for her interpretive brushwork and within them she is able to record her experienced energies and emotions. Ritualistic actions, such as sewing and repetition, further her meditative practice and deepen her ability to record the ephemeral on her surfaces.

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Denise Sfraga: Constructing and Disclosing

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(left) Malignant 40” x 32” flashe, pastel on paper 2019, (middle) Gone (series of 9) 8” x 6” each colored pencil on paper 2018, (right) New Mourn 40” x 32” flashe, pastel on paper 2018

The NYC based artist Denise Sfraga intersects in her work photography, drawing, and painting. The evolving processes, history, and aesthetics of photography altogether inform Denise Sfraga‘s thought process and practice. This results in an abstracted biomorphic imagery resonating with botany and other organic life forms. At first glance her well defined colorful shapes appear as beautiful abstractions but as you spend more time with them, you may realize that their beauty is a camouflage for darker, mysterious and disorienting undercurrents. Denise Sfraga first elaborates for Art Spiel how her way of thinking came about and then takes us through different series of work to reflect on her process in depth.

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