Work in progress, Constellation, Nasturtium, egg tempera on panel. Photo, courtesy of Cecilia Andre
Painter Susan Cohen began her artistic journey by depicting the interiors of the places she lived, drawn to the emotional resonance of light and shadow. While that early intensity has softened over time, her fascination with light remains the core of her practice — animating her still lifes, landscapes, cityscapes, and close-up studies of foliage.
Installation view. Photo courtesy of Martina Tanga
Curator Martina Tanga had been reflecting on the ideas behind Learning With Trees – Artists for Climate and Environmental Solutions long before the exhibition took shape. In 2022, she read Ben Rawlence’s The Treeline, a book tracing how the Boreal forest is shifting under the impact of climate change. That reading sparked the idea that trees could serve as a highly accessible and disarmingly effective way to approach conversations about climate change.
An occult presence pervades the sylvan scenery of Comet Eater, a solo show from Terra Keck. In these nightswept graphite drawings, trees shimmer and sway. Leaves levitate and glow. Stars or fireflies illuminate ornate paths. Among other sources, Keck hybridizes the ghostly impressions of Anna Atkins’s botanical cyanotypes and the mystic geometry of Hilma af Klint’s paintings.
Installation image featuring Sui Park and Loren Eiferman (back wall). Photo credit: Patrick Vingo
Imagine nature got hacked. If it could rewrite its own DNA—absorbing industrial waste, pixels, and plastic—what would it become? Welcome to Biophilia. This six-artist exhibition at the Flinn Gallery in Greenwich, CT, curated by Ellen Hawley, doesn’t just depict nature—it reimagines and reconstructs it. The organic and the artificial no longer exist as opposites. Featuring Carol Bouyoucos, Julie Evans, Loren Eiferman, Christina Massey, Heide Follin, and Sui Park, Biophilia brings together artists who push past nostalgia for an untouched Eden to present nature as something restless, resilient, and constantly evolving. The result is a visual feast—bold, kinetic, and utterly alive. This is no polite, whisper-in-the-gallery experience. It lunges, sprawls, and twists. It pulses with energy, daring you to chase its shifting forms.
Hojas en movimiento sobre el fuego [Leaves in motion over the fire], 2023. Soft Ground etching on Hahnemühle and pigment print on Kozo paper, hand-painted with acrylic. Triptych, each 35 1/4 x 26 1/2 inches. Photograph by Etienne Frossard
Tatiana Arocha is a Brooklyn-based artist whose practice has focused on installations that include rubbings, photographs, and drawings of plants and landscapes taken from the many ecological niches of her native Colombia. Increasingly, her art and advocacy have focused on the coca plant, notorious for its role in the war on drugs, which has destroyed indigenous communities and their territories across South America. Informed by her research, her current installations and publications highlight the coca plant’s ceremonial role in the indigenous cultures that cultivate it, pushing back on the demonization it has endured in the West. Her work also suggests new avenues for how the plant can be a force for good in the Global North and South.
Specimens.- 2018. 287 pieces of wood with powdered graphite, 42” x 35” x 6” approx
Sculptor Loren Eiferman has brought a veritable garden of strange to Ivy Brown Gallery this summer. Her meticulously fabricated wood sculptures create a fantastical garden of forms that are both biomorphic and often anthropomorphic at the same time.
It consists of nature walks and community interventions in the gallery and various locations throughout the Bay Ridge community from April 15 through June 17, 2023. Art Spiel will feature a series of interviews related to this project throughout its duration, here with artist Peter Edlund.
Kate Dodd, E. J. McAdams & Jennifer McGregor enjoy haiku installed in the ceiling lamps by E.J. and Jimbo Blachly as part of Kate’s Bay Ridge Tree Collection at the Bay Ridge Branch of the Brooklyn Public Library. Photo courtesy of E. J. McAdams.
Bay Ridge through an Ecological Lens is a multi-faceted public art exhibition hosted by Stand4 Gallery and presented in collaboration with ecoartspace
It consists of nature walks and community interventions in the gallery and various locations throughout the Bay Ridge community from April 15 through June 17, 2023. Art Spiel will feature a series of interviews related to this project throughout its duration, here with curator Jennifer McGregor.
The work included in Strange Brew, Denise Sfraga’s solo show at the Garage Art Center, explores the life cycle of plants. This fascination with plants has always been at the root of the artist’s creative inspiration. Sfraga, who is based in New York City, says that working in her own garden and experiencing its constant state of flux, gives her the opportunity to witness first hand actual seed germination, leaf and flower growth, the dispersion of the next generation of seeds and the final stages of decay, “an ever evolving landscape of life forms that change color, shape and appearance daily.”
Joseph Stella, Tree of My Life,1919, Oil on canvas
Painter Elisabeth Condon’s reflections on a painting by Joseph Stella were initially presented in the second episode of Elisabeth Condon Describes a Painting, a new series artist Amy Talluto has recently launched in her podcast Pep Talks for Artists. In each episode in this series Elisabeth Condon shares her way of looking at one painting, here, at the oil painting (1919) Tree of My Life, by Italian – American artist Joseph Stella (1877-1946)