Tom McGlynn: This Here at Rick Wester Fine Art

Tom McGlynn, This Here, installation view, Rick Wester Fine Art, New York

Tom McGlynn continues to grow a decade-long train of thought with a new selection of paintings in This Here at Rick Wester Fine Art. Consistent with his oeuvre, he arrays a selection of color rectangles suspended within various fields of color. An acquaintanceship with the origin of this direction, accompanied by a fresh pair of eyes, will enable a viewer to put aside the parallels with Mondrian, Albers, or even Hans Hoffmann, and see these works anew.

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Marisol: A Retrospective at the Dallas Museum of Art

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Installation view of Marisol: A Retrospective at the Dallas Museum of Art. Courtesy of the Dallas Museum of Art

Marisol: A Retrospective at the Dallas Museum of Art (DMA) presents a comprehensive overview of the artist’s career, ranging from works she produced in art school in the fifties to her last works. In doing so, the exhibition centers and decenters Marisol’s status within the Pop art sphere, where she never fully situated herself. Her works are too brutal and too strange (in the best sense of the word) for Pop. She was undoubtedly exhibiting with Pop artists and part of their networks, as her films with Andy Warhol included in the exhibition attest. However, she was somewhere else, too. Her works contain the brute force of politics, history, culture, and climate change, and, in her practice, she engages with how those forces take place primarily upon the bodies of women. The body morphs and sometimes breaks under these forces.

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Snubbing the Earth: Matías Duville’s Vertices of Time at Barro Gallery New York.

Caída del peñón, 2024, Acrylic and polyurethane on wood, 15 67/100 × 20 7/25 in

In a recent conversation at Barro Gallery in New York, the Sue and Eugene Mercy assistant curator Ana Torok (MoMA, prints and drawings), likened Matías Duville’s artistic process to “throwing a lance” at the canvas. Indeed, Duville is not kind to his materials. His artistic oeuvre is replete with scratched metal and burned wood. For his paper works, charcoal is inflicted, not applied. When I had the good fortune to speak with the artist about his current exhibition at Barro Gallery, Vertices of Time, I asked what kinds of materials he had used for his paintings. One material stuck out as particularly harsh: “heat gun.”

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Accommodating the Object: Elizabeth Yamin and Bosiljka Raditsa at The Milton Resnick and Pat Passlof Foundation

Opinion
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Installation view. Photo courtesy of The Milton Resnick and Pat Passlof Foundation

The exhibition Accommodating the Object of paintings by Elizabeth Yamin and Bosiljka Raditsa is presented by The Milton Resnick and Pat Passlof Foundation in New York and was curated by William Corwin, who describes this exhibition as an intimate survey that offers the viewer an opportunity to compare the works of these two artists, who were active during the latter part of the twentieth century without attaining prominent careers.

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The Center for Cuban Studies and Art in DUMBO Open Studios

Featured Project
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Courtesy of the Center for Cuban Studies / Cuban Art Space

Each spring over 100 artists and art organizations in DUMBO And Vinegar Hill open their studio doors to the public for a weekend. This year the event takes place on April 22 and 23 from 1 to 6 PM. Art Spiel created a Mixed Media Guide for this event in addition to other curated guides on the Art In Dumbo website here. In conjunction with the event Art Spiel conducted a few interviews with individual participating artists. This one is with Sandra Levinson, the executive Director of the Center for Cuban Studies / Cuban Art Space.

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Natalie Westbrook: Surface Tension at Freight + Volume

In Dialogue with Natalie Westbrook


Natalie Westbrook in her studio, 2021.Image courtesy the artist. Photography Johannes DeYoung.

The Pittsburgh based painter Natalie Westbrook’s solo show at Freight + Volume in Tribeca features her recent body of bold and highly energetic paintings ranging from monochromes to vivid colors. Jeffrey Grunthaner writes in his essay for the show that Westbrook’s works “confront the limits of what painting makes possible.” The show runs from May 21st to June 26th, 2021.

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Studio Immersion Project Annual Exhibitions

Installation view, (Christina Massey), courtesy of efa Project Space Program

Studio Immersion Project (SIP) is an intensive 3 month studio fellowship designed to immerse artists in the world of printmaking. Throughout the fellowship period SIP Fellows build upon existing skills and acquire new techniques. Through a selective application process the SIP invites artists from all media who are interested in exploring printmaking as an integral part of their art making.  Continue reading “Studio Immersion Project Annual Exhibitions”