Notice: Function WP_Object_Cache::add was called incorrectly. Cache key must not be an empty string. Please see Debugging in WordPress for more information. (This message was added in version 6.1.0.) in /www/artspiel_344/public/wp-includes/functions.php on line 6131

Nancy Elsamanoudi in Domestic Brutes at Pelham Art Center

In Dialogue with Nancy Elsamanoudi


Artist at home with paintings during lockdown, May 2020

Nancy Elsamanoudi says she was drawn to painting because of its fluid relationship to time from the viewer’s and the painter’s perspectives alike. The viewer gets a visceral sense of the painter’s vision in the past, and the painter experiences the fluidity of time throughout the process of painting. Elsamanoudi further specifies: “when you paint, you can, so to speak, go back and forth through time, adding layers-submerging the past or revealing the past by scraping or stripping away previous layers.”

Continue reading “Nancy Elsamanoudi in Domestic Brutes at Pelham Art Center”

Will Hutnick – Artist as Facilitator


At the Elizabeth Murray Artist Residency by Collar Works, Granville, NY, July 2019, Photo by Monica Hamilton

Will Hutnick is an artist, curator, co-director of Ortega Y Gasset Projects in Brooklyn from 2015 to 2020 and Director of Artistic Programming at the Wassaic Project upstate NY. In his paintings Will Hutnick is using rollers, and includes other mono-printing-like methods to create repetitive passages which form playful and unexpected relationships between shapes and colors. He shares with Art Spiel some of his work process, reflections on the ways his paintings have developed, and some of his other art related practices.

Continue reading “Will Hutnick – Artist as Facilitator”

Meg Atkinson – Painting as a Leap of Faith

One Tree, Two Mouthy Ghosts, 2019, Oil on canvas, 30 x 40 inches, photo courtesy Max Yawney

Meg Atkinson‘s paintings resemble puzzles open to multiple solutions. Her imagery is embedded with associative literary and visual layers, as clues to an open-ended riddle. Meg Atkinson shares with Art Spiel what brought her to art, as well as the way she has developed her approach to mark-making, space, gird, and color.

Continue reading “Meg Atkinson – Painting as a Leap of Faith”

Artists on Coping: Barbara Laube

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Macintosh HD:Users:BarbaraLaube:Desktop:studio shot copy.jpg

Works in progress on the good studio wall

To Barbara Laube the act of painting is spiritual, shamanistic, healing, and transformative. Truth is found through process and the materiality of paint. Rooted in the history of abstraction, her subject matter may not be obvious and is always left open to interpretation. It emerges from the endless mark making and adjustments to the painting surface. Imagery is often revealed that reflects her relationship to the outside world and her life, and to her deep love of great painting, particularly the early Renaissance. She exploits the play between the open and dense, and the light and dark. In the end the act of painting and paint itself is first and foremost and has always been her way of making sense of her life, loves and beliefs. Ms. Laube lives and works in Riverdale, New York. She has shown extensively in New York, including M. David & Co., Zurcher Gallery, The Painting Center, Carter Burden Gallery, Bowery Gallery, and Sideshow Gallery. She has also shown at Kent State University in Ohio, and in New Mexico, Illinois, Washington, California, New Jersey, and Texas.

Continue reading “Artists on Coping: Barbara Laube”

Artists on Coping: Seren Morey

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Seren Morey and her Ridgeback/Boxer Chloe in front of her latest painting Ingress

Seren Morey makes fantastical, nature inspired sculptural painting abstractions that reference the energy force of the particles that connect all matter together. She was born in Massachusetts to a family of artists and went on to complete a BA at Bard College and an MFA at Pratt Institute. Upon graduating from Bard she became an assistant to Kiki Smith and later a professor in fine arts at Pratt Institute. Morey’s work has been exhibited in numerous shows and reviewed by Robin Pogrebin, Barry Schwabsky and Helen A. Harrison of The New York Times. She currently lives and works in Williamsburg, Brooklyn and is a partner in Guerra Paint & Pigment Corp., a specialty resource store for artists.

Continue reading “Artists on Coping: Seren Morey”

Artists on Coping: Ed Grant

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Studio view

Ed Grant is a painter, originally from Vermont, living and working in Brooklyn. He received his BA in Studio Art from the University of Vermont and his MFA in Painting from the University of Massachusetts/Amherst. He focuses in his paintings on liminality and experience as a continuum, while referencing both the microscopic (cells) and the macroscopic (universe). Ground Floor Gallery is exhibiting Ed’s recent paintings on Artsy

Continue reading “Artists on Coping: Ed Grant”

Artists on Coping: Galen Cheney

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Macintosh HD:Users:cheneyhaynes:Desktop:IMG_7884.jpg

Perceiver, installed at University of Dallas, March 2020 (Photo credit: Sven Kahns)

Galen Cheney has been working as an abstract painter for three decades. During that time she has consistently sought to make work that challenges her as an artist and vulnerable human, taking risks and pushing into new personal territory. Her work has been shown and collected throughout the U.S. and in Europe and China. She has a show installed at the University of Dallas that is closed to the public, due to the virus.

Continue reading “Artists on Coping: Galen Cheney”

Artists on Coping: Jane Swavely

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping. This interview includes questions by both Art Spiel and Cultbytes as part of an Art Spiel x Cultbytes content collaboration.

Macintosh HD:Users:annamikaela:Desktop:Jane Swavely, Artists on Coping:_Jane Swavely photographed by Peter Leece.jpg

Jane Swavely. Photographed by Peter Leece. All images courtesy of the artist if not otherwise stated.

Jane Swavely is a painter based in New York City. She studied at Boston University and the School of Visual Arts and was the recipient of a Ford Foundation Fellowship. Previously represented by CDS Gallery, she is currently a member of A.I.R gallery.

Continue reading “Artists on Coping: Jane Swavely”

Artists on Coping: Yura Adams

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Work in Progress Studio Installation_2020_ink, acrylic, paper, plaster_dimensions variable, foreground column: 96″ high

Yura Adams is best known for her abstract and energetic paintings that interpret ideas found in physics, injected with messages of cultural and poetic experience. Adams has been exhibited with the New Museum in New York, Experimental Intermedia, Franklin Furnace, New Music America, Real Art Ways, and one person shows at the John Davis Gallery in Hudson, New York. Most recently, Adams received a Pollock-Krasner grant and exhibited at the Hyde Collection, Glens Falls, New York, Collarworks, Troy, New York and produced at Dieu Donné, a large-scale, hand-made paper installation for her one-person show at the Courthouse Gallery in Lake George, New York.

Continue reading “Artists on Coping: Yura Adams”

‘Fabrications’ at George Billis

Art Spiel in Dialogue with Steve Hicks

Macintosh HD:Users:stephenhicks:Desktop:Install SW copy.jpg
Installation image, from left to right: No Exit, In Flesh, Night Sequence. Image courtesy of the artist

Painter Steve Hicks shares with Art Spiel his reflections on the body of work he is currently exhibiting at George Billis gallery, focusing on how he sees these paintings within the wider context of his overall work.

Continue reading “‘Fabrications’ at George Billis”