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GLASSTRESS 2022: State of Mind at Fondazione Berengo Art Space

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A close-up of a drop of water

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Jimmie Durham, Untitled (detail), 2020- Photo credit Francesco Allegretto, Courtesy of the artist’s estate (6)

Coinciding with the 59th Venice Biennale, the seventh edition of Glasstress, running from 3 of June to 27 of November 2022 in Venice, features a group of leading contemporary artists from Europe, the United States, Latin America and Africa in an ambitious exhibition who explore the infinite creative possibilities of glass. The artworks will be exhibited at the Fondazione Berengo Art Space in Murano, an old abandoned furnace that was transformed into a unique exhibition space a few years ago. This extensive group show, curated by Adriano Berengo and Koen Vanmechelen with the contribution of Ludovico Pratesi, channels diverse contemporary art through the ancient art of Murano glassblowing, aiming to search for new contemporary visual vocabulary in glass art.

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Helen Twigge-Molecey: Fungi at Palazzo Mora

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Helen Twigge-Molecey with glass fungi sculptures photographed by Sylvain Deleu

UK based artist Helen Twigge-Molecey’s installation at Palazzo Mora in Venice depicts a group of colorful fungi. Each hand-blown recycled glass piece features individual shapes and interconnects with its neighbours through translucency and color. This installation is part of the Venice 2022 Art Biennial organized by the non-profit organization European Cultural Center, running from April 23, 2022 through November 27th, 2022.

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Meryl Meisler: QUIRKYVISION at the PORTRAIT(S) Festival in Vichy

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A group of women in a kitchen

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Meryl Meisler, Close Shave Family Grooming (The Mystery Club), Merrick, NY 1975

Meryl Meisler’s QUIRKYVISION will be featured at Le Palais des Congrès de Vichy during the PORTRAIT(S) Tenth Annual Festival in Vichy, France, from June 24 through September 4, 2022. Meisler’s images of sizzling disco nights and strip-tease clubs, domestic Jewish family in Long Island suburbia, or life in a public school in one of the roughest Brooklyn neighborhoods—encapsulate with humor and a sharp gaze life at the 1970s and 1980s New York City area.

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Invaders


Feral Hog, 24” x 36”, 2021, Acrylic on Panel. © Hovey Brock

Invaders is the first in a series of three interrelated experimental pieces that combine graphics, text, and hyperlinks based on themes coming out of my Crazy River project, for which I gave an interview on this website on May 16th. Invaders plays with the idea of invasive species, which has to be the misnomer of the century. So-called invasive species do reduce biodiversity in their new ecosystems but they are all the result of human intervention. International trade has been the main agent for transport to new locations, but climate change has also forced many species to move beyond their original habitat in order to survive. Every invasive species does what all living creatures do, including our own: take advantage of opportunities. Invaders includes my Crazy River paintings, photographs, and a list of 100 species from an on-line source: The Global Invasive Species Database, produced by the Invasive Species Specialist Group, a global network of scientists dedicated to identifying and tracking invasives.

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Artist Kristina Libby and the Village Alliance Welcome New Animal Inspired Public Art Exhibition – In Plain Sight

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Grimo, courtesy of the artist and photographer Adam Reich.

Artist Kristina Libby is no stranger to the power of public art: during the onset of COVID, Libby founded the Floral Heart Project. In collaboration with 1-800-Flowers, The Floral Heart Project created and distributed floral heart wreaths as a tribute to those who lost their lives to COVID-19. Moved by community response to the Floral Heart Project, Libby has created a series of large sculptures of apex animals known as the Chunkos. Greenwich Village, a hot-spot for both art and architecture, will play host to the Chunkos in an immersive exhibition titled In Plain Sight (on view from June 10-12). The exhibit is inspired by the unique history of animals in art and architecture in the neighborhood and is a celebration of the resilience, courage and creativity of New Yorkers from all walks of life. On Friday, June 10th, there will be an interactive public art painting exercise with Libby and the Village Alliance Business Improvement District from 5-7pm. She hopes that the installation of the Chunkos in Astor place will spark new conversations and evoke curiosity from passerbys. Curious artists of all ages are welcome to join as she paints in real time with the help of the community the inaugural animals in her Chunkos series.

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ELM Foundation: Art and Healing

In conversation with founder Melinda Riddle McCoy

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Melinda Riddle McCoy, inside Tomas Vu’s spherochromatic dome. Photo by Nathan West @nathanwestphoto

The mission of ELM Foundation is to promote the healing power of the arts. Our methods include advocating the benefits of arts therapy, providing multidisciplinary arts education, and building sustaining mentorships—all working together to cultivate a lifelong love of self-expression and awareness through a creative process. ELM Foundation was launched on February 20th, 2019 in honor of Emma Lauren McCoy whose intense childhood experience inspired the creation of this nonprofit organization which offers children who have experienced parental loss or family structure adjustments, paths for healing through art and art therapy. In addition to its multidisciplinary art education and therapy, ELM hosts at the adjacent boiler space exhibitions, currently featuring Tomas Vu’s solo project, The Man Who Fell to Earth 76/22. Melinda McCoy, the founder of ELM sheds some light on the foundation and how art plays a pivotal role in it.

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Healing- Mihee Nahm at Artspace 111 in Ft. Worth


Night Walk # 3, 2022, 60X40″, oil on canvas)

The foliate paintings of Texas artist Mihee Nahm evoke late 18th century pursuits of the sublime. They are at once botanical and reverential renderings. Nahm immerses the viewer in beyond-the-frame expansive space, a nod to an early hero, Pollock. But the broader macro implications are toward infinity. The mass of Nahm’s surface is composed of exquisitely detailed in-your-face foliage, like walking unexpectedly into low-hanging tree limbs, one’s head suddenly enveloped by unkempt nature.

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Shirley Jaffe: An American Woman in Paris at the Pompidou Center

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Shirley Jaffe, installation view, Pompidou Center, photo courtesy of Helene Mauri

It might be said for the most part, given the dominant ideology of Modernism, Shirley Jaffe has been overlooked for the standard reasons—her work was out of step with the times, it was derivative of Henri Matisse and Stuart Davis, it was too French, or too American—all according to who you speak with. Yet the gorilla in the room is she was an American woman of the post-war generation who had stayed on after almost everyone had gone home, who sought to get a foothold in the male dominated Parisian art world. Despite this, she persisted and gained respect and support among multi-generations of artists. As such she developed a reputation as an artists’ artist, yet despite her boosters and the fact that she is now being acknowledged with a retrospective exhibition at the Pompidou, Jaffe remains one of the best kept secrets of post-War abstract painting in France and remains unacknowledged in the States.

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Nikki Lindt: The Underground Sound Project

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Nikki Lindt recording photo: Joe Klementovich

Artist Nikki Lindt created the interactive pubic artwork titled The Underground Sound Project in collaboration with NYC Parks, USDA Forest Service, the Nature of Cities, and Prospect Park Alliance. It explores the surprising and resonant world of sounds that can be heard underground in environments such as soils, streams, and trees, highlighting collaborations between art and science. The interactive project will be up in Prospect Park starting May14th for a year until May 14th 2023.

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