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Bay Ridge Through an Ecological Lens: Rita Leduc

HOT AIR
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Leduc installing Field Mark (Narrows Botanical Garden). Photo courtesy of the artist.

Bay Ridge through an Ecological Lens is a multi-faceted public art exhibition hosted by Stand4 Gallery and presented in collaboration with ecoartspace.

This interactive, public, community arts exhibition is curated by Jennifer McGregor, featuring artists  Rebecca AllanAaron AsisChris CostanKate DoddPeter Edlund, Kristin Reiber-HarrisEllen Coleman-IzzoSergey JivetinNathan Kensinger, Rita LeducChristopher Lin, Nikki LindtE.J. McAdamsJimbo Blachly Nancy Nowacek in collaboration with Carla Kihlstedt and Carlos AlomarBenjamin Swett and filmmakers:  Aaron Assis, Nate DorrSean Hanley, Nathan Kensinger, Nikki Lindt, Emily Packer and Lesley Steele, and Kristin Reiber-Harris

It consists of nature walks and community interventions in the gallery and various locations throughout the Bay Ridge community from April 15 through June 17, 2023. Art Spiel will feature a series of interviews related to this project throughout its duration, here with artist Rita Leduc.

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Ahavani Mullen: Across Centuries and the Earth

Artist Profile
Installation view, Ahavani Mullen: Across Centuries and the Earth, 2023. Dennos Museum Center, Traverse City, MI. Photo by the artist

In Ahavani Mullen’s studio, humble materials of pigment, metal, limestone, and resin transform into spiritual relics. She enters into the act of creation in silence from which paintings, sculptures, and installations evolve and become artifacts of human consciousness. In connecting the seen to the unseen, her objects hold memories of time, space, and sound, referencing the very turning of the earth with its movements and vibrations.

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Adam Henry: Parts to a Whole

Opinion
  Installation view, photo credit: Charles Benton.
Adam Henry, Installation view, photo credit: Charles Benton. Courtesy of Candice Madey gallery

Amongst a burgeoning market of retrograde art practices there runs an undercurrent of artists seeking to establish for art and its practices a new sustainable identity as a means of inquiry. What made his work different was that he was using painting as a platform primarily to explore the subjectivity and semiotics of perception—the polarity between painting as an optical event and a conceptual one. Taking his vocabulary from color theory, systemic and color-field painting, and cognitive science, his work focused on the difference between what a thing (materially) is and what it may descriptively represent. As with those works, Henry in his present exhibition at Candice Madey Gallery rejects at every turn the cult of individual expression, the magical thinking of transcendence, the pervasive appeal of accessibility, and spectacle. Instead with his present body of works, he reasserts his ambition is to use art as a means to engage his audience in speculative thought and self-reflection.

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Carl Grauer’s “A QU(i)E(t)ER Interior” opens at Carrie Haddad Gallery

Artist Profile
Portrait of the artist in his studio in Poughkeepsie, NY. Image Credit: Matt Moment

In Carl Grauer’s latest suite of paintings for Carrie Haddad Gallery titled A QU(i)E(t)ER Interior, the Kansas-born visual artist elicits a disregard for distinction between the animate and the inanimate. Throughout, Grauer characterizes the home he shares with his husband Mario in Poughkeepsie, paying special attention to the majesty of light as he portrays his abode and the mementos that adorn it. Hearkening back to his Lost & Found series from 2017—wherein Grauer also documents everyday objects—he now contextualizes his personal artifacts in space and time. At once, he conveys his meditations on queerness, mortality, and the omnipresence of his mother, Janice, who passed away early in 2023 following her battle with Alzheimer’s.

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Holly Wong: Guardian of the Spirits

Featured Artist
Installation views, photo courtesy of Wes Magyar

Holly Wong’s solo exhibition Guardian of the Spirits at the Curfman gallery, Colorado State University at Fort Collins, combines sewn patchwork of silk, organza, other transparent materials, and drawings—to memorialize her mother whom she lost to alcoholism and domestic violence. The text for her show says that the installation is a “prayer for revolt against the limiting notions of beauty and body size.”

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Whisperings from the Wormhole with @talluts

Art Made in Kitchens

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Luchita Hurtado Encounter, 1971, ©Luchita Hurtado

“There’s always time to do what you really want. When I had children, I worked when everybody went to bed, after 11pm. I would set up at the kitchen table and clean it very well before I would start.”

–Luchita Hurtado

Remember in the darkest, most locked down days of the pandemic, when all of us were stuck within our own walls, and many of us had kids at home too? And we found ourselves having to resort to making work at the kitchen table in between the cracks of work and school. Well, it got me thinking that this was nothing new to the history of making art: a history that wants us to think that its entire timeline is full of swaggering guys in big New York City lofts, hands-on-chins, undistracted by life’s mundanity. But, in fact, the reality of being an artist is rife with personal stories of people who had to make it work. They, like us, squeezed making art in between the oven timer and the kids’ nap, or in between the hours of a demoralizing 9-5. And quite frankly, those artists that find a way to eke through those tough years of limited space and time are the artists that have the swagger that impresses me the most.

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Susan Hoffman Fishman in Burning Worlds

HOT AIR
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Susan Hoffman Fishman, The Earth is Breaking, Beautifully VII: Dead Sea Sinkholes, acrylic, oil pigment stick, cyanotype and mixed media on paper, 51” x 51,” 2023

Susan Hoffman Fishman is an artist who has addressed climate change for many years both in context of her own work as an artist and in her writing on other artists’ work in that arena. Hoffman was first interviewed with Burning Worlds about four years ago and has recently been interviewed there again on her latest series of paintings depicting coastline sink holes and other landscapes impacted by climate change,

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The Center for Cuban Studies and Art in DUMBO Open Studios

Featured Project
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Courtesy of the Center for Cuban Studies / Cuban Art Space

Each spring over 100 artists and art organizations in DUMBO And Vinegar Hill open their studio doors to the public for a weekend. This year the event takes place on April 22 and 23 from 1 to 6 PM. Art Spiel created a Mixed Media Guide for this event in addition to other curated guides on the Art In Dumbo website here. In conjunction with the event Art Spiel conducted a few interviews with individual participating artists. This one is with Sandra Levinson, the executive Director of the Center for Cuban Studies / Cuban Art Space.

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Jamie Martinez in DUMBO Open Studios

Featured Artist

Artist Jamie Martinez at his studio with his work “Vision Mask I”.

Each spring over 100 artists and art organizations in DUMBO And Vinegar Hill open their studio doors to the public for a weekend. This year the event takes place on April 22 and 23 from 1 to 6 PM. Art Spiel created a Mixed Media Guide for this event in addition to other curated guides on the Art In Dumbo website here. In conjunction with the event Art Spiel conducted a few interviews with individual participating artists. This one is with Jamie Martinez whose multi- faceted art includes textiles, drawing, painting, sculpture, and installation.

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