Conversation with Sandra Eula Lee

In Dialogue

Seeds in a wild garden, 2009, Rubble collected from construction sites in Seoul, South Korea, house paints in colors of local gardens

Sandra Lee is an artist who produces sculpture and 2-D works, which addresses her interest in labor, materials, and traditions that have been passed in through time and culture and defining those elements through a contemporary lens. Lee had a recent exhibition titled “The Walking Mountain” at Drexel University. I had the pleasure of speaking to Lee about her work, her influences, and what it means to be an American-Korean artist and daughter of immigrant parents. The Walking Mountain exhibition consists of works that signify some of these themes through their materiality and their making. Here is the discussion that transpired.

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Art Spiel Picks: Chelsea Exhibitions for July 2024

HIGHLIGHTS
Crossings, partial Installation view at Kasmin, photo by Etty Yaniv

Chelsea has multiple exciting shows this summer, ranging from large group shows to solo retrospectives. We will highlight three shows with different curatorial premises. The Swimmer, a large-scale group show sprawling over the 9th and 10th floors of the FLAG Art Foundation, centers around the narrative of John Cheever’s short story from 1964, presenting works that dig into its themes and imagery. Another impressive large-scale group show surveys the increasing presence of weaving, textiles, and embroidery in contemporary art, featuring an international and intergenerational group of artists whose works push the boundaries of these traditional mediums. Lastly, at Pretzel, there is a beautifully curated retrospective of Malcolm Morley, offering a glimpse into the fascinating work of the late artist (1931–2018).

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Box Spring Gallery – Philly’s New Art Spot

Featured Project
Gaby Heit, mixed-media by Robert Reinhardt, @boxspringgallery

There is an exciting new gallery in the Crane Building located in the Old Kensington neighborhood of Philadelphia joyfully titled Box Spring Gallery, a brainchild of curator and creative director Gaby Heit. Gaby and I go way back to when I knew her as the director of Prelude Gallery in center-city Philadelphia. With her extensive background in both art and design, this place of her own sets high expectations for fresh, new work that is multidisciplinary and accessible.

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Bat Ami Rivlin: Functional Narratives

A person standing in a grass field with a dog and a large object

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Untitled (12 tubs), 2023, Socrates Sculpture Park, New York, NY.

Bat Ami Rivlin, who has lived in New York City for over a decade, finds her artistic practice profoundly shaped by the city’s relentless cycle of object turnover. The daily expulsion of waste from restaurants, buildings, and homes onto the streets, followed by the inevitable clear-out, is a stark reflection of urban existence. This phenomenon sparks contemplation on how these transient objects organize our spatial interactions, both during their use and after their disposal.

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Nexus, Echoes, and Connections – Stefano Caimi, Rachel Frank, Gayoung Jun, Kirstin Lamb at SARAHCROWN Gallery

Nexus, Echoes, and Connections, Installation Shot 2, Courtesy SARAHCROWN NY

The second-floor Sarah Crown Gallery in Tribeca features a group exhibition with work by Stefano Caimi, Rachel Frank, Gayoung Jun, and Kirstin Lamb. The show immediately draws viewers in as 3 drawings by Gayoung Jun grasp the eye with striking blue tones and dual circular shapes that seem to be moving in the optical illusion. The work is only made more impressive upon closer inspection as the eye reveals the minor flaws of the hand.

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Anna’s Art Picks: Must-See Tribeca Exhibitions in June 2024

HIghlights
A room with paintings on the wall

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Francesca Mollett , GRIMM Gallery

London-based artist Francesca Mollett is now on view at the GRIMM gallery in a new solo exhibition titled Corso. In this second solo show at the gallery, Mollett presents more daring monumental canvases with bold colors, a contrast to the artist’s previous work. The work mirrors the subtlety of Vuillard and semi-recognizable abstraction, but the artist’s maturity and confidence make this a must-see in Tribeca. The show runs through June 22nd.

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Eileen Neff: The Bigger World in Categories

14. Self Shelf
Self Shelf, UV pigment on dibond, 30 x 38 inches

Eileen Neff, a multidisciplinary artist with a background in literature and painting, has been creating “photo-based images and installations” since 1981. She recounts her understanding of poetry long before grasping painting. Her academic path led her from being an English major at Temple University, where she immersed herself in painting studios, to the Philadelphia College of Art (the recently closed University of the Arts). While teaching at a private secondary school, a tuition-free photography class captured her unexpectedly. “I began photographing pieces of my paintings and, before long, had convinced a couple of students to build a black and white darkroom in my apartment,” she recalls. This transition directed her focus to natural elements and interiors, subjects she still rigorously explores. Though she no longer paints, Neff states, “I still think more like a painter than a photographer; my photographs are still very driven by how a poem means.” Neff currently exhibits her work in In Some Light Reading, a group show at the Mitchell Art Museum featuring work by five artists and poetic texts by four writers addressing the life-making qualities of light. The show runs through July 7th.

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Women Heavy at Gardenship Gallery

In Dialogue
Laia Cabrera and Isabelle Duverger, QUALIA – YOU MATTER TO ME, immersive installation, UltraHD, color, sound, 10 minutes, 2024. Courtesy of the artists

Throughout the group exhibition Women Heavy at the Gardens Gallery in Kearny, NJ, curator Donna Kessinger references contemporary and second-wave feminist ideas. The curator aims to create a clinical and visceral experience by investigating broad concepts and featuring among many notable others work by Charlie Spademan, Gwen CharlesJeanne Brasile, Josh Knoblick, Judi Tavill, Kasia Skorynkiewicz, Charlee Swanson, Lauren VroegindeweyKristin J. DeAngelis, Michael Angelo, Richard GainesSuzan GlobusVikki MichaliosA.V. RyanDonna Conklin King, Anna Ehrsam, and Doris Cacoilo. In our interview curator D. Kessinger sheds some light on her curatorial vision.

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Jiwon Rhie: Suddenly, Images Explain Everything at La Mama Galleria

Installation view: Jiwon Rhie: Suddenly, Images Explain Everything at La Mama Galleria. Photo by flaneurshan. studio. @flaneurshan.studio

Jiwon Rhie often explores moments of deep personal depression, social misanthropy, and cultural alienation in her work. You would never know it, though, from first viewing. Walking into La Mama Galleria in the East Village, NY, visitors are greeted by the playful whirring sound of over a dozen mechanical toy dogs, each covered in exploding layers of colorful, fake flowers. The dogs walk across a blue moving pad, bumping into walls, each other, or the artificial boundaries Rhie erected. In the center of the moving pad, two quarter candy vending dispensers shake with the motion of encased and enflowered toys, which act, of course, unperturbed by their enclosures. Viewers are invited to borrow quarters from the gallery to dispense pods filled with custom keychains and temporary tattoos from the candy machines. Though only a corner of a room within a larger exhibition, Rhie’s Flower Dogs make it impossible to enter the gallery without stopping to smile, take a photo or video, and procure ones own custom keychain art.

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