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Spotlight: “On Collecting Works of Art- An interview with Yelena Ambartsumian and Miroslav Grajewski”

Yelena Ambartsumian and Miroslav Grajewski at their home with work by Andre Butzer. Image courtesy of collectors and author.

Yelena Ambartsumian and Miroslav Grajewski are two young collectors who are passionate about contemporary art. They both have a sharpened sensibility of the art market. With a keen understanding of the auction prices, one of the things that separates them from other collectors is they firmly believe in going after the work they feel is most important to them. If there is such a thing as destiny their story would define it. Fittingly, they first met at the Museum of Modern Art in 2016. Six months into their relationship they purchased their first work of art together. They got married and continue to actively appreciate art and collect as a couple. I conducted an interview with them this past summer. I narrowed the field of questions to the nature of collecting; what interests them, and; the advice they would provide to other young collectors. The following is a transcribed interview.

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Supporting Immigrant Artists

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The Immigrant Artist Biennial (TIAB), video still, 2019, Ariel Diaz

An Interview with Katya Grokhovsky, Founding Director of The Immigrant Artist Biennial By Anna Mikaela Ekstrand

Launching across New York City in March 2020, The Immigrant Artist Biennial (TIAB): HERE, TOGETHER! will present multi-disciplinary exhibitions, panel discussions, and events highlighting the multiplicities of immigrant experiences and providing a platform for U.S.-based immigrant artists from around the world, across race and social class, to showcase their work.

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Elisa Gutiérrez Eriksen on The process of calculating one’s position at NARS Foundation

Art Spiel in Dialogue with Elisa Gutiérrez Eriksen

The process of calculating one’s position, 2019 (Installation view with works by Niklas Asker and Sophie Dupont). Photo courtesy: NARS Foundation
The process of calculating one’s position, 2019 (Installation view with works by Niklas Asker and Sophie Dupont). Photo courtesy: NARS Foundation

Elisa Gutiérrez Eriksen has curated The process of calculating one’s position at NARS Foundation. This group show features NARS 2019 season IV residency artists: Esther Hovers, Niklas Asker, Jiin You, Tavi Meraud, Fiona McGurk, Dominique Doroseau, Martin Vongrej, Joonhong Min, Ella Weber, Martin Désilets, Sophie Dupont and Tali Keren. It runs through December 13th. The curator shares with Art Spiel the ideas behind the show, the artists, and a bit about the NARS Foundation venue.

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TRAPS! Ebecho Muslimova at Magenta Plains

Exhibition review by Torey Akers


Ebecho Muslimova, Fatebe Deep Frog Organza, 2019, oil and acrylic on cavas, 60” x 66”, courtesy of Magenta Plains

Human civilization has always maintained an uneasy relationship with female monstrosity—just watch the cavalcade of sirens, witches, harpies and hags that stalk the perimeters of every major mythology on earth, luring hapless men to their deaths. This hyper-visible, oft-storied, but deeply erasive marginalization has long plagued the non-normative woman; however, there’s a certain freedom in the fringes. Take Baubo, the Orphic goddess of chaos and mirth, whose paunchy, wizened appearance belied a frisky bawdiness that ancient Greeks adored. Ebecho Muslimova’s ‘Fatebe’ character, whom she has been drawing since 2011 and features vivaciously in her latest solo exhibition, TRAPS!, at Magenta Plains, New York, builds on Baubo’s cultural legacy with appropriately grotesque panache, taking a wide-eyed, manic approach to the tandem joys and pitfalls of embodiment.

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Lily Prince: Honing Plein Air

Lily Prince, Arles,1, Acrylic on canvas paper, 16”x16”, 2019, photo courtesy of the artist

Lily Prince makes lush plein air paintings depicting the essence of specific places around the world. By utilizing linear and color vocabularies, she creates pictorial fields which resemble disorienting topographical maps where time is fluid and frozen simultaneously. Lily prince shares with Art Spiel her background, ideas. process, and projects.

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Actual and Implied – Gregory Coates at Monica King Contemporary

Gregory Coates, My Big Brown Peace, 2019 deck brushes 76 x 252 x 3 inches

Each of Gregory Coates’s wall-based assemblages in Actual and Implied, the artist’s solo show at Monica King Contemporary, commands the space with its own powerful presence. Altogether, the show features over a dozen new mixed media assemblages made of found objects created with post-minimalist sensibility, for which Coates is mostly known for. It is a bold encounter with the objects of art at first, but the longer you look, the more subtle and fragile it becomes. The seemingly simple monochromatic surfaces from afar transform to complex arrays of color, line and dot from close-up.

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Tim van den Oudenhoven – A Land For Man’s Absence

Surveillancescapes, Archival pigment print on cotton paper, 2019

Tim van den Oudenhoven is a Belgian-born artist who currently lives and works in Berlin. His photo-based depictions of desolate landscapes with a strong suggestion of surveillance inspire conversations on the dynamic between the visible and the invisible, the witness and the witnessed: in brief, the nature of being seen.

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Isabelle Garbani – on Artifacts of Place

Place and Cultural Heritage at Stand4 Gallery

Isabelle Garbani curated the group show Artifacts of Place at Stand4 gallery in Bay Ridge, Brooklyn, running through December 15th. The show features work by Joyce Dallal, Dalia Baassiri, Mary Tuma, Daiffa Dessine, Arghavan Khosravi, Reem Bassous, Armita Raafat, Helen Zughaib, and Ekram Alrowmeim- all women artists who are of Middle Eastern and North African descent and who are dealing in their art with related cultural or political issues. The curator shares with Art Spiel her ideas behind this group show and some information about the participating artists.

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Plastic Expressions in Particularity: Nature Moves in Tracy McKenna’s Shift at Able Baker Contemporary

Elise Ferguson. Pebble. Pigmented plaster on MDF panel, 2018. Photo courtesy of Able Baker.

“Wisdom was the feeling for what is high, great, broad, sharp, even, heavy, bright, light, colorful . . . Wisdom was the feeling for an essentially shared reality, for the mystical, for the indeterminate indeterminable, for the greatest determinacy of all . . . but art is reality, and the reality we share must assert itself beyond all particularity.” Hans Arp, Introduction to a Catalogue

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A History of Digital Photography – Lucien Samaha at Pioneer Works

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Prototype for the Kodak DCS 100, floppy discs, and Kodak film

The exhibit at Pioneer Works is called “A History of Digital Photography” and features some of the first images taken with Kodak’s earliest digital camera. The show includes that camera, its maquette, and the ever sharper, smaller cameras Lucien Samaha worked with over the years, plus ephemera. But at its heart, this show is less about technology than an artist’s journey, and is deeper and far more human than its title suggests.

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