Dialogue between Art and Life: suggestion, that is the dream

To My Mougouch (dedicated to Agnes Magruder) by Arshile Gorky; all photos courtesy of Outlet gallery website, unless otherwise noted

In response to Arshile Gorky’s colored drawings exhibition, an ARTnewsreviewer back in March 1947 declared that Gorky is in no sense a draftsman and that his drawings “must be appraised as doodlings, for psychological rather than formal interest.” More than sixty years later, an exquisite Gorky drawing from 1946 on loan to Outlet gallery, serves as a starting point for a vibrant dialogue between more than thirty contemporary artists with strong and distinct personal iconography and some shared formal concerns. Continue reading “Dialogue between Art and Life: suggestion, that is the dream”

An Odd Symbiosis: Action in Non-Action

Artist Tirtzah Bassel, at the opening night of The Lines Start Here

Charged with urgency, precision and an acute sense of place, Tirtzah Bassel’s luminous oil paintings at Slag capture figures lingering in uncannily familiar public spaces.  Whether the subject matter of these canvases are crowds, couples, or single figures, the related verbs are of present continuous tense; standing, sitting, resting. These paintings, waiting in line at Trader Joe’s, sitting on an Ikea sofa to check a text message, or stretching horizontally on a bare mattress in the bedroom section, all entail the action in non-action. Although the commercial spaces these figures populate are filled with utilitarian objects such as red (and empty) shopping carts and a row of colorful sofas or beds, these interiors convey a strong sense of void. Objects multiply, proliferate and are caught along with their creators at the same space in an odd symbiosis.  Continue reading “An Odd Symbiosis: Action in Non-Action”

Artist-Gallerist-Curator Katerina Lanfranco: Fine Lines at Rhombus Space, a Change of Perspective

From left to right: Jason Peters, Nils Folke Anderson, Katerina Lanfranco, Helen Dennis, and Ann Stewart; all photos courtesy of Rhombus Space, unless credited otherwise

Katerina Lanfranco, the artist-gallerist-curator who runs Rhombus Space, has wanted to curate shows and run a space for a long time, but the right conditions never presented themselves as clearly as they did this year.  When her grad school friend left their shared Red Hook studio space, Lanfranco needed to decide what to do next. Knowing that she would be in an ebb period of her studio practice after a successful show at Nancy Hoffman Gallery a few months earlier, she chose to use some of her art sales to start Rhombus Space. Continue reading “Artist-Gallerist-Curator Katerina Lanfranco: Fine Lines at Rhombus Space, a Change of Perspective”

John O’Connor Artist Profile: A Voice of His Own

John O’Connor at his studio; photo by Etty Yaniv

At first it seemed odd to discuss basketball free throws with the artist John O’Connor in relation to his art work. Yet, athletic performance is an important part of O’Connor’s process. He energetically explains how a successful free throw involves magic and science, chance and control, practice and improvisation; themes that John O’Connor has been exploring in his paintings, drawings and sculptures since his formative years as an artist. Continue reading “John O’Connor Artist Profile: A Voice of His Own”