Jean Shin, Home Base, 2022. Installation at Laumeier Sculpture Park, St. Louis, MO. Photo Credit ProPhotoSTL. Courtesy of the artist and Laumeier Sculpture Park.
With her public sculptures, Jean Shin makes powerful statements about the climate crisis out of discarded and obsolete materials. She often engages communities in her materials sourcing, mixing social practice into her public sculpture practice to create platforms for discussion. Ingenious and esthetically considered, her works show novel ways to engage with the climate crisis.
Mark Tribe, Bottsford Hollow, 2012, inkjet print, 24” x 38”. From the series Rare Earth.
A founder of Rhizome, Mark Tribe is known for his early contributions to the field of new media art and his socially-engaged performances and installations. His current practice engages the power of aesthetic experience to illuminate the challenges we and future generations will face in the climate crisis. Since 2012, he has made landscape pictures that unpack American ideas about nature and land, from Manifest Destiny to contemporary environmentalism. In this interview, Mark talks about his views on the climate, his landscapes, and his integration of machine learning tools (AI) into his latest project Learning to Love the Future.
Asianish potluck gathering (photo credit: Sara Jimenez, September 22, 2022)
Co-curators Cecile Chong and Sophia Ma are delighted to present “Gathering,” an exhibition that showcases the connections between forty-five Asianish artists and their artwork. Asianish, an informal collective of AAPI artists and art professionals, was established in March 2018 to foster a safe and inclusive environment for a diverse community of Asian identities. Through conversations, artistic expression, and shared meals, the group explores themes such as code-switching in art contexts and the longing for a sense of belonging in their adopted homeland. The exhibition will be held at Tiger Strikes Asteroid–New York (TSA-NY) in Bushwick from June 24 to July 30, 2023, and at FiveMyles in Crown Heights from July 8 to August 13, 2023.
David Brooks, installation shots of Budding Bird Blind, at Planting Fields Arboretum, Oyster Bay, NY, and maquettes showing the future forest succession as the trees supplant the building
On April 23rd, Earth Day, 2023, at the Catskill Art Space in Livingston Manor, NY, I moderated a panel on artists’ responses to the climate crisis titled “Envisioning Adaptation.” The panel was one of the many events the director of the CAS, Sally Wright, has hosted at the arts and performance space newly refurbished in 2022. The concept for the symposium was to create a forum of artists whose practices addressed the idea of adaptation to, as opposed to mitigation of, the climate crisis. The panel participants included David Brooks, Simone Couto, Alexandra Hammond, Brian Kelley, and J. Morgan Puett.
Ruby Palmer with dog, “Oscar,” in her studio in Red Hook, NY, Photo credit: Yuko Yamamoto
Ruby Palmer’s new acrylic and Flashe paintings, currently on display in her solo show Shift at Morgan Lehman through June 30, look like colorfully doodled Rorschach tests. Each work is densely populated with swirling kaleidoscopic symbols like flowers, feathers, and geometric shapes, all set over jewel-toned or neutral grounds. At her previous exhibition with the gallery, she showed wall sculptures made up of painted clusters of basswood, and her new paintings seem to take those networks of wood a step further and expand them outward like Hoberman spheres in a big-bang fashion. It was my pleasure to speak with her and find out more about this exciting new direction in her work.
It consists of nature walks and community interventions in the gallery and various locations throughout the Bay Ridge community from April 15 through June 17, 2023. Art Spiel will feature a series of interviews related to this project throughout its duration, here with artist Nancy Nowacek.
It consists of nature walks and community interventions in the gallery and various locations throughout the Bay Ridge community from April 15 through June 17, 2023. Art Spiel will feature a series of interviews related to this project throughout its duration, here with artist Peter Edlund.
Kate Dodd, E. J. McAdams & Jennifer McGregor enjoy haiku installed in the ceiling lamps by E.J. and Jimbo Blachly as part of Kate’s Bay Ridge Tree Collection at the Bay Ridge Branch of the Brooklyn Public Library. Photo courtesy of E. J. McAdams.
Bay Ridge through an Ecological Lens is a multi-faceted public art exhibition hosted by Stand4 Gallery and presented in collaboration with ecoartspace
It consists of nature walks and community interventions in the gallery and various locations throughout the Bay Ridge community from April 15 through June 17, 2023. Art Spiel will feature a series of interviews related to this project throughout its duration, here with curator Jennifer McGregor.
From its founding in 2009 by Maddy Rosenberg, CENTRAL BOOKING has focused on the exploration between art and science with emphasis on aspects of the environment and social justice issues. In many collaborative projects with organizations such as the New York Academy of Medicine and the Brooklyn Botanic Garden, artists researched their work in the collections, libraries and grounds of these institutions and exhibited the resulting work in several venues. Rosenberg says that after years of living along the Brooklyn waterfront of Buttermilk Channel and incorporating the imagery into her own work, she sensed it was time to take a deeper dive into the ecosystems of the Brooklyn waterfront and the last surviving section of functioning port within New York City’s boundaries. The life along the harbor integrates the wildlife, land and neighborhoods of human-made architectural elements seemed to her like “a perfect barometer for exploring climate change”. A collaboration with the New-York Historical Society was a natural step, as their collections preserve many of the earlier roots along the way to the transformations we live with today. Rosenberg says that in addition, by forging partnerships with other area organizations such as Kentler International Drawing Space, Pioneer Works and the RETI Center, the project became truly emblematic of the Brooklyn Waterfront.
Prior to her exhibition, Phantom Thread at Freight+Volume, Paige Beeber spoke with Amanda Millet-Sorsa at the artist’s studio in Brooklyn. Nestled into a Cube Smart storage space building in Gowanus on the edge of Red Hook, the studio is part of TI Studios. Beeber’s long family roots in Brooklyn date back to the early 1900s, as she continues to live and work in this borough. Her new work evolved from experiences she had at residencies in 2022 (DNA Residency in Provincetown, SARP in Sicily, and recently completed her fellowship at The Helene Wurlitzer Foundation). Her work exists between narration, figuration, and abstraction and largely uses the repurposing of her own past paintings that transform into new patterns, motifs, and imagery in new paintings. Ritual and community play an essential role in the stitching of new narratives.