In Dialogue

August 4, 2025July 27, 2025

Hovey Brock: The Invasive Species with Cornell’s Eco Arts

A person standing in front of a group of people

AI-generated content may be incorrect. — Reception for *Invasive Species* in Cornell University’s Mann Library gallery

Hovey Brock’s show, The Invasive Species, in collaboration with Cornell’s Eco Arts features a series of paintings that focuses on how the climate crisis in general and invasive species in particular threaten the forests of the Northeast—an outgrowth of his Crazy River project that focused on the climate crisis in the Catskills. The paintings have phrases or questions that have been obsessing Brock for some time.

July 23, 2025July 21, 2025

Susan Mastrangelo: The Beat Goes On at Kathryn Markel

In Dialogue

Susan Mastrangelo’s solo show, The Beat Goes On, at The Pocket Gallery of Katherine Markel Fine Arts features work completed from 2022 to 2025, with the majority of the pieces completed in 2025. Mastrangelo creates bold reliefs that transform a variety of materials into bold abstract and biomorphic forms.

July 17, 2025July 11, 2025

Through the Kaleidoscope: Vojislav Radovanović on Dreams, Memory, and Finding Color in California

In Dialogue

*Vojislav Radovanović at the studio*. Photo by Jason Jenn

Vojislav Radovanović’s multidisciplinary practice spans painting, drawing, installation, video, and performance. His work touches upon themes of queerness, memory, the immigrant experience, spirituality, and the complex relationship between humans and the natural world. Influenced by his upbringing in Serbia during a time of war and social upheaval, Radovanović approaches art as a therapeutic space for healing and transformation. His process-driven works often combine recycled materials, vibrant color, and symbolic imagery to create poetic, emotionally resonant narratives. Through layered compositions and dreamlike logic, he invites viewers into a shared space of reflection, imagination, and emotional release.

June 30, 2025June 27, 2025

Cambridge-based Contemporary Landscape Painter Julia S. Powell in Conversation with MFA Boston Curator of Painting Katie Hanson

In Dialogue

Julia S. Powell, Kitchen Morning, 2024. Oil on canvas

MFA Boston Curator of Painting Katie Hanson visited the studio of the landscape painter Julia S. Powell. The resulting interview gives us an insight into Powell’s artistic process and her concept of a “fiction painter,” one that creates work at the intersection of abstraction and realism. Besides references to contemporary Impressionism, the interview addresses creating thickly-layered artworks that inspire introspection and acceptance of previous experiences—especially the unwanted ones. These layers serve as metaphors for embracing past struggles without regret. Powell’s work also provides an emotional refuge as a response to a chaotic and increasingly anxious life.

June 24, 2025June 25, 2025

Everyday War at the Asian Museum

In dialogue

Emily Wilson in conversation with Abby Chen curator of contemporary art at San Francisco’s Asian Art Museum

Installation view of Yuan Goang-Ming, Everyday War, 2025, at the Asian Art Museum of San Francisco. Photo by Kevin Candland

Yuan Goang-Ming, known as the ‘father of Taiwanese video art,’ chose Abby Chen, the curator of contemporary art at San Francisco’s Asian Art Museum to curate his presentation at the 2024 Venice Biennale, Everyday War. In the Palazzo Priccioni, a space that once served as a prison, his videos and installations poetically examined the unease of contemporary life, in works such as Dwelling, which presents an explosion in a living room, and Everyday Maneuver, showing the empty streets of Taipei during an air raid drill.

June 11, 2025June 11, 2025

Evidence of the Unexpected at The Crown Gallery in Bridgeport

In dialogue

Panoramic installation view, Crown Gallery, Bridgeport CT

Evidence of the Unexpected at The Crown Gallery in Bridgeport, Connecticut combines the work of four artists who approach figuration and narrative in different ways. This group show considers the role of spontaneity in the studio—how works emerge through instinct, experimentation, and chance. The paintings and sculptures in this exhibition take shape when artists engage deeply with their materials and uncover something unexpected along the way. Curator Jane Dávila tells us about the show.

June 5, 2025June 6, 2025

The Bone and Muscle: A Conversation with Dona Nelson

In Dialogue

For decades, Dona Nelson has dissolved the formal boundaries of painting: refusing to apply pigment to just one side of the canvas, mounting the stretchers of her double-sided paintings on freestanding metal stands, and letting them occupy gallery floors like sculptural interlopers. In her current two-person show with Andrew Ross at Thomas Erben Gallery, however, the painter has ceded the floor space entirely, anchoring her three new works squarely to the wall.

May 27, 2025May 28, 2025

Wherever I Lay My Head at the Jamaica Center for Arts and Learning

In Dialogue

Group picture(Members in picture from left to right): Euijin V. Ra (artist), Julia D. Shaw (artist), Courteny Symone Staton (artist), Laura OsCam (artist), Sherwin Banfield (Program Manager), TEDF (artist), Marleen Moise (artist).

Wherever I Lay My Head, now on view at The Jamaica Center for Arts and Learning , began with an invitation to Indira A. Abiskaroon to curate the culminating ARTWorks exhibition. The offer came from Program Manager Sherwin Banfield and was formalized in conversation with Director of Program Operations Wendy Arimah Berot. Abiskaroon’s first priority was to spend time with the ARTWorks Fellows—to learn how their practices had developed over the course of the program and to hear what ideas had been resonating in their weekly sessions.

May 13, 2025May 11, 2025

Naomi Lev and the Art of Process Curating

In Dialogue

Installation view with Naomi Lev at *The Space Between Knowing* exhibition at The TL Studio. Photographed by Argenis Apolinario. Left (top to bottom): Shony Rivnay, *The Loss of Innocence Squared,* 2022, Acrylic on canvas, 43.3 x 43.3 inch; Shony Rivnay, *Keep Movin’,* 2023, Acrylic on canvas, 43.3 x 43.3 inch. Right: Shony Rivnay, *Initiation of Movement No.1*, 2022, Acrylic on canvas, 61 x 77 inch.

Naomi Lev is a curator, cultural program director, and arts writer based in New York City. She works closely with living artists and calls her approach “Process Curating”—a method that follows a project from its earliest stages through final installation. It’s about long-term exchange and staying present as ideas shift.

May 12, 2025May 9, 2025

Into the microVerse – Micrographia with Shae Nadine|| SubtleFlux

In Dialogue

_I8A1922 anemone up small.jpg — into the microVerse – Mutualism, 2024. Photo courtesy of the artist.

Inspired by scientist and illustrator Robert Hooke’s seminal book, Micrographia, published in 1665, into the microVerse – Micrographia invites viewers into an immersive interdisciplinary installation where projected and printed microscopy act as a vehicle to witness the beauty of nature and our environment through magnified images of plant cells, microorganisms, and organic structures to transform our perspective of the familiar. Through this microscopic and material journey, the exhibition encourages a renewed perspective on our role as stewards of Earth’s delicate ecosystems and biodiversity, asking us to reimagine how we might preserve and protect these intricate natural systems for generations to come.