Curatorial visions at Montclair Art Museum

Tom Nussbaum: But Wait, There’s More!, Montclair Art Museum, installation view, photo courtesy of Jason Wyche

During her more than thirty years at the Montclair Art Museum, Dr. Gail Stavitsky, Chief Curator, has shaped the institution’s vision through exhibitions that deepen public understanding of art history while highlighting under-recognized artists. Her work extends beyond the galleries to publications that introduce new scholarly perspectives — including the recent catalogue accompanying Tom Nussbaum: But Wait, There’s More! In this interview, Dr. Stavitsky discusses her curatorial approach and the ideas guiding the Museum’s current exhibitions by Tom Nussbaum and Christine Romanell.

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Susan Cohen – Engrossed in Egg Tempera

In Dialogue
Work in progress, Constellation, Nasturtium, egg tempera on panel.  Photo, courtesy of Cecilia Andre

Painter Susan Cohen began her artistic journey by depicting the interiors of the places she lived, drawn to the emotional resonance of light and shadow. While that early intensity has softened over time, her fascination with light remains the core of her practice — animating her still lifes, landscapes, cityscapes, and close-up studies of foliage.

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Singing in Unison, Part 12: Painting in Space

Judy Pfaff, Barcelona, 1990, steel, plastic, glass, table and chairs, 168 x 168 x 168 inches

It began, as many enduring ideas do, over wine and conversation. Michael David, painter, curator, and gallerist of M. David & Co., was speaking at a dinner with Judy Pfaff about her close friend and early champion Al Held. The talk drifted to another dear friend, Elizabeth Murray, and then to her admiration for Frank Stella. From that exchange evolved the idea for Singing in Unison, Part 12: Painting in Space, curated by Michael David, and now on view at Art Cake in cooperation with The Brooklyn Rail.

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Fran Shalom: Everyday Improvisations at Kathryn Markel

Installation view

Fran Shalom’s paintings reduce form to its essentials while preserving the marks of revision and doubt. The surface becomes a record of both decision and hesitation, clarity and its undoing. Her compositions are direct yet ambivalent. Airy lines float within vivid color fields, their edges both firm and uncertain, altogether suggesting a state of being through color, motion, and gesture rather than representation. They obstinately remain abstract, teasing recognition without granting it.  

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Learning with Trees-Artists for Climate and Environmental Solutions

In Dialogue
 Installation view. Photo courtesy of Martina Tanga

Curator Martina Tanga had been reflecting on the ideas behind Learning With Trees – Artists for Climate and Environmental Solutions long before the exhibition took shape. In 2022, she read Ben Rawlence’s The Treeline, a book tracing how the Boreal forest is shifting under the impact of climate change. That reading sparked the idea that trees could serve as a highly accessible and disarmingly effective way to approach conversations about climate change.

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Flora Yukhnovich: Four Seasons at the Frick Collection Cabinet Gallery

Installation view of Flora Yukhnovich’s Four Seasons in The Frick Collection’s Cabinet Gallery, showing Autumn and Winter. Photo: Joseph Coscia Jr.

What draws artists and audiences back to the Baroque now, in a century shaped by speed and fracture? Perhaps it is the recognition of kinship. The seventeenth century was also an age of cataclysm and wonder — continents mapped, the cosmos recalculated, science expanding perception. The Baroque arose amid fracture: religious schisms, shifting empires, faith and politics entangled. Art became theatrical, constructed to move the spirit through light, motion, and sensation.

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reMastered at Mana Contemporary

In Conversation
Nirvana (Nevermind)


reMastered: Jac Lahav’s Record Paintings is a solo exhibition at Mana Contemporary featuring a selection of over two hundred intimate 12 x 12 inch paintings of iconic album covers celebrating the slow, tactile process of gouache on canvas. The project asks what painting can add to images that already live in our collective memory. This iteration of Lahav’s work opens a new line of inquiry into what artists listen to, drawing from record collections of artist icons Jackson Pollock, Georgia O’Keeffe, Francis Bacon, and Dan Flavin. Artist Jac Lahav and curator Michele Jaslow sat down to discuss the exhibition for Art Spiel.  

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Samuelle Green: A Human Vocabulary with Steel

In Dialogue
Samuelle Green. By Day: By Night. 2025. (variable size) Installation View — Honesdale, PA. steel, reflective material. photo credit: Samuelle Green Studio

In Samuelle Green’s previous installations such as The Paper Caves and Polypore, viewers encountered forms that were wildly organic in appearance. They were comprised of somewhat amorphous essentialized forms in nature that exist on the micro and macro levels, executed on an immersive human scale, enabling viewers to make a variety of associations with the natural world — pollen grains, clouds, or coral reefs. The new work, By Day: By Night, 2025, is much more specific in its references and seeks to speak a different visual language almost entirely.

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Frances Smokowski at Cavin-Morris Gallery

In Dialogue
Installation view, Cavin-Morris Gallery, photo courtesy the artist

In 2017, during post-concussion recovery and before considering any public audience, Frances Smokowski began drawing as part of her wellness routines. She knew even then that the work could one day be useful and inspiring to others, and she never felt it existed only for her. Pandemic-era synchronicities later led to gallery representation, confirming that this is the moment for her bio-glyphics and energy-scapes to come forward.

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Extreme Whether Show at Icebox4

Featured Exhibition
Installation view

With only a few days left before it closes on October 4, Extreme Whether Show at Icebox4 offers a gathering of 21 artists responding to the turbulence of the present. Curated by Tom Fitzgibbon, the exhibition unfolds less as a single argument than as a shifting field of voices, unsettled, layered, and in dialogue.

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