Artist: Olive Ayhens

Artworks

Olive Ayhens and Ezra Johnson, installation view at Bookstein Projects
Olive Ayhens, Bilbao, Venezia and Palm Springs, 1999, Ink and watercolor on paper. 22.5 x 30 inches
Olive Ayhens on right and Ezra Johnson on left, installation view at Bookstein Projects
Olive Ayhens on left and Ezra Johnson on right, installation view at Bookstein Projects

Articles & Reviews

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Call Mom: Olive Ayhens and Ezra Johnson at Bookstein Projects

Pairing artists with assorted bodies of work spanning over a decade is not an easy task. In the current two-person exhibition at Bookstein Projects, it helps that each artist, regardless of subject matter, has a distinct approach to color and composition. And then, there is a story. Call Mom features paintings on canvas and paper by mother and son Olive Ayhens and Ezra Johnson. The family tie is a good cue for the curator and for us. Yet it may be more interesting to set aside the biography for a moment and, as you enter, experience the vibrant visual dialogue unfolding between two painters.

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Olive Ayhens: Unique Improbabilities

Olive Ayhens paints unexpected landscapes in which roaming animals, lush fauna and zooming cars frequently co-inhabit familiar urban environments. In her world you may encounter by a vivid East river shore a Prehistoric animal, utterly oblivious to a dazzling Gotham vista on the horizon. Olive Ayhens talks with Art Spiel about her process, ideas, and “Urbanities and Ur-Beasts” , her upcoming show at Bookstein Projects opening October 30th .

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Visual Arts Center of New Jersey – Global Angst

[caption id="attachment_1340" align="aligncenter" width="500"] “Containment”, partial Installation view at Visual Arts Center of New Jersey, (right wall: Erin Diebboll,  center front: Linda Ganjian,  left: david Packer), photo by Etienne Frossard[/caption]
The  group of international artists throughout the two exhibitions at the Visual Arts Center of New Jersey – “Containment” and “Oh what a world! What a world!” are altogether reflecting on social, political, and cultural changes in recent history.  “Oh what a world! What a world!”,  located in the Main Gallery, addresses a wide array of issues related to immigration, gender equality, civil rights, policing, protest, and the state of our Democracy. “Containment”, at the Eisenberg and Strolling Gallery, addresses specifically  hot trade issues –  how the use of shipping containers affects our ability to trade and ship goods globally, coming to the forefront with Trump’s attempts to remove the country from existing trade deals. Both shows were curated by  Mary Birmingham. The following preview on the two shows is largely based on text provided by the NJ Visual Arts Center.