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Artists on Coping: Elizabeth Riley

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Elizabeth Riley’s art addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts. This project includes sculptural wall works, installations, and tabletop cityscapes, made from a combination of video, video stills, and diverse materials. A longtime New Yorker, the artist graduated from Barnard College and received an MFA from Hunter College. In 2019 her work was presented in Ribbons Become Space, a solo show at SL Gallery in New York City. This show included the Dragons of Iceland Installation, a 2011 sculpture/installation with multiple live video elements, as well as, two large-scale, site-specific wall sculptures made from video stills. Elizabeth Riley curated and participated in Trill Matrix at The Clemente Center on New York City’s Lower East Side in 2018, a show of seven dynamic women artists.

Ribbons Become Space at SL

At the end of “Dragons of Iceland,” a video the NYC based multi-media artist Elizabeth Riley made throughout her SIM residency in Reykjavik, the dragon protagonist is determined to escape the societal constraints and limitations placed on women when the artist was growing up. The dragon flies into a gushing waterfall which for Riley symbolized finality. But later-on, after she returned from the residency, Riley has both deconstructed and reconstructed this video into a sculptural installation, and throughout the process of art making, the dragon’s route shifted from a fall into the abyss to a portal into a different artform. Elizabeth Riley’s solo show, “Ribbons Become Space,” at SL invites us to experience an exuberant journey. The journey starts as you enter the front gallery space with a 2011 video installation “Dragons of Iceland,” continues throughout the back gallery space with two related large-scale wall works made recently for the SL Gallery, then loops back as you exit, leading us back to the video installation with a new perspective.