Artist: Audrey Stone

Artworks

Articles & Reviews

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Spectral Evidence: A deeper introspection on Color, Light, and Energy

Walking into this show on a cold, blustery night, you are greeted by large windows illuminated out by gallery light. Inside, you are met with a collection of color, light, and energy. Each piece in the exhibition Spectral Evidence uses mainly acrylic to illuminate new spaces by dissolving edges, blending colors, and allowing gradients to calmly and smoothly envelope the space within the works. While each artist in the show has their own take on creating their own spaces, they use many conventions of painting and abstraction to create new forms and environments to experience, and each piece seems to flow well into the next. The gallery layout lends itself to a meandering space.

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Sue and Al Ravitz of 57W57ARTS

IN CONVERSATION

Sue and Al Ravitz have run the project space 57W57ARTS over past eleven years, with a focus on reductive and conceptual art. Located in Al’s psychiatric offices in Midtown Manhattan, they see their gallery as a way to show the art they like, and to create a community. 57W57ARTS has presented the work of close to 200 artists, mounting approximately eight shows per year, each consisting of several one-person exhibitions. This September, a new series began with five one-person shows.

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DUMBO Open Studios 2025 with Audrey Stone

On April 26th and 27th, from 1 to 6 pm, artists in DUMBO will open their doors to the public as part of DUMBO Open Studios, offering a rare look inside the art studios along the Brooklyn waterfront. Since the 1970s, DUMBO has been shaped by its vibrant art community. This interview series highlights a handful of participating artists in 2025. Each response offers a glimpse of what’s waiting behind the studio door. Audrey has been in DUMBO since March, 2024. Her studio is at 45 Main Street, #1052.

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OnEdge at The Painting Center

[caption id="attachment_626" align="aligncenter" width="267"] Audrey Stone, Double Pour[/caption]

“OnEdge” at The Painting Center features ten contemporary painters who interpret the notion of ‘edge’ in their abstract paintings, conversing with mid-20th century abstraction sensibilities like Op Art and Washington Color, or early Mondrian.  Patrick Burns, Anthony Falcetta, Astrid Fitzgerald, Lori Glavin, Celia Johnson, Julie Karabenick, Richard Keen, Scot Sinclair, Audrey Stone, and Jennifer Woolcock-Schwartz  explore the tension between separation and union with color and line.  In her curatorial note,  Susan Post says that the shift between separation and union triggers the sensation of being ‘on edge’ – a prevalent state of mind at the moment.