David Samuel Stern’s Portraits: The Mechanics of Longing

For photographer David Samuel Stern’s photography typically serves as a departure point for crafting tangible objects. In his Woven Portraits series for instance, Stern physically assembles pieces of his photographic portraits into new forms, aiming to fuse the notion of photographic representation with its own material nature, making a new essence. The imagery in this series may bring to mind Cubists’ and Futurists’ paintings, or David Hockney’s Polaroids, but in Stern’s  hybrid artworks, the imagery derives from a photographer’s imagination and can be distinctly traced to our digital age – the manual  counterpoints the virtual. Here Stern shares with Art Spiel some of his ideas, process, and projects.

Aaron; 2015; Photographic prints on archival translucent vellum, physically cut and woven together; 40 x 31 x ¼ in, 101.5 x 78.75 x 1.25 cm; Courtesy David Samuel Stern

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Quotidian Metamorphosis at the Rockland Center for the Arts

As part of their Spring exhibits addressing Climate Change, The Rockland Center for the Arts features three exhibitions – two solo shows: Quotidian Metamorphosis featuring works by Jaynie Crimmins  and Aqueous Remains  featuring  Aurora Robson as well as The Tipping Point, a group show featuring J. Henry Fair, David Maisel, Alison Moritsugu, Richard Parrish, and Jill Pelto.

Jaynie Crimmins, Accumulations #4 , 12” x 12” x 12”D,  shredded household mail, thread over armature mounted on wood, 2016, photo courtesy of Cibele Vieira

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