Vienna – Art Spiel

June 12, 2025June 9, 2025, by Etty Yaniv

Matthew Wong – Vincent van Gogh: Painting as a Last Resort at Albertina

Matthew Wong: The Space Between Trees, 2019, 60 × 50 cm, Oil on canvas (Collection of Judith and Danny Tobey © 2025 Matthew Wong Foundation / Bildrecht Vienna, 2025)ץ Photo: Matthew Wong Foundation

Matthew Wong and Vincent van Gogh shared more than a self-taught path into painting. Both began relatively late, worked in compressed time spans, and turned to painting as a lifeline. The superb exhibition Painting as a Last Resort, now on view at the Albertina Museum in Vienna, brings their work into intimate and revealing dialogue. The exhibition presents approximately 44 paintings and 12 works on paper by Wong alongside a smaller selection by van Gogh. Organized in collaboration with the Van Gogh Museum in Amsterdam, Kunsthaus Zürich, and the Matthew Wong Foundation, the exhibition gives Wong space to be seen on his own terms. His paintings feel jittery, open, and emotionally charged.

September 24, 2024December 22, 2024, by Etty Yaniv

Assembled Worlds: Hannah Höch at Lower Belvedere

A room with blue walls and a blue wall

Description automatically generated — Installation view “Hannah Höch, Assembled Worlds”. Photo: kunst-dokumntation.com, Manuel Carreon Lopez, @ Bildrecht, Vienna 2024

“I wish to blur the firm boundaries which we tend to delineate around all we can achieve,” Hannah Höch once said, challenging the rigid limits that society often imposes on creativity, identity, and social roles. This sentiment resonates deeply throughout the Assembled Worlds exhibition at Vienna’s Lower Belvedere, curated by Martin Waldmeier from the Zentrum Paul Klee in Bern. This major showcase of Höch’s work in Austria feels long overdue, bringing together around 80 of her photomontages, alongside paintings, drawings, prints, and archival materials. Together, they offer a vivid glimpse into her groundbreaking contributions to 20th-century art.

September 16, 2024December 22, 2024, by Etty Yaniv

Splendor and Misery at Leopold: New Objectivity in Germany

A room with art on the walls

Description automatically generated — EXHIBITION VIEWS “SPLENDOR AND MISERY” © Leopold Museum, Vienna, Photo: Lisa Rastl

”BRUTALITY!

CLARITY THAT HURTS […]

BRUSH AS FAST AS YOU CAN –

TRY TO CAPTURE RACING TIME“

—–George Grosz

Nearly a century after the Weimar Republic’s brief, chaotic existence, curator Hans-Peter Wipplinger presents Splendor and Misery: New Objectivity in Germany at Vienna’s Leopold Museum. This comprehensive exhibition, the first of its kind in Austria, brings together around 150 works—100 paintings, 40 works on paper, photographs, and archival materials—from international museums and private collections. Born from the ashes of World War I, Neue Sachlichkeit offered a stark, unsentimental portrayal of reality, capturing both the hardships and the hopes of the “Golden Twenties.” The show features a lineup of key figures of modernism, such as Max Beckmann, Otto Dix, George Grosz, and Christian Schad, alongside lesser-known artists such as Heinrich Maria Davringhausen, Karl Hubbuch, Grethe Jürgens, Lotte Laserstein, Felix Nussbaum, Gerta Overbeck, Rudolf Schlichter, and others, who each captured the era’s spirit with an unflinching eye.

July 29, 2024July 13, 2024, by Art Spiel

Nicola Ginzel: How Do You Restructure Form?

Featured Project

Composite AS.jpg — Process on-site and view of Palais Equitable in Vienna. (right image): from the Wien Museum’s Online Collection taken around 1899.

In March 2020, Nicola Ginzel arrived at the Q21 Art Residency at the Museumsquartier in Vienna, Austria. This residency, which hosts international artists and selects one American artist every two months with the support of a Fulbright Scholar Grant, is designed to foster creative exchange through collaboration, networking, and studio visits.

December 10, 2022December 7, 2022, by Alexandria Deters

Tell me, where did you START? Conversations with Designer Robert Stadler

A person sitting in a chair

Description automatically generated — Robert Stadler, 2022. Photo courtesy of Carpenters Workshop Gallery.

Before my first Facetime conversation with the Austrian designer Robert Stadler, I had looked through images of his works but I did not know much about Stadler himself. Going into our first ‘meeting’ I wanted to get to know him, his personality. What kind of questions could I ask him? What would be the mood of our dialogue? Would we get along? Would Stadler be stiff and severe? Humorless? Well, I had no need to worry. From the moment we greeted each other, his personality came through. Stadler is soft-spoken, easy to laugh, kind, open to converse on whatever topic, and most importantly does have a sense of humor that seeps into most of his work.