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Shuffling Liminal Episodes at Project: ARTspace

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Michelle Weinberg, A Personal Situation, graphite and colored pencil on paper, 20 3/4” x 16″

The two-person exhibition Shuffling Liminal Episodes at Project: ARTspace features drawings by artists Leslie Kerby and Michelle Weinberg, whose works on paper and vellum resemble snapshots of settings, some of specific places, some imagined, capturing an arrested moment from daily life. Both storytellers at heart, the two artists draw objects as protagonists in their visual tales. A desolate bench, a studio table with a lamp, a tiny figure stepping out of a big house —random belongings, furniture, activities of daily life come to the forefront, projecting an inner life while also hinting at human life outside their inanimate existence—always with a lingering whiff of humor. Kerby and Weinberg also share a collage aesthetic which works well to unify their fragmented narratives.

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Jeanette Fintz at Carrie Haddad Gallery

In Dialogue with Jeanette Fintz


Installation view

As an abstract artist, Jeanette Fintz has long been interested in the contrast of hard-edged planar geometry (circles, squares, hexagons) existing within an atmospheric field where shapes can float or hold the plane, in a space that appears expansive, transient and increasingly released from the canvas’s edge.Of her newest body of work currently on view through August 1st at Carrie Haddad Gallery in Hudson, NY, she explains “these paintings are about giving structure to something intangible, ephemeral, in-flux or conversely, revealing the dissolving of structure that has been.” The following is the artist in conversation with writer and art critic, Carter Ratcliff, to discuss her influences and process.

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Leslie Kerby: Happy Place Project

Art Spiel Photo Story

In early February, the bleakness of winter got to the New York City based artist Leslie Kerby. She decided to reach out to friends near and far, as she had done during lockdown, this time asking them to send photos of the places around their house where they were able to find some solitude. She contacted everyone individually which opened up possibilities for longed for exchange. To her delight she received many beautiful photos. It took her a couple of days to figure out how she would paint from them. Ultimately, she decided on watercolor, acrylic, and mixed media collage on vellum, which enabled painting on both sides, while letting the light in. “It was a gift to visit with everyone in their home. A testament to the value of human connection,” she says.

 NEW LINK to whole project

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Artists on Coping: Liz Sweibel

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping

Untitled, 2020, thread and vellum, 8×8 in

Liz Sweibel’s work is an exploration of liminal spaces, points of contact, and unseen forces:  wind, history, values, math, gravity, emotion, memory. Her drawings, sculpture, and installations are spare and abstract, using specific yet ordinary materials and gestures. She often salvages materials, sources, and forms from her older work and uses them to make sense and establish identity in the present. Her studio process is low-tech, immediate, and improvisational.

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Artists on Coping: Sonomi Kobayashi

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Beauty of Chaos #1, 2018, Alcohol ink on Synthetic vellum paper cutouts, and collaged, 14 1/4” x 11 1/2”, © Sonomi Kobayashi All rights reserved

Born and raised in Japan, Sonomi Kobayashi, is a New York based artist who is interested in science, physics, stars, nature, and spirituality. Most of her work is symbolic and abstract.  They are based on images that she sees during her meditation.  She also paints symbolic shapes that she finds attractive in nature.

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