Contemporary Art and Culture
On March 31, 1884, the Village of Newburgh became New York’s second municipality to receive electricity, just two years after New York City. On September 14, 2024, Matthew Lusk achieved a similarly electrifying milestone by launching his solo show, Encyclopedia of Light (Today in Two Parts), an outstanding exhibition running through December 1 at Elijah Wheat Showroom in Newburgh, NY.
Continue reading “Fiat Lux: Matthew Lusk Illuminates Newburgh with his solo show at Elijah Wheat Showroom”
145 galleries, venues, historical sites, performances, and a few fashion stops and upscale grocers for foodies thrown in for good measure, all scattered across 10 counties north of New York City. This comprised Upstate Art Weekend, a four-day festival highlighting the diversity and breadth of culture in Upstate New York. This was not for the faint of stamina. This is not an art fair. It is a celebration of the creative communities lining the Hudson and the enclaves embedded in the Catskills. I have to believe the intent was never for escapees from urbanity to stop at each little circle on clustered maps. Below are some of the galleries that are the marrow, the heartbeat of the cultural community in specific regions. These are also galleries that exhibit small group and one-person shows that provide a larger window into the artist’s or artists’ thought process. If you missed Upstate Art Weekend, don’t despair; these and other sites are a stable part of the Hudson Valley, enabling anybody to make their own Upstate Art Weekend on their own time. It’s always here, 12 months of the year.
Continue reading “Upstate Art Weekend, If You Missed It, It is Still Here!”
Why is home so important? Is it like religion, where we have faith that once we turn the key in the door and step over the threshold, we are safe from all those events that we believe cannot happen to us, orhappen in the place we call home? We now live in a world where the mundane, the environment we know as home is threatened. Common places are invisible because they are part of the warp and weft of our everyday existence. Our personal landmarks such as the library, the elementary school, and the ugly grocery store we quickly stop in, are no longer safe spaces. Self help and self care are great strategies for maintaining equilibrium, but may not extract the roots of our anxiety. Art obviously cannot solve these issues, but sometimes an artist who combines intellect, skill, and personal experience can act as the parakeet in the mine shaft.
Continue reading “Remnants of the Past As Omens of the Future at Turley Gallery”
Amy Talluto’s paintings and collages depict landscapes, ranging from representational wood-scapes to more abstracted forms reassembling a hybrid of landscape and still life. Darren Jones wrote in Artforum that Amy Talluto’s series of oil paintings from 2017 produce “symphonic arrangements of green, ranging from deepest phthalo to honeyed laurel. Dashes of pink, crimson, and yellow also crop up, to shimmering effect. The technical proficiency of her sumptuous compositions, based on forests around the artist’s Catskills home, parlays them into sites of ethereality.” (Darren Jones, Artforum). Recently, during the pandemic, the artist started exploring collage, resulting in bold cutouts, and consequently paintings, where the previously hinted pinks, yellows and crimsons become central alongside the blues and greens. Amy Talluto participates in The Upstate Art Weekend show at the rambling old manufacturing building in High Falls, NY. This art event was initiated by Todd Kelly, Alex Gingrow and Shanti Grumbine, who have studios in that building and have invited over 30 artists to show their work there from Aug 27-29, 11am-6pm.
Continue reading “Amy Talluto: Moments of Light in the Forest”In Dialogue with Ashley Norwood Cooper
Ashley Norwood Cooper is an artist and a mother, raising three teenagers in a small town in upstate NY. Her paintings have always dealt with family and home and how the personal connects us to the global and political. She is interested in the schizophrenic role of the artist-mother-wife-teacher and in how to redefine the heroic from a woman’s perspective. Ashley Norwood Cooper is participating in Domestic Brutes and she will present her work in a virtual studio visit hosted by Pelham Art Center on Thursday, October 15th, 5-6pm.
Continue reading “Ashley Norwood Cooper in Domestic Brutes at Pelham Art Center”In Dialogue with Lacey McKinney
Lacey McKinney who resides in Upstate New York, is drawn to the alchemy of processes like painting and alternative photography. For the last several years, McKinney has worked within the framework of painting, using figuration to reference embodiment. Usually splitting her time between working in the studio and teaching, this year she feels lucky enough to embark on a one-year teaching sabbatical, which has given her extra time for experimentation with other media such as using cyanotype process to make photograms that incorporate into collage and mixed media works. The artist shares some insights on her body of work in Domestic Brutes, the all women group show at the Pelham Art Center which engages the visitor with diverse approaches of what feminism means in American society today.
Continue reading “Lacey McKinney in Domestic Brutes at Pelham Art Center”During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
As a mature artist Farrell Brickhouse states: “I have this large vocabulary to draw from, imagery that has woven its way thru my entire career is available and malleable even as new stories continue to emerge.” He has a long Exhibition history in New York and across the U.S. A. including One Person Shows @ Julian Pretto Gallery, Max Protetch Gallery, Pamela Auchincloss Gallery, Life on Mars Gallery, John Davis Gallery, Fred Giampietro Gallery and elsewhere. His work has been reviewed in the major publications. Farrell has taught at The School of Visual Arts since 1980 and recently retired.
Continue reading “Artists on Coping: Farrell Brickhouse”
In Axis Mundi, his current painting exhibition at Elizabeth Harris, Ron Milewicz shows a body of work that reveals his continuous fascination with the mystery of trees. While focusing his gaze on a specific woodland landscape ,the Hudson Valley woodlands, Ron Milewicz is opening a portal not only to the universal meaning of trees, but also to the overall vulnerability and wonder of life on this planet. Ron Milewicz shares with Art Spiel some reflections on his approach to painting and on what draws him to his consistent thematic exploration.
Continue reading “Ron Milewicz – Axis Mundi at Elizabeth Harris”