Oskar Landi was born and raised in Italy. In 1998, he moved to New York to pursue art, arriving with two tools: a saxophone and a camera. Over time, the camera became the better instrument for making a living. With several years of experience as a photo assistant in Europe, he adapted to New York’s photography industry, building a basic commercial and editorial client base that allowed him to sustain himself while continuing to explore the medium’s possibilities.
Moving Image: Nicholas Oh & Ayoung Justine Yu, Alexander Si, and Masha Vlasova
Masha Vlasova. Waterlands, 2022. Experimental film,15 min. 4K. Courtesy of the artist and The Immigrant Artist Biennial.
Surrealists invigorated the film genre in the 1920s and 30s, especially the Spaniards Luis Buñuel and Salvador Dalí—who at the time were living in Paris—with their non-linear narrative film Un Chien Andalou (1929). Surrealist elements reign in The Immigrant Artist Biennial 2023: Contact Zone’s exhibition Excavated Selves, Magic Bodies at Alchemy Gallery—where surreal elements allow bodies to thrive, often in hostility. A garment used in the video work Mourning Ritual created by artist duo AYDO (Nicholas Oh & Ayoung Justine Yu) on the border between North and South Korea is included in the show. It uses spirituality, ancestry, and surreal landscape to engage with the separation of families and loss of connection. In Parasites and Vessels at Accent Sisters, Alexander Si employs video matter of fact to document his process of crafting a Birkin bag. Masha Vlasova’s poetic work Waterlands investigates surface and texture in the landscape in Enmeshed, Dreams of Water at NARS Foundation.
