Salted not Sugared at Ben Shahn Center

In Dialogue
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Andrew Cornell Robinson, glazed porcelain, with underglaze silkscreen print decal transfer, 16 x 16 x 3 inches. Photographer Martin Meyers, 2024

Andrew Cornell Robinson, the 2023 grand prize winner of the William Patterson University Galleries’ national juried printmaking exhibition, Ink, Press, Repeat, presents a decade of exploration in his exhibition, Salted Not Sugared. This retrospective, the first extensive survey of his interdisciplinary art, is showcased at the Ben Shahn Center for the Visual Arts, curated by Casey Mathern. His work, spanning oil painting, printing, drawing, and assemblage, engages with queer and peculiar revisionist histories, inviting viewers into a reflective dialogue where personal histories, social narratives, and abstract forms converge.

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Gabriela Vainsencher: Epic, Heroic, Ordinary at Asya Geisberg

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Gabriela Vainsencher with “Epic, Heroic, Ordinary” at Asya Geisberg gallery, March 2023

In her solo exhibition at Asya Geisberg Gallery Gabriela Vainsencher exhibits wall hanging porcelain reliefs, referencing the nuts and bolts of motherhood entangled in layers of epic mythological context—Medusa reveals a worried woman with a frying pan and a baby’s pacifier as weapons at hand. The show runs through April 8th, 2023.

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Gabriela Vainsencher: Unfolding Motherhood


Gabriela Vainsencher in the studio with “Mom”, 2021

Gabriela Vainsencher works in photography, video and drawing, while merging all of these forms in her porcelain sculptures. Her sculptures and wall reliefs are as far off the smooth perfection we traditionally associate with porcelain – twisted forms merge into each other or repel, forming a fiery existential dance that sometimes invokes symbiosis and sometimes pulling apart.

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Sue Havens: Cull at Marjorie Barrick Museum of Art

In Dialogue with Sue Havens

The artist, photo courtesy of Mikayla Whitmore

The mid-career survey exhibition, Sue Havens: Cull, at the Marjorie Barrick Museum of Art includes the Florida based artist’s paintings and ceramic work since 2016. Curator Jason Lazarus describes the recent “pandemic paintings” as “a compressor, kettle, and prism” of the artist’s work from the past twenty years. Havens outlines her goal most simply as a question: “What is it to search for form?”

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