Transmitter Gallery

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July 7, 2025July 11, 2025, by Yasmeen Abdallah

Art Spiel Picks: NYC Exhibitions in July 2025

HIGHLIGHTS

Installation view, Michael Pribich at Transmitter

Pathways of migration, transit, turbulence, and foundational knowledge lead us across the city through three boroughs that speak to time and reflection. Through the slightest gestures cleverly calculated by the selected artists, we can trace symbolic movements as indicative of something greater and inherently profound. This lineup is a reminder to delve into one’s humanity and to mine for empathy and change. These themes are as relevant today as they were long ago, and it’s important to acknowledge the work of artists who are using their talents to envision an equitable world for all. Let us carry forth this mindset so that the present we build is a true path forward towards a more mindful future.

February 11, 2021November 2, 2022, by Adam Aslan

The Process of Weaving the Intentionally Fragmented at Transmitter

Installation of Patchwork at Transmitter, image courtesy of the gallery, Brooklyn, NY (2021)

The Brazilian educator and philosopher Paulo Freire speaks on the essential character of dialogue for revolution. Seen as the thread that connects communities to revolutionary ideas and actions, dialogue is a continual process. A continuum revolves visually and semiotically within the walls of Transmitter gallery these days with the new exhibition Patchwork. Time is of central significance as the theme of fragmentation provides illuminative access through each of the three artists in the show, highlighting complex pasts that beget the enormous project of both appreciation and reconciliation via understanding the significance of each layered memory.

August 14, 2019August 14, 2019, by Paul D'Agostino

Nota Bene with @postuccio [ix]

TSA & Transmitter, The New York Studio School

TSA & Transmitter

It is often the case that the immediate juxtaposition of aesthetically kindred galleries TSA and Transmitter allows, maybe accidentally encourages visitors to make observations about concurrent exhibitions with relation to one another. I’m not sure the curators at the respective spaces are always keen on hearing such thoughts – especially from me, since over the years they’ve likely tired of knowing that I’ll always be looking for something – but there are times when the formal or conceptual fluidities or contrasts between shows are so striking that commentary of the sort proves simply irresistible. Continue reading “Nota Bene with @postuccio [ix]”