translucent surfaces

In Dialogue

Inside Out Oculus, 2022, acrylic on mylar, 36×45.5 in.

In her Interiors painting series, American Iranian-born painter Zahra Nazari draws on prominent features in classical Persian and Islamic architecture—decorative botanical motifs, arch, and particularly, iwan, the large, vaulted hall semi-enclosed and usually walled on three sides, with one end entirely open. Many scholars believe its origin can be traced back to the Parthian era. While looking at Nazari’s luminous surfaces, it may be interesting to keep in mind the dual role of the Persian arch—it serves both decorative and functional purposes—this richly decorated key aesthetic element in Persian architecture functions not only as an ornament but also as a structural support that provides stability. It is also designed to moderate the amount of sunlight that enters space, especially in iwans or other open spaces. Nazari’s frequent use of Mylar as a surface stirs a play on the notion of external and internal light, and simultaneously, her saturated color palette invokes a hot and arid climate with bright, sunlit days and crisp nights. Repetitive and rhythmical, these motifs coalesce into energetic, translucent, and luminous surfaces, evoking an interior space in flux. Zahra Nazari elaborates on her ideas and process in this interview with Art Spiel.

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

*Bill Travis, self portrait as a young man*

Bill Travis is a photo-based artist, working in alternative techniques around such themes as desire, nostalgia, and impossible worlds that exist only in the imagination. He earned a Ph.D. in art history and was a tenured professor before turning full-time to creating art. He has had over sixty shows in museums, galleries, universities, and public institutions from New York City (where he lives) to San Francisco, Paris, Berlin, Rome, Madrid, Buenos Aires, and others. His work was featured in two monographs published in Italy and he recently co-curated an exhibition on Photography After Stonewall for Soho Photo Gallery in New York. He has lectured on his photography at Columbia University and was interviewed on Italian television. His work has been collected by the Bibliothèque Nationale de France, The Kinsey Institute, Yale and Harvard Universities, Lincoln Center for the Performing Arts, The New York Public Library, and national collections of photography in Russia, Japan, Portugal, and Hungary.

Tag: translucent surfaces

Zahra Nazari: Interiors

In Dialogue

Artists on Coping: Bill Travis