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The Interaction of Light and Shadow: Susan English at Kathryn Markel

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Susan English, Still Light, 2022, tinted polymer on Dibond panel, 34 x 35 in. Courtesy of Kathryn Markel Fine Arts

To confront a person with their own shadow is to show them their own light.

– Carl Jung

In her current exhibition at Kathryn Markel Fine Arts, Light to Light, Susan English explores the vagaries of light as it penetrates layers of polymer and pigment. Subtle gradations in color are infused with radiant light, recalling the sfumato in Van Eyck’s translucent skies or Cimabue’s blushing Virgins. The seamless transitions are achieved through the artist’s unorthodox technique of pouring thin layers of tinted polymer onto panels, then tilting the panels while the pigments settle and dry. The multiple layers interact with light to create varying effects – sometimes luminous, sometimes opaque – which are punctuated by cracks and blemishes in the medium as it dries. These accidents are essential to the piece, as they provide a counterbalance to the exquisite surfaces and tight control of their execution. Indeed, English manipulates the panel in such a way that crackling is anticipated, and she views the result as a simulation of the fissures and fractures found in nature.

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The Ocean Inside

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Video still from The Ocean Inside projected on the Veil (2018-2019). Photo by Eveline Kolijn.

Dutch-Canadian printmaker Eveline Kolijn grew up in the Caribbean where she developed an enduring interest in natural history and the environment, as well as a love of the ocean. Having spent a great deal of her childhood scuba diving in the coral reefs, she originally thought of becoming a marine biologist before her life took her in another direction. 

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Joanne Ungar: Pain Relief

Joanne Ungar, Modern Muse, 59″x48”, wax, board, paint, pigment, 2019, photo courtesy of © 2018 + 2019 Joanne Ungar

In recent years Joanne Ungar has transformed found boxes into translucent paintings by embedding them in layers of wax. The forms are abstracted, but the narrative is evident. These beautiful objects carry the burden of their histories – boxes of pain killers, packages of cosmetics, or chocolate wraps. While their vibrant pigments may encapsulate broken dreams and their origin most likely resonates waste, their sheer alchemy uplifts. Joanne Ungar talks with Art Spiel about “Pain Relief,” her current solo show at Front Room Gallery, which just opened in March 1st, 2019. She also elaborates on her process and some of her forming experiences as an artist.

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A Visit With Linda Schmidt

By Catherine Kirkpatrick

All Photos by Catherine Kirkpatrick

Just as it is hard to look at certain Matisse paintings and not feel the radiant sun of the Cote d’Azur, it is hard to see a piece by Linda Schmidt and not imagine a beautiful light-filled space. Recently she invited me to her studio that looks out over the low industrial rooftops of Bushwick, and seems, even on overcast days to be bright and filled with serenity.

Linda Schmidt working on a canvas

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