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Caroline Burton: The Back of the Moon

In Conversation
The Back of the Moon, Caroline Burton, view 2, on view at the Louise Hopkins Underwood Center for the Arts in the Christine DeVitt Exhibition Hall in Lubbock, TX, photo courtesy of Taylor Ernst

What does it take to move an exhibition from one institution to another, and how does it change along the way? Caroline Burton’s The Back of the Moon began at The Clara M. Eagle Gallery at Murray State University, where curator T. Michael Martin first organized the presentation. Recognizing both the impact of Burton’s large-scale works and the practicality of transporting them rolled in tubes, Martin developed opportunities for the exhibition to travel. This led to a partnership with the Louise Hopkins Underwood Center for the Arts (LHUCA) in Lubbock, Texas, where curator Taylor Ernst re-envisioned the show for the Christine DeVitt Exhibition Hall. With each venue offering its own curatorial approach and installation design, The Back of the Moon continues to evolve as it moves between sites. In the following conversation, curators T. Michael Martin and Taylor Ernst discuss the process of shaping this traveling exhibition.

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Artists on Coping: Rhonda Dee

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Photo credit: ZakiP

Rhonda Dee is from Texas and currently resides in Australia. She holds a BFA, (CCA, Seattle), and MA, from Sydney College of the Arts. Her layered works explore the body as a site of transformation between human, animal hybrids and supernatural forces. Her works are in permanent collection at Macquarie University, Australia-China Arts Foundation, and Museu Brasileiro da Escultura, Sao Paulo, Brazil.  Recently, she’s begun creating public artworks with disadvantaged communities. She features in Artist Profile, The Art Life, Torrens University Blog, Arts Hub Australia and is currently designing podcasts with Casula Powerhouse Art Centre, in response to COVID19.

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Artist Without Borders: Catching Up With Jackie Neale

“Crossing Over: Immigration Stories – Anonymous” by Jackie Neale

Immigration is a hot issue. It has determined national elections and divided communities around the world. Artists have weighed in on it, often with projects lacking input from the immigrants themselves.

Jackie Neale is a fine art photographer, author, instructor, and former Imaging Producer of Online Features at the Metropolitan Museum of Art. In her project “Crossing Over: Immigration Stories,” she pairs large-scale cyanotype portraits of immigrants with audio of them telling their own stories. In May it will be on exhibit in Palazzo Mora at the Venice Biennale.

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