The Foundations: Lior Modan at Dinner Gallery

Lior Modan, Rain (2025). Velvet, foam, cardboard, sand, and epoxy putty in artist’s frame. 23 x 30 inches. Courtesy of the artist and Dinner Gallery. Photo: JSP Art Photographer.

Lior Modan’s work invites touch—but not quite. On the somber, richly textured surfaces of velvet, patterns emerge, outlining everyday objects and settings: a watch, Dinner Gallery’s glass door leading to the courtyard, a table under an archway, and various indecipherable but seemingly familiar architectural forms. They are punctuated with scraps of domesticity and quotidian life: lace strips, tree branches, and old-timey tablecloth designs. In the artist’s solo exhibition titled The Foundations, each monochromatic piece quietly outlines the theatricality of everyday life. Oscillating across the terrains of sculpture, frottage, performance, and assemblage, Modan’s work gently unpacks the categorical pretense behind techniques of making.

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Marina Kassianidou: A Partial History

in conversation
Marina Kassianidou, A Partial History, 2024. Installation view, NARS Foundation, Brooklyn, NY, USA. Courtesy of the artist and NARS Foundation

During her solo exhibition at the NARS Foundation, artist Marina Kassianidou spoke with Mary Annunziata, who previously curated Marina’s work, A Partial History, as part of the inaugural Immigrant Artist Biennial in 2020. In her exhibition at NARS, Marina presents new work inspired by her grandmother’s collection of 19th and 20th-century schoolbooks from Cyprus. On display are four photographs of selected pages from these books, four artist’s books that recreate the full original texts, and four large sculptural drawings. The show celebrates a call and response with ancestors’ material history, showcasing Marina’s time-intensive artistic process in which she works with surfaces found in her surroundings, such as walls, floors, fabrics, paper, and screens, and experiments with ways of marking that respond to the surface’s appearance, use, or history.

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Franziska Warzog: The Joy of Tactility

A person in a costume

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Franziska Warzog, Creature covered by tongues, textile sculpture, 2008, 134 x 27 x 12 cm, (52.8 x 10.6 x 4.7 in), photo taken by the artist’s husband

The Hanover based artist Franziska Warzog makes textile sculptures characterized by bold shapes and vivid colors reminiscent of patterns in nature. As a daughter of two visual artists, she was introduced to design principles since early on.

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Armita Raafat: Reflective Tactility


Site specific installation, 2016, The Horse & Pony Fine Arts, Berlin

Armita Raafat is a New York based artist, born in Chicago and raised in Iran. Her sculptures, installations, and wall reliefs draw upon traditional Iranian architecture, specifically the Muqarnas Domes, the vaulting element in Islamic architecture. She is exploring their form and symbolism through her personal lens by using contemporary materials, transplanting them into new cultural, historical, and geographical contexts to assume a new meaning.

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Elisa Soliven – Genesis of making in Clay

Elisa Soliven, Studio Portrait, Courtesy Maxim Ryazansky

Elisa Soliven is a sculptor, curator, and co-founder of the artist collective Underdonk.  In her recent body of work, exhibited at the last SPRING/BREAK art show, Soliven experienced a turning point in her art.  In our interview for ArtSpiel she elaborated on her process and shared some of the thought process behind her work. Continue reading “Elisa Soliven – Genesis of making in Clay”