Heidi Norton – The Edges of Everything at Wave Hill

Featured Artist

Heidi Norton and Eileen Jeng Lynch, curator.

Heidi Norton’s site-specific installation at Wave Hill examines the intricate links between humans and the natural world. Inspired by Wave Hill’s grounds and the Sun Porch’s architecture. Activated by sunlight, Norton’s installation is made of sculptures and large, vibrant photographic scrolls draping from the ceiling and undulating through the space. Norton says that the configuration of scrolls encompasses landscapes of present and past, incorporating recent photos that the artist took of the gardens, as well as archival images. Norton’s work draws on her rural upbringing by New Age homesteaders. She upcycles discarded plant clippings from Wave Hill’s gardens, repurposes compost and deconstructs past work, incorporating it into new pieces—speaking to sustainability, contemplating how memories are embedded in materials and landscapes, as well as how a sense of place is recorded through time and changes in the land. Heidi Norton with her site specific installation, The Edges of Everything at Wave Hill, July 16th – August 28th, 2022. Meet the Artist recording can be found here

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Fragile Rainbow: Traversing Habitats by ecoartspace

Featured Project: with curator Sue Spaid

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Tessa Grundon, Invasive Species, 2018-2021/2022, Asiatic Bittersweet root systems and border fencing, dimensions variable.

The group show Fragile Rainbow: Traversing Habitats at the Williamsburg Art and Historical Center in Brooklyn includes paintings, sculptures, videos, and installations addressing environmental issues by more than fifty artists from the New York City region who are members of ecoartspace. The title is based on Claire McConaughy’s oil painting, Fragile Rainbow, referencing both hope and loss. The show runs from May 7th through June 4th, 2022. Curator Sue Spaid elaborates on this large-scale group show.

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The Last Ones Standing

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Sea-Change Installation at MARS gallery, Melbourne, Australia, 2017. Photo by Matthew Stanton

Many artists have begun making work related to the climate crisis in recent years. But Australian visual artist Penelope Davis decided to address the subject eight years ago. Originally trained as a photographer with a portfolio including mainly camera-less photographs, she turned to sculpture and the looming environmental disaster after observing her first jellyfish blooms along the Melbourne coastline. Although alarmed by what appeared to be an unnatural and terrifying phenomenon, she was also attracted aesthetically to the jellyfish’s semi-transparency and how they reflected light. 

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Deborah Kruger – Plumas at PRPG in Mexico City

Featured Artist


Deborak Kruger in front of Accidentals, 2020, screen-printing on recycled plastic bags, sewing, wrapping, waxed linen thread, 92 x 167 x 6″

Plumas, featuring Deborah Kruger’s recent work, is PRPG.mx’s premiere show in their newly expanded exhibition and residency space in Mexico City. In this sculptural installation, curated by Micheal Swank, Kruger focuses on the extinction of Mexican bird species, the death of Mexican indigenous languages, and the impacts of climate change on migration.

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Artists on Coping: Zac Skinner

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Zac collecting trash along the shoreline of the Hudson River, 2020, courtesy of the artist

Zac Skinner’s work explores geo-engineering, global warming, and the Anthropocene Landscape. His solo exhibitions include Rockland Center For the Arts, West Nyack, NY, Garrison Art Center, Garrison, NY, and Matteawan Gallery, Beacon, NY. Recent group exhibitions include CICA Museum, Seoul, South Korea, Spring Break Art Show, New York, NY; SITE:Brooklyn, New York, NY; WAAM, Woodstock, NY. He was recently interviewed and featured in Lowdown Magazine, Berlin, Germany. He is currently a Lecturer at Ramapo College, NJ, and SUNY New Paltz College. Skinner will have a solo exhibition at Wave Hill’s Sunroom Project Space this October through December, 2020.

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A Genuine Urge to Behold: ‘Meltdown’ by Kurt Steger

Opening night at ArtHelix, with partial view of Meltdown by Kurt Steger; photo courtesy of Vincent Romaniello

Suspended murky waterdrops on the verge of dripping from an icicle onto a sheet of paper prove to be almost hypnotic in Kurt Steger’s interactive project at ArtHelix. Utilizing elegant wooden contraptions made of a rotating large-scale low wooden table, a transportable tall crane-like sculpture, and a few low benches, Steger’s participatory performance evokes a genuine urge to behold the genesis of a fresh mark, from the first drip to the final circular tracing. The resulting drip drawings hang on the walls, mostly depicting  circular forms that range from dark sepias to vibrant yellows and rusty oranges. Continue reading “A Genuine Urge to Behold: ‘Meltdown’ by Kurt Steger”