street art – Page 2

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November 29, 2021October 29, 2021, by Etty Yaniv

Juan Hinojosa: Ensemble Iconographies

A person standing in front of a wall with art on it

Description automatically generated with medium confidence — Juan Hinojosa in studio during LMCC residency

New York based artist Juan Hinojosa collects found objects from everywhere he passes by. A toy snake, a wooden bird, a Good Luck charm, fragments from advertisements and billboards—find their way into his intricate compositions, creating altogether layered sculptural assemblages and intricate two dimensional collages. In both dimensional and flat formats, Hinojosa’s vocabulary is grounded in Pop aesthetics with a tint of Surrealism. Through super vivid colors and elaborate graphic shapes he depicts imaginary worlds where extravagant shrines and hybrid flowery creatures become a convincing presence. When you get closer, you can most likely trace where they came from.

August 27, 2021August 31, 2021, by Vittoria Benzine

Generations of Public Artists Converge at Welling Court Mural Project

*Daze and Crash for Welling Court Mural Project. Photo by Joe Iurato*

A few weeks back, an intergenerational group of five iconic NYC graffiti and street artists descended on Welling Court Mural Project (WCMP) in Astoria, Queens. The latest batch of mid-sized murals to grace this otherwise unassuming treasure trove of paint at the intersection of Main Avenue, 30th Avenue, and Welling Court includes Chris “Daze” Ellis, John “CRASH” Matos, JM Rizzi, Queen Andrea, and Joe Iurato, a world-class lineup whose collective come-up eras span the 1970s into the aughts.

March 22, 2021March 3, 2021, by Etty Yaniv

Art Heals: LAZZARO_art doesn’t sleep

In Dialogue with Laura Mega

Laura Mega is wearing one of the 20 limited edition surgical masks she created. All proceeds went to Feeding America for Covid-19 emergency aide.

Laura Mega is an Italian visual artist based in Rome and New York. As everything around her in Rome became sad and empty when Europe was hit by Covid-19, she felt the need to connect with the outside world through the language she is most familiar with, art. As all the museums and galleries were closed, she thought —what if I video project the art outside, connecting people trapped at home around the world? In Laura Mega’s mind, ideas have no value if there is no one who believes and supports them. Her international project Art Heals, presented by LAZZARO_art doesn’t sleep, is a video projection exhibition offering an element of brief happiness.

March 12, 2021March 13, 2021, by Sophia Ma

Belonging to P.A.D. (Project Art Distribution)

A picture containing text, building, outdoor, scene

Description automatically generated — “Popular Jewelry” featuring Arkadiy Ryabin, Johanna Stroebel, Clarissa Hurst, and Ann Treesa Joy, on September 26, 2020, photo credit to Adam Golfer, image courtesy of P.A.D.

The artist-run Project Art Distribution (better known as P.A.D. or @project_art_distribution on Instagram) hosts day-long outdoor exhibitions on versatile packing 72”x80” pads. Set up in Soho, one of New York’s art and retail hubs, the padded surfaces become the metaphorical and physical exhibition space of the usual pristine white cube galleries. Unlike the current Soho rental clientele of luxury brands and gallery spaces, P.A.D. has no walls. Lacking barriers in more than one way, the sidewalk gallery provides the public, the artists, the curators, and the organizational collaborators a welcomed openness to art and discussion. The project creates an ongoing network that ever-expands its community.

September 4, 2020November 15, 2020, by Etty Yaniv

Shift Happens at GreenHill

In Dialogue with Heather Gordon

Heather Gordon, 2019, photo courtesy of Eli Gray

In her drawings, paintings, and installations North Carolina based artist Heather Gordon maps the poetry of life using mathematical elements like numbers and geometry to coax narratives from information related to data of place, time and physical properties. In her collaborative projects she has extended her practice to large scale site-specific installations based on elaborate research, often including sculptural, performance and movement elements which altogether result in multifaceted and thought provoking projects that prompt the visitor’s intellectual and visceral engagement. In this interview Heather Gordon sheds some light on her nine-foot-high site-specific mural on the large exterior window of the GreenHill gallery to be completed late September. Heather Gordon’s public art initiative is the first of a group of works by the artist at GreenHill Center for North Carolina Art, as part of the Shift Happensart installation series which aims to explore art engagement at a time of social distancing.

June 11, 2020November 2, 2022, by Catherine Kirkpatrick

Artists on Coping: Carmen Paulino

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Carmen Paulino is a visual artist who works on providing community art programming in hospitals, community centers, and senior centers around New York City. Raised in the El Barrio section of New York City, her love for the arts was inspired by the murals in her diverse neighborhood, and her father who performed as a musician in several traditional salsa bands. As a young child, she watched her mother and grandmother knit, crochet, and sew unique traditional quilts and patterns. These experiences inspired her to develop her own techniques and produce her own mixed media works that incorporate her own life experiences, visuals from her immediate surroundings, and the inspiration that comes from living in a diverse melting pot of cultures. Paulino works at the Creative Center of University Settlement House, and in 2019 was artist-in-residence at El Barrio’s Art Space PS 109.

February 27, 2020May 30, 2020, by Peiyue Wu

Controlled Entropy, Taher Jaoui at 81 Leonard Gallery

*Taher Jaoui: Controlled Entropy installation view, photograph by Hannah Rozelle, photo courtesy of the artist*

One might find Taher Jaoui introverted the moment meeting him. It might be less about an aloof temperament commonly found in an artist than a reserved and prudent character often associated with a science person. The way in which Jaoui’s artworks act out follows a similar interpersonal pattern. Those scratchy mathematics signs and formulas are the most prominent elements of the new series of monochrome paintings featured in Taher’s current solo exhibition Controlled Entropy at 81 Leonard Gallery, co-hosted by Uncommon Beauty Gallery. The juxtaposition of the handwritings of mathematical formulas and the gestural brushwork in an abstract expressionist manner not only prompts questions about Jaoui’s background, but also problematizes the hostile split between art and mathematics. Reminding viewers of a lecturer running a mathematical calculation across the blackboard with chalk, this series of paintings highlights the performative elements in mathematics, as well as the craft aspects of labor invested in this intellectual activity.

February 17, 2020November 15, 2020, by Markella K

Michael Alan is New York’s Past, Present and Future

Michael Alan In conversation with Markella K

(*The American Legend*, Image courtesy of Michael Alan)

It’s time to question the nature of a city when everything you loved or heard about it has changed so much. NYC now has changed into a huge playground with high end food prices, fancy cell phones and luxury condos. I came here full of dreams just like everyone else, hoping to fit in and to see what Warhol left behind.

March 1, 2019March 1, 2019, by Etty Yaniv

Galen Cheney: Gritty Beauty

Galen Cheney, Light Falls, textile color, acrylic, and oil pastel on raw canvas, 40 x 36″, 2018, photo courtesy of the artist

In her bold abstracted paintings Galen Cheney often layers multiple media such as textile color, spray paint, oil pastel, acrylic, and collage to create complex images. Her paintings brings to mind a crossing between graffiti and abstract expressionism with a distinct sense of immediacy and gestural mark making. Galen Cheney shares with Art Spiel some of her background, ideas, and process.

October 15, 2018June 4, 2020, by Etty Yaniv

Andrea Burgay – Sorting Through Chaos

Andrea Burgay, Nothing’s Ever Lost (Turn The Page), 2018, Mixed-media collage, acrylic, UV glaze, 30 x 44″, photo courtesy of the artist

The combination of material and abstracted imagery in Andrea Burgay’s complex and richly layered collage work makes the passage of time tangible – traces of destruction along with a sense of potential renewal. She shares with Art Spiel some of her main art processes, core ideas, and current projects, including her recently launched art magazine “Cut Me Up,” a publication with a fresh twist. Continue reading “Andrea Burgay – Sorting Through Chaos”