Natalia Zourabova: Nightlight at Kaliner Gallery

Installation view

I am meeting Natalia at Kaliner gallery on a steamy day in June. The artist, who arrived here for this milestone exhibition, her first solo in New York, is uncertain when and how she will be able to return home to Israel. The war in Iran was launched just a week after the opening. Stranded away from her family, she remains determined and optimistic. This toughness in the face of chaos is also evident in her artwork. The paintings in Nightlight are vibrant, large, and striking.

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Judith Simonian: The Human Element Huddled and Still

Installation View. Courtesy of JJMurphy Gallery

Judith Simonian’s solo show at JJ Murphy Gallery, poignantly titled The Human Element, Huddled and Still, features her latest paintings from the past few years. At first glance, there is familiarity in each piece – a living room, a still life, part of a ship – but as one starts to look closer, something starts to happen. Within each painting, there is a portal into another world; there are clashing planes and changing scenes that are so seamlessly blended together the viewer’s brain needs some time to catch up. What is particularly astounding about Simonian’s work is that her subject matter is a humble amalgamation of scenes, spaces, and objects one would encounter in everyday life.

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Guy Nelson: Tales from the Understory at The North Dakota Museum of Art

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Guy Nelson, The Road Not Taken, North Dakota Museum of Art

The North Dakota Museum of Art’s latest exhibition, Guy Nelson: Tales from the Understory, is a multidisciplinary solo show focused on the woodlands and prairies of the upper Midwest. Featuring sculpture, painting and video, the exhibition will be on display through July 20, 2025. This exhibition marks the tenth in the Museum’s Art Makers Series, an annual award for artists with connections to the region, which is underwritten by Dr. William F. Wosick of Fargo.

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The Foundations: Lior Modan at Dinner Gallery

Lior Modan, Rain (2025). Velvet, foam, cardboard, sand, and epoxy putty in artist’s frame. 23 x 30 inches. Courtesy of the artist and Dinner Gallery. Photo: JSP Art Photographer.

Lior Modan’s work invites touch—but not quite. On the somber, richly textured surfaces of velvet, patterns emerge, outlining everyday objects and settings: a watch, Dinner Gallery’s glass door leading to the courtyard, a table under an archway, and various indecipherable but seemingly familiar architectural forms. They are punctuated with scraps of domesticity and quotidian life: lace strips, tree branches, and old-timey tablecloth designs. In the artist’s solo exhibition titled The Foundations, each monochromatic piece quietly outlines the theatricality of everyday life. Oscillating across the terrains of sculpture, frottage, performance, and assemblage, Modan’s work gently unpacks the categorical pretense behind techniques of making.

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Judi Keeshan – Mixed Magic at Tappeto Volante Projects

Installation shot, Mixed Magic.

Mixed Magic, the first solo exhibition in New York by Judi Keeshan, curated by Jared Deery and JJ Manford at Tappeto Volante. The show runs through April 6th, 2025.

In Judi Keeshan’s first New York Exhibition, titled Mixed Magic, curators Jared Deary and JJ Manford present a wide survey of works from 2017 to 2024. To assemble the show, they selected the works directly from her studio, flipping through a massive collection of works as if browsing a record store. They let the images on canvas guide them—the characters and stories revealed themselves to the curators, just as they now await discovery by new audiences within the gallery.

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Guan-Hong Lu at Nunu Fine Art New York

The Unbearable Lightness of Being, 2024 oil on canvas 11 7/8 x 11 7/8 in. Image courtesy of Nunu Fine Art Gallery

Currently on view at Nunu Fine Art’s New York Project Space is View from My Window, a solo exhibition by Taiwanese painter Guan-Hong Lu. The exhibition features over 20 small oil paintings, predominantly 13” x 10” in size, and is housed in the gallery’s lower level—below ground—intensifying the sense of intimacy in both subject matter and conceptual approach. Lu’s subject matter, at first glance, appears as fleeting moments captured in time, but upon closer inspection, they reveal layers of surrealism, irony, and political undertones.

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Ming Wang’s solo show Through Lingering Window at Fou Gallery

Ming Wang: Through Lingering Windows installation view. Photograph by Ken Lee ©Ming Wang, courtesy of Fou Gallery

Ming Wang’s solo exhibition, Through Lingering Window, curated by Ashley Ouderkirk at Fou Gallery, creates a meditative and healing enclave amidst the bustling streets of Union Square in New York. Located on the seventh floor of a Fifth Avenue building, the gallery becomes an intimate retreat where Wang’s oil paintings evoke a sense of stillness within the restless cityscape.

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Diane Burko: Bearing Witness at Cristin Tierney

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Installation View 4 Diane Burko Bearing Witness Cristin Tierney Gallery 2025 Adam Reich
Installation view

Diane Burko’s Bearing Witness at Cristin Tierney Gallery combines mixed-media paintings shaped by her experiences in extreme environments—glaciers, coral reefs, deserts, and rainforests. She has engaged with the shifting landscape for fifty years, responding to the accelerating changes that threaten these places. This marks a significant moment in her career—her first solo exhibition in New York in over forty years and her debut at Cristin Tierney Gallery.

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Art Spiel Picks: Just for Laughs Exhibitions in December 2024

Nancy Elsamanoudi, Donut Dog at Dog House Gallery, courtesy of the the artist
HIGHLIGHTS

From Manhattan to Brooklyn, there is funny business happening in the galleries this holiday season, quite literally. Portraits of humorous creatures in a solo exhibition titled Donut Dog by Nancy Elsamanoudi at Doghouse Gallery are an opening act to the performances at the Brooklyn Comedy Collective. Slightly absurd paintings of “Lost” posters by Jeffrey Morabito crack a joke in a two-person exhibition titled Flat Theater at Space 776 (CLOSING DECEMBER 18th), while a humorous undertone sets the mood in the Paintings and Chairs group exhibition at Zepster Gallery.

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Prejudice and Belonging – the Ethiopian Pavilion in La Biennale di Venezia

Tesfaye Urgessa, Pavilion of ETHIOPIA, Prejudice and belonging, 60th International Art Exhibition – La Biennale di Venezia. Photo by: Andrea Avezzù. Courtesy: La Biennale di Venezia

The first national Ethiopian pavilion at the 60th Venice Biennale, housed in the elegant sixteenth-century Palazzo Bollani, may be challenging to find, but the effort is amply rewarded. In his solo exhibition Prejudice and Belonging, Ethiopian artist Tesfaye Urgessa presents figures that inhabit a broad and complex emotional spectrum where fragility and strength coexist. Ethiopian iconography and European modernist figurative painting converge, creating a striking visual dialect articulated throughout the ten large paintings and small portraits that fill the three interconnected rooms.

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