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Untitled, 2023, Digital image etched into glass, paint. 20 x 20.
Jennifer Trask’s materials—whether bone, wood, metal, or antique fragments—function as collaborators in her sculpting process. Their physical properties and embedded histories guide her decisions, shaping how she responds to their density, grain, and structural limits.
During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
Physical distance can translate into uncontested time—studio shot “Center left, Center right” acrylic, feathers 48×360” 2018
Despite gaining recognition as an abstract expressionist for his bold sculptures, installations, and assemblages, Gregory Coates primarily defines himself as a painter. Coates exploratory studio practice and compositional experiments with found objects have established him as a prolific artist with a compelling and extensive catalog. He studied at Corcoran School of Art in Washington, D.C. and has been exhibited at museums and galleries around the world including, the Smithsonian Institute of American Art, the Studio Museum in Harlem, The Philadelphia Academy of Fine Arts, Galerie Denkraum in Vienna, Austria, and Kamigamo Shrine in Kyoto, Japan among others. Recent publications include an opening paragraph of “Abstract Truths” by Angela N. Carroll for Sugercane Magazine, Art Pulse, and White Hot Magazine. He is exhibiting with N’Namdi Contemporary, Miami.
During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
Sacred Heart of Chance, 18 x 10 x 4, Blown Glass, Found Objects
Tim Tate is an HIV+ studio artist co-founder of the Washington Glass School in Washington, DC. Tim’s work is in the permanent collections of a number of museums, including the Smithsonian’s American Art Museum. He was president of the Triangle Artist Group ( TAG -a queer artists coalition ), and chairman of the first Art Against Aids in Washington, DC. He was also the 2010 recipient of the Virginia Groot Foundation award for sculpture, 2nd place in the 2017 London Contemporary Art Prize, and is a 2018 James Renwick Alliance Distinguished Artist. He participated in the Glasstress show with Ai Wei Wei and Vic Muniz during the 2019 Venice Biennale.
Hailed as a “Trailblazer in Digital Art” by the Times Tribune and “The First Lady of Animated Painting” by The Examiner, Marjan Moghaddam is a pioneering and award-winning digital artist and animator who has been exhibiting her computer-generated art works in galleries, museums, and festivals since the 1980s. Most recently, her #arthacks on Instagram were shortlisted for the International Digital Sculpture price, and several of these hacks have gone viral on top art channels on social media with millions of views. Her Augmented Reality art has been exhibited at museums such as the Smithsonian. Audra Lambert talked with Marjan Moghaddam about the artist’s reflections on digital art and social media, her work, and upcoming projects.