Everyday War at the Asian Museum

In dialogue

Emily Wilson in conversation with Abby Chen curator of contemporary art at San Francisco’s Asian Art Museum

Installation view of Yuan Goang-Ming, Everyday War, 2025, at the Asian Art Museum of San Francisco. Photo by Kevin Candland

Yuan Goang-Ming, known as the ‘father of Taiwanese video art,’ chose Abby Chen, the curator of contemporary art at San Francisco’s Asian Art Museum to curate his presentation at the 2024 Venice Biennale, Everyday War. In the Palazzo Priccioni, a space that once served as a prison, his videos and installations poetically examined the unease of contemporary life, in works such as Dwelling, which presents an explosion in a living room, and Everyday Maneuver, showing the empty streets of Taipei during an air raid drill.

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The Immigrant Artist Biennial: Renana Neuman


Renana Neuman, Temporarily Removed, Part 1, Daydreaming, installation view, 2019, photo courtesy the artist

The Immigrant Artist Biennial (TIAB) is a volunteer, female-led, artist-run project. TIAB 2020 launched in March in New York City at Brooklyn Museum, and continued in September through December at EFA Project Space, Greenwood Cemetery, and virtually, presenting 60+ artists. This interview series features 10 participating artists.

Renana Neuman is a Brooklyn-based artist, producer, and curator born in Israel. In her artistic practice, Renana makes media-installations that mash together eras, continents, and modes of consciousness. She combines video, animation, and text to describe the emotion-driven political ambiguities of our contemporary moment. Renana’s works invoke the ghosts of our cultures and invite them to haunt us, to tell us their stories, to play.

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Rachel MacFarlane’s Paradise at Super Dutchess Gallery

A picture containing indoor, chair, table, computer

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Rachel MacFarlane | Beacon | Single-channel video | 32” (Animation still) | 2020

I haven’t seen Rachel MacFarlane’s painting Sliver (2020). It would be reasonable to assume that I had, because Sliver is the centerpiece of Paradise, the show that this review is about. In fact, Sliver is the only painting in Paradise.

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