On Salt, Seaweed, and Disappearing Places

A close-up of some plants

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Skin #9, algae, insect pins, 60” x 62,” 2021

California-based artist, writer, and researcher Christina Conklin grew up spending summers along the coast of Oregon where she first developed a relationship with and understanding of the ocean as “an infinite vessel” of ever-changing and interconnected living systems. For the last 12 years, her artwork has explored the intersection of art, science, and spirituality as it relates to the sea. 

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Woven and Waxed Water Stories


10° 20′ 32” N, 44” x 96” x 3”, detail. Salvaged fishing nets and lines collected from across the Pacific Ocean with deep-sea leader line, 2021 (in process) .

Hawai’i-based fiber artist Mary Babcock uses discarded fishing nets and lines as well as household wax paper to create tapestries and installations about sea level rise, “our proclivity towards destruction or entanglement,” and our perceptions of and relationship to water. The process of self-laminating wax paper for installations and of cleaning, sorting, and unravelling abandoned, tangled fishing nets and lines and then weaving them into something completely new, is the manifestation of her refusal to see anything as unworkable or unrepairable, including the climate crisis. 

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