scroll painting – Art Spiel

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October 7, 2024December 7, 2024, by Etty Yaniv

Dorothy Robinson: Paint Through Space and Time

End of Story, 2022, oil on panel, 48×60 inches, photo courtesy of Bill Massey

Dorothy Robinson’s family moved often during her childhood, starting in rural Iowa, where they farmed for generations and eventually settled in California. After high school, she bounced between colleges before landing at UC Berkeley. Studying art never crossed her mind, but she was drawn to geography, “probably because of its strong visual component—map making, field trips, slide shows,” Robinson says. During an internship, she learned darkroom skills and later worked in commercial photo labs, shaping her sense of color while making color prints. An invitation from an artist friend to join a drawing group was transformative, and started Robinson on the path to a life of making art.

April 24, 2024April 24, 2024, by Etty Yaniv

This Bitter Earth: Deborah Wasserman at Kuma Lisa

Photo Story

Deborah Wasserman, Rubble, 2021, ink and acrylic on paper, 28″ x35.5″

Rubble, mutated crop fields, floods, scorched earth, and occasional female figures floating or submerged unfold throughout the sixteen landscape paintings in Deborah Wasserman’s current solo show, The Bitter Earth at Kuma Lisa. Though the paintings differ in scale and media—from small acrylic and oil on panels to larger acrylic, oil, and stained clothes on canvas to medium-sized works on paper—they all share the sense of a world where multiple perspectives from different vantage points co-exist. Wasserman’s energetic strokes and searching lines create a rhythmic movement upward, downward, and sideways—reminiscent of the fluidity in Chinese and Japanese calligraphic scroll paintings and the clear, directional lines of a hand-drawn map. These linear dynamos intertwine with a palette of earthy tones, greens, yellows, oranges, blues, reds, and pure blacks, creating multiple vignettes within a layered landscape.

April 9, 2020November 2, 2022, by Catherine Kirkpatrick

Artists on Coping: Elisabeth Condon

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

*Elisabeth Condon in front of Urban Idyll at Ditmars Blvd., Queens, in 2019. Photo Phillip Reed*

Informed by scroll painting and 20^th century abstraction, Elisabeth Condon’s landscapes intersect nature and décor. While the overlap of New York and Florida inspire the majority of her compositions, Condon frequently travels to numerous residency fellowships from Shanghai and Mexico City, to the Grand Canyon and Florida Everglades. She recently completed Urban Idyll, thirty-six laminated glass panels for the NYCT Astoria-Ditmars Blvd. Station in Queens, commissioned by MTA Art & Design. Her work has been recognized by the Joan Mitchell Foundation, Pollock Krasner Foundation, and State of Florida Individual Fellowships.

January 22, 2019May 6, 2019, by Etty Yaniv

Elisabeth Condon – Responding to Contingency

Elisabeth Condon, Plant Life, 2018, ink, acrylic on parchment, 144 x 32, photo Jim Reiman

Elisabeth Condon is a traveler in life and art. Her large scale scrolls, installations, and paintings entice the viewer to join her in adventurous excursions of new and imaginative landscapes. The artist’s innate sensibility for color, pattern, and form, ignited by an insatiable curiosity for cultural intersections, have resulted in an outstanding body of work. For Art Spiel, Elisabeth Condon sheds some light on her dynamic mode of visual quest, and on-going projects.